Dad would be happy methinks


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@abrownriggworld
Dad would be happy methinks

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Writing
The deliciousness of any character is based around its weaknesses, more than it's strengths. Â - AB
My Website
still tweaking, but it's there. http://anthonybrownrigg.net
Everyone has hard times. I wrote a song about mine.
http://www.youtube.com/watch?v=qdfFmhL19IU
Interns never know, and neither do you.
This is an experience that changed my life.
I was young at the time. Maybe in my early twenties, when I was hired on as a cinematographer for a movie. It was a simple film, full of action, gunfire, and beautiful ladies. It was also on a tight budget, and like on so many tight budgets we had our fair share of interns.Â
Interns are those that want to break into the business, but don't yet have the resume to get paid for it. So they work for experience.Â
"A little to the left" my gaffer informed me as he stood on the stage of a topless bar holding a light meter.Â
I was standing at the light; one thousand watt fresnel often referred to as a baby. The stand was at full extension and the instrument itself was a good twelve feet over my head. On that instrument is a metal attachment known as barn doors, the can be opened and closed to control the amount of light flowing through it.Â
Barn doors are steel, they are heavy, and hot. They also hang off the front of the light nestled in a set of teeth that keep it in place.Â
I'm glad there's a safety chain attached. Â
This was the thought that went through my mind as I gently twisted the light to the left while at full extension. One gentle clicking sound and I started to look up.Â
Fortunately I never made it that far.Â
You see, the barn doors had fallen off the baby, and landed on edge on the top of my skull. As it turns out the safety chain had not been attached, and it was only hanging on two of the three teeth required to keep it there.Â
One quick whonk, and the sound of scraping metal against bone, and I dropped to my knees.Â
"Medic", I stammered.Â
Of course I was just being comical, until the warm trickle of blood flowed down over my eyebrows, and the rest of the crew started staring at me in shock. Â
I don't remember much after that, save for the fact that I was quickly put into a car, and driven to a hospital. At which point I received eight stitches.Â
Hurrying to get back to set after the three hour ordeal, I arrived to find a single person sitting on the curb outside. It was the eighteen year old intern. And he was crying.Â
"What's going on?" I asked out of curiosity.Â
"I'm so sorry, I'm so sorry, don't worry I'm waiting for my mom to pick me up." He said with the defensiveness of someone that thought I might have a meat cleaver tucked into my belt.Â
"They fired you?" I asked with an arched eyebrow.Â
He nodded solemnly. Poor guy, his first movie and he kills the DP. He'll never work for free in this town again.Â
You see it was the intern that failed to put the safety chain on the instrument, and set up the barn doors. The producers quickly surmised the risk of having this lowly individual on set, and quickly asked him to pack his things lest I return and seek revenge.Â
"Don't move" I said with a touch of anger now brewing in my voice.Â
I walked inside and sought out the producer. He quickly assured me that the young man was no longer on set, and I could now work in comfort.Â
Five minutes after my own little tirade to the producer I walked back outside.Â
There he was, looking pathetic, miserable.Â
"What are you doing sitting out here?" I said sternly.Â
"huh?" he said confusedly. "I told you, I.."
"Did you mean to leave the safety chain off?"
"No, NO!" he said still thinking I was about to attack him.Â
"Are you ever going to set a light without making sure the safety chain is on again?"Â
"If I ever get a job again." he said plainly.Â
"You have a job, get your ass in there, you're now safety inspector. I won't fire you for this, but I"ll fire you for wandering off set when there's work to be done."
His little eyes welled up as his bottom lip quivered.Â
"Really? You, mean it?" he asked.
I said this to him.Â
"Look, unless you're a hired hit man, you have no reason to want to hurt me. You got sloppy, you missed something you were supposed to do. Welcome to life. I'm not firing you for this because one day you'll be running your own shoot, and some young intern is going to drop something on YOUR head. And when that happens, and it will, you will tell them this story, and make sure they get it right next time."
For the rest of the two weeks of shooting, we had the most vigilant safety coordinator in the history of safety coordinators. Every cable was taped down. Every light was inspected whether he set it or not. And he damned near insisted on tasting my food just in case someone was planning a coup against the camera department.
I actually paid him a hundred bucks out of my pocket when the shoot was over. He was that good a kid.Â
Three years later.Â
I was at the USA film festival, friday night. I was standing in line to get into the short films showcase with popcorn in hand, and a smile on my face.Â
Then someone tapped me on the shoulder.Â
I turned and my eyes widened. It was him, the intern, now a senior in college.Â
"I can't believe its you!" he said to me with such excitement that I started to wonder if he'd had some kind of crush on me or something three years previous.Â
"Yeah, wow, how you doing?" I said to him casually.Â
He was almost vibrating with excitement. "I have a film in the showcase!" he said proudly. "It's my senior project, it got into the festival!"
No wonder he was excited.
"That's great" expecting that the acknowledgment would calm him a bit.Â
"NO, NO, you don't understand!" he said insistently. "LOOK!"
He motioned down to his left foot, which was sporting a lightweight cast, no wonder he was walking with a limp.Â
"What happened?" I asked.Â
"It was a freshman!" He said with such a huge grin that he looked fresh out of the insane asylum. "I asked him to set a light stand, and he forgot to tighten the securing bolt, and the extension slid out and right into my foot, and cracked it!"Â
I smiled a bit myself now.Â
"Did you fire him?"Â
"NO, I told him about what I did to YOU!" He said with a slight tear welling up in his eye. "If you hadn't done that for me, I wouldn't be in the business anymore, you know that right? I was going to change majors."
My own eyes welled up a little as I listened to him.Â
"Life is a long list of stories" I said. "And It's only the stories that we get to leave behind. I'm proud that you included me in yours."
As we said our goodbyes and I walked into the theater. (typical filmmaker, he stayed outside). I thought about all the stupid things I did to other people when I was learning. And was glad that I got to pass that along to someone else. Â It made my entire evening, and my entire outlook on life a little brighter.Â
Oh, and the short he did, was actually pretty good.
See you at the oscars Ben.Â

