Robert Zünd - Storm-Ridden Landscape (1854)

oozey mess
let's talk about Bridgerton tea, my ask is open
Monterey Bay Aquarium

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macklin celebrini has autism
Xuebing Du
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titsay
$LAYYYTER
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almost home

if i look back, i am lost
Jules of Nature
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I'd rather be in outer space 🛸
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Robert Zünd - Storm-Ridden Landscape (1854)

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Yoshimoto Nara — KILL YOUR TIMID NOTION .
Not treating me like a princess is so evil and wrong
Nam June Paik, ‘Candle TV’, 1990
Hanna Schygulla in DIE EHE DER MARIA BRAUN (Rainer Werner Fassbinder, 1979)

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We look at each other, we exchange darknesses, we love like opium and memory, we sleep like wine in mussel-shells, like the sea in the blood-ray of the moon.
Paul Celan, "Corona," Translated from German by Paul Weinfield
galina belyaeva as anna pavlova in “Анна Павлова”, (1983) . dir. emil loteanu
Unicorn
Book of hours.
MS M.358, fol. 12v. Morgan Library, ca. 1447.
The Woman with Two Heads (二頭女, Nitō-onna) by Shūji Terayama, 1977
“I am eternally, devastatingly romantic, and I thought people would see it because romantic doesn’t mean sugary. It’s dark and tormented — the furor of passion, the despair of an idealism that you can’t attain.”
— Catherine Breillat, “Interview by Martin Tsai,“ The New York Sun

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Pandora Reynolds
Ava Gardner in Pandora and the Flying Dutchman (1951)
I wear perfume to intensify who I am. That's why I can't use fragrances that go against me. Wearing perfume is an instinctive wisdom. Perfume is an art. And like all art, it requires some self-knowledge.
Clarice Lispector
weathervane of a dove in flight
John Bauer, Freyja and Svipdag

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Freud, on love and detaching from the reality.
Hélène Cixous, Stigmata: Escaping Texts