to amuse himself, he exaggerated the unbalanced sway of his body, as if he were ready to topple over.
zeppelin murphy. your local tattoo artist, weed grower and vermin. he/they/she. soldier. thirty nine years old. // intro. pins.

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@zppelin
to amuse himself, he exaggerated the unbalanced sway of his body, as if he were ready to topple over.
zeppelin murphy. your local tattoo artist, weed grower and vermin. he/they/she. soldier. thirty nine years old. // intro. pins.

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when ā may 9 where ā QZ, roads. who ā @felixsinclairā
The motor rumbles. The lights on the dashboard have long ago stopped working, so Zepp has no idea whether thereās something wrong with the truck or if the hangover pressing against his temples is making the sound more troublesome. None of my business, they think, clutching the steering wheel, inhaling sharply.
Itās ugly work. Honourable, maybe, in some kind of sense: reminiscent of body collectorās in times of plague, history repeating itself in a twisted way. But itās ugly work, the kind that weighs heavy on ones spirit. The kind that requires a stiff drink. Right now, though, heās sober. Cold-shivers sober, shaking-fingers, bags-under-eyes. Not sure if heās slept or if he just passed out and called it that. Sober, but on the edge of former intoxication. Maybe he shouldnāt be driving.Ā In the back of the car, thereās Felix, fresh-faced, new to this place. In the back of the car, thereās Raymond, a bloody corpse, a stark reminder of the fist that ruled them all. Zeppelin was familiar with this kind of violence, this form of ruling, but even so theyād drunk themselves into oblivion the night before.Ā
Alexei allows them to live in a zone of relative safety, with relative comfort and relative ease. Zeppelin allows themselves to destroy his consciousness whenever they see fit. And thatās how he survives. Heās ripped from his thoughts (Ā which is to say: no thoughts at all, just the thrum of the head ache and the half-focus on the roadĀ )Ā by the voice of the soldier in the back of the truck. Something about potholes? Heās not sure.Ā āRight, sure, bud, the fuckinā infrastructure is a nightmare here, the rainās got the roads all fucked, canāt help it.ā He can. Thereās an art in avoiding the bumps in the roads. Heās just not bothering to care. He looks at Felix through the rearview mirror.Ā āYou good?ā Zeppās not sure where he came from, not sure what kind of shit heās seen. Through the rearview mirror, he catches sight of the car of Rayās family. He looks ahead again. āAlways hated funerals.ā
when ā may 16 where ā food hall. who ā open !
āLetās give it up for the,ā he slurs, glass raised, potato speared on fork,Ā āThe motherfucking potato.ā Thereās a moment of bemusement at his full hands, the liquid potato in left hand, the boiled one in another. He opts for the liquid form, downing his umpteenth shot of potato vodka before stuffing his mouth, too, just for good measure.
They lap up the goodness around them, getting their fill of it, letting themselves grow completely comfortable and used to this sensation of joy. Heās not the only one drinking tonight, not the only one giving into the impulses that so many others seem to ignore so easily. Thereās reverie, camaraderie, pure chaos. He thinks of the parties his father had described to him, from the times before: the ones heād been too young to attend. He hopes this matches up.
He swallows his potato, searches for a liquor bottle so he can go for a refill.Ā āI mean, fuckinā easy to grow, versatile as all heck. I love this baby in all its form, yāknow? Fried, boiled, baked, distilled.ā Heās still looking.Ā āSpeaking off, any idea where I can get any more of the last one?ā
ź³ ģģ ė°ė¤āThe Silent Sea (2021) dir. Choi Hang Yong
#iām sure i had a reason for making these but iā¦uhhhā¦seem to have forgotten
LUCA MARINELLI as PAOLO inĀ IL PADRE dāITALIA (2017)

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The Big Lebowski (1998) dir. The Coen Brothers