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Say it and mean it!
From Red Victoria  https://www.youtube.com/watch?v=JT4CJzBbNPE
from Red Victoria https://www.youtube.com/watch?v=JT4CJzBbNPE
From Red Victoria https://www.youtube.com/watch?v=JT4CJzBbNPE
From Red Victoria https://www.youtube.com/watch?v=JT4CJzBbNPE

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
From Red Victoria  https://www.youtube.com/watch?v=JT4CJzBbNPE
How to get a virtual oscar! A indie film primer.
How to get a virtual oscar! by Anthony Brownrigg My movie is the best movie ever! Itâs sure to win oscars, Itâs sure to get a hundred million views, and in no time Iâll be rolling in dough! Sometime later, donkeys will come flying out of my behind. Yes, those words are so often chosen by individual filmmakers who have the tenacity and the insanity to speak the phrase that dooms them to a life of mayhem. âHey, letâs make a movie.â The question in todays world is whether or not making a movie is actually worth the risk involved. In my mind I say yes, a resounding yes. (Keep in mind, that I myself am quite insane.) But why is it that making a movie is so hard? Is it the money? Sure, it costs to make a film. Canvas is expensive and the paints need to be fed. But once youâve made it on your little laptop that aunt Sophie got you for christmas last year, what do you do with it? This is where the truly hard part comes in. Itâs a big world out there. And the internet once thought of as the great equalizer, has once again become dominated by the big boys that have the bucks to buy out all the advertisement on youtube for a year. Any movie requires an audience to become successful after all. And getting that audience is moving further and further towards the online universe. Back in the day, the phrase four walling was quite common. Four walling means go pay for a theater to show your film, while trying to get people in the door. Go put posters up at your local video stores. Try and get some press on yourself by calling in a favor to that guy you know thatâs related to that girl that works at that paper where that other guy works, you know the one that writes movie reviews? And make copies of your DVD and sell them at local venues yourself. Those days are dying, quickly. The theaters today, save for a few that will serve you sandwiches during the film, are more interested in 3d, and the big blockbuster experience. If your movie is just a great story, youâd better hope that a major distributor wants to pick you up and push the film. If not, online is quickly becoming your only venue. Which leaves places like Hulu, Netflix, and others in that genre. But again, those are quickly being gobbled up by the majors and used as platforms for their own projects. The few that get brought in to those online streaming services are already backed by distributors that have deals in place. Even getting your show on iTunes can be a chore as you have to have someone else thatâs iTunes approved and of sufficient quality to pass their rigorous standards. This leaves places like youtube. Youtube is starting to become the catch-all of independent film. Vimeo a close second, but not like youtube. You can set it up so you can run commercials ahead of time, and have the chance at making a few advertising dollars. But that only works if you can get people to watch it. So, if youtube is the last great frontier of independent distribution then how do you get your film noticed on youtube? You canât afford to buy those fancy banners that always display the latest hollywood blockbusters on the main page. Those have been gobbled up as well by an executive that has the money behind him or her to say âOh just buy six months of prime coverageâ. You can do a dance naked to the tune of a popular song, and hope it goes viral. Or you can hit all the social networking sites and blanket it with just how amazing your movie is. Either way, youâre shooting in the dark for the most part as most folks pay attention to whatâs on the major medias, and the major medias tend to be owned, or overtaken by the major studios. THAT is capitalism at its best. This is the time that is most important for smaller sites that have resisted the buy outs, and are truly intent on giving everyone a fair shake when it comes to building an audience. Sites like aintitcool.com, or various popular blogs on tumblr (thereâs lots of them out there). You have to work hard on these places, as everyone is working hard to get their own projects up there. So finding out what makes your own film stand out amongst the competition is key. But keep this in mind. NO movie can be in direct competition with another. Yes, I said it. It sounds crazy right? Unless youâre shooting the same script (which is rare), even the same type of story has its own nuances, performances, and other elements of the tapestry that are vastly different. So when I say direct competition, I donât mean general competition. There is a big difference in those two phrases. General competition means youâre competing for an audiences time. No one can spend their time