a leap of faith !
They make me physically ill
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@zoluphantom
a leap of faith !
They make me physically ill

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I’m slowly understanding how to draw this rock
I love the idea of Rocky extending Grace’s lifespan to Eridian levels without telling him
back study! with zoro of course
My very first tiger drawing and my latest
Your skill level is unquestionable but listen.
I love him.
me also. as well.
This is the COOLEST thing I’ve seen in AGES. You both completely made my entire week.

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Big fan of this sacrificial lamb to the slaughter
Concept: one of those cliché angel/demon romances, except the demon is the stuffy, orthodox one and the angel is like “hold my beer”.
#demon: youre SUPPOSED to be a background influence!! no one is supposed to see you!!! youre not supposed to leave any sign of ur presence!#angel *sneezes and twenty feathers drift to the ground*: lmao im gonna cure this chicks blindness and make that guy rethink his life choices (via @andsotheuniverseended)
demon: *sits there drawing up a long contract for a lawyer’s human soul, working out the loopholes because lawyers are sneaky* angel: i think that dude is on lsd lmao i’m gonna go talk to him in my true form demon: don’t you have burning wings and a thousand eyes or something angel: haha ye deom: *long sigh*
Obsessed with the idea of sacrifice in a book being a selfish act rather than a selfless one. Their lover screaming at them: “How dare you leave me in this barren world? How dare you take away my choice to die for you and leave me with this grief?”. They are dead, and their lover is left - a gaping wound - bleeding into the ground. Do they love them so much that they would die for them, or do they love them so much that they forced the other to live without them? Sacrifice as a bitter act. Sacrifice as something wildly violent; something tormentingly cruel — but always, always built on love. Perhaps, they are both martyrs in the end.

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More older pevensies doodles
susan's horn becoming this great magical thing of legend that summons, essentially, narnia's saints back to it after a thousand years is crazy for many reasons but perhaps most of all because it didn't bring some mythic higher power or legendary hero when susan blew it the first time she needed help. no. it brought her big brother.
the pevensies discovering the treasure room in the ruins of cair paravel must have been like stepping into their own tomb. here is the ruin of what you were. here is the remnant. here is where they took what you left them with and laid it to rest. here is your funeral shroud, daughter of eve. the skirt is too long for you now. here is the cordial, half-full. they dared not use it to save anyone without your hand to do the saving. here is your bow, still strung, and your arrows, unshot. here is the sword your hand still remembers, and here is the face you have forgotten. you did not die here, and yet still you were buried. what is a legend but another kind of ghost?
But what was most baffling to all that met the Pevensies after they came back was that they were kind.
Really. Not pretending, not because they were insecure. True, empathic. Far too understanding for children their age. They all have music in them.
Peter’s hands feel too small for him, but he shakes hands all the same. Gentle pressure. There is nobility behind those eyes. Eyes that always border on the supernatural sort of blue, especially in the dark.
He plays the guitar, gently coaxing otherworldly sounds out of an instrument that did not know it could be played like that. He helps his siblings with their homework, is taller much faster than his peers. Seems to take up more space, even though no one understands how a teenage boy manages that.
He doesn’t like doing nothing, ever. He instructs his classmates in grammar, gives away figures he cuts from wood with a knife that seems too sharp for a boy that small. He never hurts himself, though.
As the years pass, Peter grows strong. But he is gentle. He does not seem to be brash, even when many of his friends are. Peter keeps his emotions in check. Noble. Not undangerous, but not belligerent. Peter only ends fights, and only with people that deserve it.
He offers advice, a pat on the back. Teachers wanna dislike him, some do not like the look behind those eyes. Most find they cannot. Peter is popular with both adults and children, speaks sense and laughs often.
Peter is kind. Pious, devout. His faith is unmovable like rock. Did the kids meet God on the estate of their uncle?
Edmund plays the violin. A sad Edmund is a rare sight, but when he plays sad he can keep his whole floor awake. Somehow, Peter always finds him quickly, effortlessly attuned to his brother’s moods. They play chess, then. Their chess master must have been a champion, Ed beats people with ease. He’s usually not smug about it.
