Must be 21+ to follow & interact.
Crimson Rivers is a 21+ neo-noir, Southern-gothic roleplay set in a reimagined Southern United States. Thematically, Crimson Rivers centers around crime and political corruption, social isolation, religious horror, Catholic guilt, violence, war, consumption, sex and death and everything in between. This roleplay is plot-heavy and character-driven, with open-world elements and space for extensive world-building.
Seeking
Looking for 21+ roleplay partner(s)
Muse
General
I created this blog to find similarly-styled writers and writing partners looking to explore and build a world together! I am looking for fandomless, oc x oc interactions.
About Me:
You can cell me Icarian. I use she/they pronouns and I am 28! I prefer partners who are also 25+ :)
I am in the Central Time zone, and as a student I am fairly active (almost always on my laptop for one reason or another!).
I have been writing for as long as I can remember, and I have about eight years of active rp experience. I am consistent, constant, and I am seeking someone similar.
I am an avid consumer of media (art, literature, film, photography, poetry, and television). I love the creative process, and I love to participate in that process whenever I have extra free-time.
Response Rate: Daily, depending on school/work factors
Platforms: I'm open to any platform. I can learn whatever suits you best!
Triggers/Limits: Few, but can discuss in DMs
What I'm Looking For:
POV: Third person
Pairings: Any (though my current muse is f seeking m)
Genre: Horror, Southern-Gothic, Noir, Dark, Mystery, Thriller. I am also willing to explore if the characters and plot ideas are interesting.
Plots: I have several plot ideas that I have created over the years that I like, but I really enjoy organically plotting with a partner to build something cohesive.
Tropes: Dark Romance, unhealthy obsession, stalking & kidnapping, attic wife, mutual devotion, violent possessiveness, occultism, forbidden relationships, age gaps, secret societies, hidden knowledge, enigmas, rabbit holes, conspiracies, folk tales, folk lore, modern mythologies, and many more!
Dead Dove content, hard-kinks, extreme violence are all okay with me, as long as there is sound communication and mutual agreement between both partners.
Style: Multi-Para, Literate, Descriptive, Novella
I am open-minded, flexible, and willing to hear any new idea! Good communication is really important to me. Writing is my deepest love, and passion, so I can talk about it all day, every day! I want to get to know you and your style and your passions, and I'm committed to ensuring there is good communication between us! :)
Please reach out if you are interested (I will not bite)! DM & Asks are Open.
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Every day I handle more money than I will ever make. Every day.
At the start of my employment, my boss showed me videos of people stealing, and we both had a chuckle about it. How silly they were! There was a camera overhead, and it’s not to watch the shoppers. See, we can’t actually stop shoplifters. They get away with it maybe nine out of ten times. But we, who are watched and tallied and witnessed? We are always caught.
At first it was hard to hold one hundred dollars bills. An amount I had never seen before. An amount that didn’t exist in my household. It’s normal now. Here is something that is not for me.
“What the hell, I’ll take another,” says the man, pondering our 200 dollar watches. What the hell. Total comes to 580 and not even a flinch in his face. I have been working for 11 hours today and made only 110 dollars. It will go to my rent. Today I work for free, it feels. When I get my check, I will have 35 dollars left for food and saving.
The six hundreds he hands me go into the cash register. For a moment, I imagine having money. Then I put it away, counting out his change.
I know for a fact we sell our products for double what they are worth. That I could be making commission. That they could hand me those 580 dollars and change my life and not even mark the difference in their checkbooks. He’s not the only sale they make today, but I am the reason they made it. He’s not the only one spending 600 dollars, but if I hadn’t spent two hours with him telling me about his life, he wouldn’t have spent any. I go home. I don’t own a watch.
I have watched and rewatched a video on how to make salmon four ways. My shopping list is always the same. Pasta. Rice. Tuna. If I can afford butter it was a good week. I dream of the world I will never walk in, where I can throw the best fish fillet in the cart with a shrug. I hold hundreds in my hand and look up at the camera. I put them under the cash drawer.
I go to work. I scrap together my savings. I eat my bowl of rice slowly. My manager takes a paid week off from work just for his birthday. He owns a yacht.
i wrote this while i was working at orlando’s walt disney world parks.
i was part of their college program. i moved to the state for it. they legally owned the building i was living in and still charged me rent. i ostensibly was being charged to work for them. it was a 2 bedroom apartment and they placed 6 adult women in it in forced triples.
as many as one in ten disney employees have experienced homelessness while working for the company. despite huge efforts to unionize, strike, or otherwise demand fair treatment; disney has refused to increase employee quality of life.
disney admits publicly that a good portion of their success is because the employees (“cast members”) are dedicated, passionate, and selfless. this is never reflected in pay. even “face” characters (ie those that are princesses etc) make barely above a minimum wage.
at the time that i worked there, i made $8.50 an hour. at one point i was asked to create a human shield around a bag because a bomb dog had alerted to it. for eight fucking dollars an hour.
i now work a very cushy office job. i have bought the salmon and cooked it all four ways.
i go to the store. i am nice to the person behind the counter. she looks up at the camera while she counts out my change. there is nothing fundamentally different about her and i.
at the risk of being cringe with everything going on — this week, the last six months, the past five years — i keep thinking about that one quote from the great gatsby
“they were careless people…they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made.”
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“Instead I prayed, oh Lord, let me be something useful and unpretentious. Even the chimney swift sings. Even the cobblestones have a task to do, and do it well. Lord, let me be a flower, even a tare; or a sparrow. Or the smallest bright stone in a ring worn by someone brave and kind, whose name I will never know.”
— Mary Oliver, “More Beautiful than the Honey Locust Tree Are the Words of the Lord,” from Thirst (via bostonpoetryslam)
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Space. You said we needed space. Like the space between us, once a blank empty canvas of two strangers, where I'd wonder from afar what it was like to live in your own unique universe compared to mine, the plains of your land and sky. What makes your heart sing and your eyes sparkle? Do you take your coffee black and your eggs scrambled? What are the books left open on your desk and the things forgotten on your floor? An artist uses negative space to highlight the main subject of their piece. To draw attention to what should be in focus, is that what will happen, time apart will draw us closer? or will it become a void in which I lose you to? Us, lost to empty blackness of space. A continuous area or expanse, free, available and unoccupied, like a white slate.
Maybe you're here simply to prolong the inevitable, leave as abruptly as you came.
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