watching all movies at once. They need to take their couple hours on a friday night and attribute it to one film, or two if youâre lucky. In order to make that decision, they have to decide which movie is going to give them the biggest bang for their buck. Letâs face it. Theyâre tired, itâs been a long day, they have a few friends over and expect to smile. (Even a good drama can leave an audience smiling, make a note kids.) THAT is where you come in. It means stepping out of your own story, and looking at the audience as a big game hunt. What age is your market? What genre is your market? Are they going to be able to enjoy popcorn and conversation during the film? Or are they expected to all stay quiet while your magnificent story lays its details out like a finely tuned swiss watch. You have film X, and you think its great. But figure out âwhyâ its great first. The most successful movies in the online world tend to take us out of ourselves. Theyâre often funny, they have quotable lines, and theyâre easily shared. They bend to the new fast paced world of today. Can you take a clip of your film, and make an animated gif? If not, you should think on that one. Itâs free advertising. Can you chop pieces of your film up for great quotable lines? People share that kind of thing on twitter all the time. Ever heard of the best way to a mans heart is through his stomach? Well the best way to an audiences wallet, is through their boredom. Let's face it, we're monkeys at heart, and we get bored easily. Big long movies donât go viral. Ten second clips of some movie could if itâs funny, or important in some way. If you think of your audience as bored monkeys looking for a fix to make them smile through their workaday lives you might stand a chance at getting your full movie brought up during movie night. If only out of morbid curiosity to see just what that clip came from. It's called entertainment. And to entertain, is one of the many facets of film. But keep in mind no one tends to favorite a clip of a poor soul crying over their loss. That's just depressing. This leaves the question of Blu-Ray. Many are now saying that DVDâs are on their way out. Iâm not so sure. DVDâs allow you to âownâ the movie youâre watching, and you get all those neat little special features you wont get online. Being as most of the world now is HD, Blu-Ray is quickly becoming the standard for that ever so precious box that you hope folks will want to put on their shelves. But even then, Blu-Ray authoring can get pricey unless you do it yourself. Then the cost of printing, and burning can run you right up to the welfare office if youâre not careful. But all in all, itâs still a great thing to be able to hand out a copy of your work to someone special. And the new consoles are all Blu-Ray too, so you at least still have a place to play one. And if your film IS well received, you canât beat the ability to sign a copy for someone. It feels great for you, and feels great for them. Especially if the film gets big, and the copy they have will fetch a much higher price on E-Bay. Then it feels especially good. Yes, make a movie. Itâs fun to do. You can do it on the weekends with your friends. The technology is there so you can do it on a laptop nowadays. A great story is a great story whether it has exploding robots or not. But keep todays audience in mind instead of yesterdays, and think of where things are going in the future. And if you choose to dance naked on youtube, make sure you include a link of your film so we can all go see it. And if all else fails to get your amazing masterpiece noticed, try writing an article or a blog on the struggle of independent film. People do love an underdog after all, and if it's good they might just check out your film out of appreciation. Boom. Incidentally my film Red Victoria comes out on Blu-Ray mid 2014. Now please excuse me while I remove this donkey from my boxers. -AB
If life is like a box of chocolates, then why do I always get the coconut?
A. Brownrigg
https://www.youtube.com/watch?v=JT4CJzBbNPE
So why is it so hard for independent filmmakers?
One answer. Money. Yup, those who have it can afford marketing, and unless you happen to have a film that goes viral, or some such significant luck related tweet. Getting a movie noticed is hard. It might be great, it might be insightful, or culturally significant.  But in todays world there is so much out there, that many fantastic things fall through the cracks. I am saddened by this as I see films no ones ever heard of all the time, and just amazed that no one flocked to the flick. While at the same time hollywood is putting out multi million dollar flops that should never have seen the light of day.  We need a new system, something to help good storytellers get their works seen, or at least have  half a chance to promote.Â

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We start shooting in January, I'm so excited to be directing the sequel to my fathers film. I hope it doesn't suck.Â
There are a lot of rules of thumb, but the other nine fingers are up for grabs.
A. Brownrigg