asked one of my coworkers how she's doing today and she goes "could be better, could be worse," and another coworker nearby who was eavesdropping chimes in with "could be a lil bit o' alligator curse!" i have no idea what he meant by that but i do know that it has been immediately added to the lexicon.
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After getting out of the hospital, Eddie and Steve somehow fell into a whirlwind romance and now they have an apartment together! Eddie is still riding the high of it all one day when he has someone from his new job over and they say “Are you sure Steve lives here?”
“Huh?”
“It’s just, this apartment is extremely you but I’m not seeing anything that says ‘Steve.’ Granted I don’t know the guy too well, but…”
Eddie looks around. Sees a lot of metal and fantasy shit, a lot of dark colors. He knows if he went into the bedroom he would find Steve’s colorful wardrobe and the kitchen is stocked with dishes and utensils that Steve picked out himself but that’s it. Theres not a single sports thing to be found and not a single poster or tape related to anything other than metal.
He’s not sure what to make of it. Brings it up to Steve later, asks why there’s nothing that Steve likes around the apartment. And Steve says something devastating.
There is only one day a year that Hopper likes his job.
On the first day of First Responders Appreciation Week at the end of his shift, he knows that they will be heading to the overpriced steakhouse just outside of town for free meal he could not justify paying for on any other day.
Powell jokes to Callahan that this is the only reason Hopper became a cop just as the hostess informs them, "I'm going to sit you with somebody."
He blinks, "What?"
"I am going to sit you with someone," She repeats with a painted smile. "Otherwise, my manager is going to ask me to ask him to leave and I cannot do that so, follow me. Right this way."
Hopper's gaze follows ahead to their seat and he sighs at the sight of Richard Harrington's unsupervised five year old.
Steve's head is down.
He jerks up when Hopper pulls out the chair next to him and wipes his eyes on his sleeve. He gives a watery smile, "Hi, Mr Hopper. Hi, Officer Powell."
"I’m literally here too," Callahan mutters. Powell excused himself to speak to the manager, sharing a look with Hopper that says he'll figure out what's going on.
Hopper is an impatient man. He goes to the source, "What are you doing all the way out here?"
"Oh, um. My basketball team from the country club made it to the final round in our tournament and, um. We came here to celebrate."
The distinct lack of children running around hangs in the silence between them before Steve adds, "They left."
"You didn't go with them?"
"No, they- it's okay," Steve says, clearly upset. He takes a deep breath and exhales, "They forgot."
"Forgot what?"
"My, um. My friend, Danny. He - he wasn't bein' very careful and he spilled steak sauce on my shirt," Steve says, pointing to the large stain splattered across the right shoulder of his pullover. "It was an accident, I think. And, um. I went to the restroom 'cause Mama gets mad if I’m dirty and I... And they forgot. And they left."
The kid tries to smile.
It doesn't meet his eyes.
"It's okay though," Steve reassures him. "Cause, um. It didn't hurt my feelings none 'cause it was - it was an accident."
"It was an accident," He repeats like a self-sooth. "I was in the restroom a long time and I’m littler than everyone else, and Coach Adam-"
"Your coach left you here?"
"Assistant coach," Callahan supplies. "Not that it matters but he's the assistant coach. I’m friends with his roommate. We're the same age."
"So old enough to do a head count?"
"The whole team was here so, um," Steve tries to justify. He's trying to rationalize himself out of his hurt feelings and he's too fucking young to be doing that. Hopper is pissed.
"Adam is a di- a jerk," Callahan says. "Every time I’m over at his place, he's complaining about coaching rich kids and how some guy forced their kid on the team with new unif- not you! Someone else, for sure. I’m just...shutting up now."
If looks could kill Hopper would still contemplate shooting his probie with a gun because Steve concludes, "So, no one likes me."
"Everyone likes you, kid," Hopper says, but his voice sounds angry. All this kid wants is friends.
Steve is the youngest on the team by a couple years because Richard Harrington got the age requirement waived. Hopper gets being annoyed by it. He gets benching the kid most of the season, but he does not understand this unnecessary bullshit cruelty.
"Hey, hon." Hopper nearly misses their waitress approach. "Are these gentlemen who you called to help with the bi-"
"No."
"Give us a minute," Hopper tells her when she tries to shift gears and take their drink order. He takes a moment, reassesses, and then lays out, "So, your coach-"
"My friend."
"-drove a bunch of kids twenty-five minutes out of town, racked up a bill of probably hundreds, and left you-"
"On accident," Steve sniffles.
"-with no safe way home and with the check? And none of those kids had a problem with it," He finishes. "These people are not your friends, Steve."