Ed speaks politics and war in earnest, accepts critique graciously, is elegant in a way Peter never manages. Peter speaks frankly, but Edmund can wrap words up real nice. He doesn’t mince words, but his classmates grow into liking the sound of his voice. They appreciate that Edmund does not lie, even when speaking tactfully. Edmund can dial the temperature in a room, change it to suit himself.
He, too, laughs often, but Edmund is known to smirk. He likes being right and he often is. He’ll entertain anyone with a good story, always seems to have the right information to help you out. Remedies to illness, connections, job openings, how to sneak out of PE.
He’s a spider in a web. A bit reserved for a 11 year old, and oddly well-connected. A real ghost when he wants to be, but he never scares people with it.
Aslan would not approve of that. He believes in God as well, but much more intellectually. He’s got the intelligence to back it up and wit to match. A scholarly belief, but not lacking conviction.
Teachers like his enthousiasm, remember a moody nagging child when he left and see a secure young man come back.
Edmund will stand up for what is right. He gets into some trouble like that, but his verbal agility saves him always. Edmund has strong principles and will not bend them for anyone. No matter the trouble he gets in.
The bond with his brother is unbreakable. They even walk the same, chest out, left hand on their belt. They seem most at ease when fencing.
Susan was always warm and tenderhearted, but when she comes back there is a difference.
She seems to have gained authority. It’s real strange watching a 13-year old use her beauty like a grown woman, but Susan has learned to wield it, to stun people so she can creep under their skin. People LISTEN to her now.
Her wit is like a knife, but she avoids cutting deep. Susan is reasonable, and strong, and principled. The little drama others get involved in does not bother her, and she seems immune to petty insults. She has killed before, with her hands.
She will do it with kindness now. She is not very approachable ( that would be Lucy ), but she is kind. She used to mother over her brothers and sisters, but now that they have raised each other in a court full of magic she has gotten more relaxed. They listen to her on important issues, trust in her judgement. Her brothers does not deem himself more important, she is both well-spoken and well-respected by her siblings. Equal. It baffles the old men that teach her. Irritates them, too.
There is an air of mystery around her. Half a look is enough to get what she wants, Susan’s friends laud her security in herself, her Mona Lisa smile. She seems to temper moods easily, makes people feel at ease.
She most of everyone exudes royalty. It’s the grace. Susan plays the harp, her long fingers dancing across the strings like she’s had a lifetime of practice. She’s elegant, never caught off guard. Jamais faux pas.
She does not get angry. She knows who she will be. She is anxious to become an adult, yes, but she only wishes to look how she feels. Not to look differently. Yet the wish to be taken seriously, to have someone see you as an adult, it makes her surprisingly similar to her peers.
Her friends have not been old yet, is all. But Susan is calm and collected. People see her as someone you can tell a secret to. She never hurts someone, is usually a neutral party, speaks sense to adult and kids alike. She is not ignorant, however, will use every trick in the book to keep the peace. She knows when to go nuclear. Vis pacem para bellum.
Lucy is a sun in human form. She has a joie de vivre that is unmatched, is gay and golden-haired and never in a bad mood.
Lucy is kind by default, does not turn it off, does not turn it down. She’s witty and funny and quick on her feet. She has been grown before, yes, but enjoys being young for a few years more. She dances, sings old tunes. Her voice is her favorite instrument, you can usually hear Lucy coming.
Whistling a tune in the halls is known to improve the moods of everyone who hears it immensely. Young girls need to figure out who they are, but Lucy knows, knows what she’ll be and who she likes and what kind of people she wants to be around. She is not pretending, never moody. She can get sad, of course, but her older brothers and sister are always nearby when that happens.
Lucy is genuine and fierce and convinced, immovable at times. Admired for her drive, but respected for her empathy. She speaks to everyone, often distributes flowers. There’s no naivite in her at all, she simply wishes to be like this so that the world may imitate her. She likes to see people prosper, is the first with praise.
She will go far, is the consensus. There’s steel beneath the soft exterior, Lucy has fire below the flowers. She’s well-liked and well-loved. She has love in spades, it seems, animals and stragglers and misfits and outcasts. She’s popular, her room is a good place to get a cup of tea and someone who will listen to you for some time. After a while she no longer bothers with the door.
That a heart that size fits in a girl that small is a mystery to many. Lucy does not think it is a mystery at all. It is the heart of a lion.
