Hokusai - Egrets from Quick Lessons in Simplified Drawing, published in 1823
Stranger Things
dirt enthusiast
Three Goblin Art
will byers stan first human second
Alisa U Zemlji Chuda
PUT YOUR BEARD IN MY MOUTH
tumblr dot com

blake kathryn

roma★
Show & Tell
Xuebing Du
Monterey Bay Aquarium
h
almost home
macklin celebrini has autism

Janaina Medeiros

Origami Around
we're not kids anymore.



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@affogonellamarmellata
Hokusai - Egrets from Quick Lessons in Simplified Drawing, published in 1823

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cover of the haunting of hill house by shirley jackson pt. 1
“The LEGO Movie was my favorite movie of 2014, but it strikes me that the main character was male, because I feel like in our current culture, he HAD to be. The whole point of Emmett is that he’s the most boring average person in the world. It’s impossible to imagine a female character playing that role, because according to our pop culture, if she’s female she’s already SOMEthing, because she’s not male. The baseline is male. The average person is male. You can see this all over but it’s weirdly prevalent in children’s entertainment. Why are almost all of the muppets dudes, except for Miss Piggy, who’s a parody of femininity? Why do all of the Despicable Me minions, genderless blobs, have boy names? I love the story (which I read on Wikipedia) that when the director of The Brave Little Toaster cast a woman to play the toaster, one of the guys on the crew was so mad he stormed out of the room. Because he thought the toaster was a man. A TOASTER. The character is a toaster. I try to think about that when writing new characters— is there anything inherently gendered about what this character is doing? Or is it a toaster?”
— Bojack Horseman creator Raphael Bob-Waksberg commenting on how weird gendered defaults in entertainment are, and why we should think twice about them. Excerpted from this longer original post. (via 360degreesasthecrowflies)
a cancelled tv show is a kind of dead wife
ONE BATTLE AFTER ANOTHER 2025 | dir. Paul Thomas Anderson

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Benicio del Toro & Chiara Mastroianni for L’Uomo Vogue 2002
ABSOL-utely nothing to see here.
ONE BATTLE AFTER ANOTHER dir. Paul Thomas Anderson | 2025
alò quando vuoi parlare seriamente di queer readings dei film fammi sapere

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Stained Glass Can of Sardines : Renske van Barschot
Another hyperfixation on a crime thriller I'm doomed...
BENICIO DEL TORO as FRED FENSTER THE USUAL SUSPECTS 1995 | dir. Bryan Singer
anticipatory grief as a sports fan hits different. you know it will end. sometimes maybe even sooner than later. trades happen. injuries happen. sometimes the love isn't enough. maybe it will take many many years but something will always hurt. there is no love and success without pain. I'll try to enjoy it while it lasts. thats the least we can do.

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it's called malpensa because you have bad thoughts there
golgol