"Can you stop talking to me?" Steve asks with a voice brimming with tears. He presses his hands into his eyes, "My heart hurts."
"I’m sorry, kid."
"I want - I want my mama."
Hopper almost says that he'll take the kid home when he sees a familiar car pull into the parking lot. He watched the car park, the headlights go out, and an imposing figure step from the vehicle, "She's here, kid."
And she looks pissed.
Angela Harrington was never a particularly intimidating figure - too petite, too young, too classic in her beauty - but she moved like a storm into the restaurant.
"I called her," Steve says, pulling him away from the pissed off hurricane heading towards them. "Mr Hopper, you know how I’m big?"
"Yeah, Steve."
"And big kids don't cry none."
"They-"
"I don't want to be big right now," He says and then crumbled into tears. Angela just reaches their table when Steve cries, "Mama, I’m so sad."
Angela's anger melts to understanding, to a mother's heartache, in the seconds she picks up her sobbing child. He clings. She holds him tight, rest her cheek to the top of his head and assures him that it's okay. He'll be okay.
And then it's gone.
Her eyes glaze over with its usual unreadable aloofness and she says to the officers, "Thank you for keeping him company until I got here."
"No problem."
She reached into her pocket and pulls out cash, "He said there was a bill..."
"Don't worry about it," Powell says before Hopper. "I spoke with the manager and we agreed the meals should be paid for by their rightful owner. It won't be too hard to track them down."
"Good," She says, trying to hand them the money. "For your-"
"Ours is on the house, don't worry about it."
She sits the cash on the table anyways, "Tip your waitress."
You have to have a job to make money. You have to have money to go to Europe. You have to have a job to make money. You have to -
Robin keeps telling herself this.
She repeats it when she's cold. She repeats it when her feet hurt. She repeats it when the nautical music playing over the speaker starts permeating her dreams. She repeats it incredibly hard when she goes into the back of Scoops Ahoy for her lunch break and five minutes into it -
"I need you to cover."
Her food isn't even finished heating up in the microwave, "I’m on br-"
"I need you to cover," Steve says, not even stopping in his stride across the room and out the back into the hallway.
"Un-fucking-believable."
She almost doesn't. She almost sits her ass down and eats her lunch but, "You need to have a job to make money. You need money to go to Europe."
She abandons her lunch and walks to the front. Her frown twists in disgust, "What can I get you?"
"Not gonna take me for a sail on an ocean of flavor, sweetheart?"
Robin raises an unimpressed eyebrow and states, "You're smudging the glass, Hargrove. What do you want?"
"Where'd Harrington scurry off to?"
"I recommend USS Butterscotch," She states. "It's a big hit with Neanderthals."
"Harrington is-"
"We don't allow loitering," She talks over him. "If you're not ordering than you need to leave before I have to call mall security. You don't want that because Greg - the mall security officer - he hates being called because the, you know. Lack of air conditioning. Puts him in a bad mood and-
"Okay," Billy says, already annoyed by her yapping. She keeps talking until, "Okay! I’m leaving. Tell Harrington that I'll see him around."
Robin watches him go.
She frowns.
Her eyes dart around the mostly-empty shop and then she pushes off the counter. She goes into the back, past her lunch cooling in the microwave, through the door.
She doesn't have to go far to find Steve.
He's sitting on the ground with his elbows rested on his knees. His hands in his hair. He's breathing in a familiar way, measured and intentional.
Robin slides down the wall beside him.
She stares ahead.
She chews on her bottom lip and thinks to say something but - they're not really friends. They're barely coworkers. They started two weeks ago so...
"He tried to kill me."
"What?"
"Hargrove," Steve clarifies to the wall in front of them. "Last year with, you know. The fight. He was. Yeah, he probably would've killed me if - and."
He tugs on his hair, takes a deep breath, "He's such a dick. I hate dealing with him."
Robin watches Steve stand up. She watches him brush off his clothes and say like nothing bad has ever happened, "Thanks for covering. I owe you one, Buckley."
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steve's POV of this because I couldn't help myself:
Steve knows he’s a little obsessive. Sure, he admits that, no problem. And it’s not usually about the right things, as some people like to say, but it’s not like he cares. He’s dumb, not blind.
Definitely not blind enough to miss Eddie Munson.
But he’s not that dumb, either—knows he has to be careful, lest he tend with social suicide. And with social suicide comes…
Well, better not to think of that one.
Anyway—the point is, he’s not blind, and only a little dumb. He knows when he wants something, and he wants Eddie “The Freak” Munson.
And maybe he goes about it… not quite the right way. But hey, Munson looks ready to bolt every time they make eye contact, so Steve’s gotta do some groundwork first.