Her faith is as vocal as the rest of her, she sees it confirmed in all that is beautiful, all that is kind. She never tries to convert anyone but there are several people who have told her that version of God is someone they would like to know.
The Pevensies often see each other at parties, where they like to stand together. Edmund knows about everyone, everyone knows Peter, everyone likes Susan, but it is Lucy who knows everyone.
They are kind, but not weak. Peter gets his knuckles bloody sometimes, Edmund does not abide by the rules of unjust teachers. Susan and Lucy solve their problems differently but no less effective. Kindness is their usual way of operating, but they are still kings and queens. They will not allow cruelty, will not let bullies go unpunished.
They are sure of what they are and sure of what comes after death and this makes them kind. Kind , not harmless. Kind, not spineless. Kind, not ignorant. Kind, not naive.
Kind despite. Maybe kind because. The kings and queens of Narnia are proud of what they are, honour the teachings of their lion friend. Kind.
When the crash happens and three siblings die, everyone they know mourns deeply. Without them, the world is less kind.
The royal family employs no bodyguards. A would-be assassin discovers why.
“Please?” the crown prince said hopefully.
The assassin hesitated. “I’m not sure I’m comfortable with this.”
“Come on, you’re doing great. Just one stab, it’ll be easy-peasy.” The prince spread his arms wide, leaving his throat and chest vulnerable.
“Look, I’m going to level with you,” the assassin said. “I took this contract on the assumption that you were a bad dude. Usually when a country goes bankrupt this fast, it’s because whoever’s in charge is raiding the treasury. But once I infiltrated the guard, I actually had to spend time around you, and you’re just.” The assassin threw her hands up in disgust. “You’re a really nice person! There’s no getting around it! So I’m not super on board with murdering you now. Nothing personal.”
“But if you don’t, my sisters won’t get the life insurance payout, and the country will be in debt for the next century!”
“I’m pretty sure arranging for your own assassination is insurance fraud.”
“Your whole job is to commit murder,” the prince said, “and now you’re worried about a little insurance fraud?”
The assassin pinched the bridge of her nose. “Okay, let’s back up and think about this rationally. Have you considered faking your own death?”
This was not what I was expecting, and it is glorious.

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“What? Like, a disabled protagonist? How would that even work? How could someone with a disability be the hero in an action show?” local anime trash boy wonders while sitting next to his box sets of Full Metal Alchemist, showing no hint of irony or self awareness.
but is Ed really disabled? sure I get he lost his arm and leg
but he’s still able to move and do things perfectly
He has prosthetics. Having prosthetic limbs (that more than once break amd need repair) doesnt make him not disabled
It should also be noted that Ed:
-had to undergo very painful and lengthy surgery to get automail
-had to relearn how to write because of his prosthesis (there’s a post going around showing he had to switch hands etc) and his handwriting is likely a lot worse due to that. This means automail isn’t super good for delicate work, unsurprising, considering what it’s made of.
-experiences phantom limb pain and therefore other associated stuff (this was only really shown in the manga)
-cannot go anywhere too cold without changing his automail or he’ll get really bad frost bite and it will stop working
-cannot go anywhere too hot, period, because the metal attached and under his skin will overheat and he will be badly burned
-Reattachment is painful, but needs to be done frequently if he breaks or outgrows his automail
- it’s HEAVY so much so that the strain has the potential to cause stress on his body, enough that it’s even theorized as possibly stunting his growth.
-it requires really frequent maintenance or it will break down, as shown by how when he first moved out he forgot to do that and it…broke down.
-when it does need to be repaired, it takes time to do that, during which Ed uses regular prosthetics (that usually don’t quite fit him).
-costs a lot of money (not a problem for Ed due to high state alchemist salary/having mechanics as surrogate family, but explicitly noted to being the reason why most people in the fmaverse stick to regular prosthetics along with the painful surgery)
So Ed can’t actually do everything perfectly and experiences a lot of extra hassle, problems and pain people without automail don’t have to deal with! And any advantages he does have are more suited to fighting than day to day life (being able to incorporate weapons/fake out people who want to blow up his arm).
Arakawa did her research and thought it through. Automail is by no means a magic cure that solves all problems associated with losing a limb.
when you want to write something really deep but it ends up sounding like