“L'unico linguaggio universale è il bacio.” (ALFRED DE MUSSET)
Spellbound , Alfred Hitchcock, 1945
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“L'unico linguaggio universale è il bacio.” (ALFRED DE MUSSET)
Spellbound , Alfred Hitchcock, 1945

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Sarah Siltala (American b.1971), An Offering, 2016, Oil on panel
“Blossoming Cherry on a Moonlit Night” by Ohara Koson (c. 1932)
Max Ernst. La mer aux oiseaux. 1925/1926
Max Ernst (German, 1891-1976), La mer aux oiseaux [The Sea Birds], 1925-26. Oil on board, 49 x 33.5 cm.
May Duke Cherry, Scarlet Strawberry (1789).
Etching in brown ink, with watercolour and gum arabic.
Published by J. Stockdale.
Image and text information courtesy Wellcome Collection. CC BY

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“The Struggle”, 2005 Philip Gladstone
Philip Gladstone, b. 1963
Anne Sexton, from a poem titled "Loving The Killer," featured in The Complete Poems of Anne Sexton
Ladies in blue, fresco.
Palace ok Knossos.
Crete, Greece.
1550-1450 B.C. (Late Minoan)
Mrs. Doubtfire (1993) dir. Chris Columbus
René Magritte, The Land of Miracles, 1964

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Loie Fuller, early 1900′s
Queer as Folk | Season 3, Episode 14
Frida Kahlo finished “Viva la Vida” just eight days before her death in 1954. Bedridden for much of the year, she still painted these watermelons in blazing reds and greens, carving “VIVA LA VIDA” directly into the fruit like a final declaration.
Quelle: meisterdrucke.com
i HATE that we call it "space". like. oh, "space"? that's the gap between words, that's the big button on my keyboard. the Void Beyond Heaven deserves a grander name.
COSMOS
Vincent Van Gogh, Patch of Grass, 1887.
Oil on canvas

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Kiyoshi Niiyama
Niiyamas.net