“[Russian Doll] probably has a more clear cut, one-to-one addiction metaphor, as far as the idea is deeply personal to me of going from a very disconnected, removed life [where] self-destruction makes the only sense because my behaviors don’t impact the world around me to a character who is by circumstance forced to look at this other idea, which is she accidents into a more connected life [and] realizes people are real, including herself. This is, of course, a much more vulnerable place to be at than this pseudo-punk rock idea of, “Nothing means anything and I don’t care. No one can touch me and I can’t touch them.” Just as soon as it crystallizes that we are of this world, then we have to be participating members — including the discomforts of the injustices that are a part of the daily news cycle that will rock you with their horrors and make you not want to go on because it all seems like to much, to the realities of life’s arbitrary nature and fragility. … Life is full of these moments and I think it speaks to the universal themes of discomfort and curiosity of the experience of what it means to be a thinking, feeling person who’s having these kinds of colliding thoughts. … It’s a very human experience, as well, to wonder what it’s all about.”

Some of the movies Wendy Carlos did the soundtracks for, that you may know:

Her discography is here!

Hey, so the character animation in Soul Eater was really fucking beautiful.