Eyvind Earle (American, 1916-2000)
Red Barns and Tall Trees Casting Shadows in a Snow Covered Precisionist Landscape, 1970
Oil on canvas laid to masonite
22 Ă— 28 in (55.9 Ă— 71.1 cm)
Private collection
RMH
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JBB: An Artblog!
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Eyvind Earle (American, 1916-2000)
Red Barns and Tall Trees Casting Shadows in a Snow Covered Precisionist Landscape, 1970
Oil on canvas laid to masonite
22 Ă— 28 in (55.9 Ă— 71.1 cm)
Private collection

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Hwijowon (“a garden built out of light”) 2022 by Duri Baek
A bilateral gynandromorph of Lymantria mathura, the rosy moth. The large, pale pink side with dark gray markings is female while the smaller yellow side with black markings is male.
Three Fruit (Drei FrĂĽchte), Paul Klee, 1927, MoMA: Drawings and Prints
A. Conger Goodyear Fund Size: 19 ÂĽ x 12 Âľ" (48.9 x 32.4 cm) Medium: Ink on paper on board
http://www.moma.org/collection/works/33863

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Lovers (1970) - Montserrat Gudiol
Montserrat Gudiol ( 1933-2015) was a Catalonian painter. She was the duaghter of an architect and studied the restoration of old paintings. She taught herself and her preoccupation with Catalan Gothic art combined with Surreal elements and influenced by Picasso's blue and pink periods. Her art is timeless and beautiful.
Sword Guard (Tsuba), ca. 1615–1868, Metropolitan Museum of Art: Arms and Armor
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 Size: H. 2 7/8 in. (7.3 cm); W. 2 5/8 in. (6.7 cm); thickness ÂĽ in. (0.6 cm); Wt. 5 oz. (141.7 g) Medium: Copper-gold alloy (shakudĹŤ), gold, copper
https://www.metmuseum.org/art/collection/search/34379
Léon Spilliaert, Young Man with red Scarf, 1908.
Still Life with Wild Strawberries, Adriaen Coorte, 1705, Mauritshuis Museum
This little still-life is a miracle of simplicity. On a stone tabletop, a few strawberries lie in front of a dark background. A stalk is hanging over the edge, and a white flower sticks up out of the fruit. The seeds of the red strawberries are indicated by dots of white paint. Little is known of Adriaen Coorte except that he probably lived in the city of Middelburg. He was unknown for a long time, until he was rediscovered in the second half of the twentieth century and his paintings became very popular.
https://www.europeana.eu/portal/record/2021672/resource_document_mauritshuis_1106.html?utm_source=api&utm_medium=api&utm_campaign=j4AoMQNzp

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Henry Nelson O’neil — Pleasant Dreams. detail. 1852
Hardy Plants, Paul Klee, 1934, Minneapolis Institute of Art: Paintings
Abstract plants. Size: 16 1/8 x 21 5/8 in. (40.96 x 54.93 cm) Medium: Oil on pulpboard
https://collections.artsmia.org/art/1556/
Christo and Jeanne-Claude
Wrapped Coast, 1968-69
Soupir, plate five from Poesies de Mallarmé, Henri Matisse, 1932, Art Institute of Chicago: Prints and Drawings
Matisse’s first livre d’artiste (artist’s book), Poems of Stéphane Mallarmé (Poésies de Stéphane Mallarmé) was the second publication produced by Albert Skira. The first was Pablo Picasso’s illustrations for Ovid’s Metamorphoses (Les Métamorphoses), published the year before. Both series use the simple power of the etched line to suggest volume and movement. In the case of Matisse, he avoided heavy shading so as not to detract from the ethereality of Mallarmé’s poetry. While inspired by the poems, Matisse’s prints stand alone as works of art and call upon some of his most iconic imagery: flowers, nudes, and portraits. Lt. Col. A. Peter Dewey Memorial Size: 317 × 245 mm (image); 332 × 252 mm (sheet, plate mark not visible) Medium: Etching in black on ivory laid Japanese vellum
https://www.artic.edu/artworks/159006/

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Painting, 1927, Joan Miro
Medium: oil,canvas
https://www.wikiart.org/en/joan-miro/painting
Klaus Leidorf (Germany) - Aerial Photography