It’s like basketball, he thinks. Like swimming. He’s got an end goal, a championship to get to—he’s just got to put in the practice and the legwork. Running drills and laps ‘til he drops.
See, the thing is, they don’t interact. They haven’t spoken even once, much less bumped past each other in the halls. Maybe that was where Steve should have started, but Eddie had this thing about him that reminds Steve of the deer his dad had taken him out to hunt, once. Skittish. Might gore him with his horns or disappear into thin air.
So he goes down a different path.
Eddie’s always played music—Steve overhears the complaints sometimes, the shrieky metal of his guitar not to anyone’s taste but his own.
He finds The Hideout. It’s a dive, through and through, and they don’t even bother asking him for ID. It’s the kind of place his parents would have to fight a gag being near, and he loves it immediately. He loves it even more when Eddie clambers on stage with his band and belts out songs that would’ve had any of Steve’s old acquaintances bleeding from the ears.
He gets a clearer picture of Eddie, beyond the initial infatuation that draws him in. Something solid, something to hold on to when he goes looking for more.
He sees Eddie pin up a poster for the club Steve didn’t know he ran. Hellfire, with a caricature of a red demon in stark contrast to the white paper. He wonders if Eddie’s the one who drew it. Maybe he drew his own tattoos, too. Steve’s never been much of an artist—jumbled the colors in his rainbows in kindergarten and left them kind of square-ish—but he can appreciate the skill all the same.
It’s gone by lunch, and Steve frowns. He keeps a better lookout, the next time. Eddie’s put so much work into it. He wants to find out who takes it upon themselves to ruin it.
Eddie’s quieter at Wednesday lunches, Steve realizes. For the first five minutes, there’s no shouting or ranting or kicked-aside lunches. It’s interesting, and when he goes to check, he finds it’s because Eddie’s engrossed in the pudding the cafeteria only sees fit to give them once a week. Chocolate, because what else would it be. Steve doesn’t mind the pudding—finds it gives him something to look forward to when he’s trying to keep his eyes open in chemistry.
He thinks he’d look forward to Eddie’s smile more, enjoy his surprise more than any pudding.
Eddie deals out in the woods back behind the soccer fields, at the little picnic table no one even knows exists anymore. Besides Eddie and his… clients.
Steve finds him there, about a month and a half before prom. It’s good timing, he thinks, before everyone goes batshit about prom-posals and the world gets run over with planning and reservations and sold-out florists. He doesn’t know what Eddie might like, not for sure, but he’ll be damned if he doesn’t get it with time to spare. That’s what he’s been practicing for, hasn’t it? Endless drills with one championship game in mind?
However one wins at prom, Steve plans to do it.
He sits across from Eddie and feels the old bench bend under his weight. Eddie cuts his a withering glare that makes Steve grin, and before he can help himself, he’s asking, “Will you go to prom with me?”
Eddie stares at him, for a minute, and Steve stares back. From up close, just as he’s wanted to since what feels like forever. Eddie’s even prettier from here. Steve wants him even more.
The woods echo with Eddie’s shout, better acoustics than the shitty dive bar he plays at, but Steve will keep going all the same. He repeats himself, all but tingling with excitement, and then—and then Eddie’s grinning something sharp, something that looks like it could cut the pads of his fingers were he to try and touch.
“Tell you what,” he spits, and Steve’s helpless to do anything but lean in, closer, breathless with the way Eddie leans in, too, as he continues, “You get me a bouquet of roses as black as your twisted, festering soul, and I’ll wear a pretty little dress for you, too.”
Roses. Roses, roses, roses.
Does Eddie like roses above any other flower? It makes the romantic part of him thrum, excited and planning and thinking.
Black roses? Steve’s never seen them before.
“Do roses… grow in black?” Eddie swallows and sneers and Steve wonders if that’s something he should’ve known already. Maybe.
“I guess that’s for you to find out and for me to know, Harrington,” Eddie sneers. He gets up, snatches his lunchbox, and stalks back through the trees to school.
It’s the definition of left him hanging. It’s practically cruel, mean, waspish. Challenging, Steve thinks. Black roses. No problem.
But that’s what drew him in in the first place. Eddie’s acerbic, snappish, blunt, rude, at times. He doesn’t give a shit about what anyone else thinks. He doesn’t give a shit what Steve thinks, and Steve admires him. Likes the image it paints. So he says, to Eddie’s retreating back, “Benny’s at six?” and grins when Eddie tells him to go fuck himself. That’s how Eddie is, after all, and that’s what Steve wants.
The weeks leading up to prom go exactly how he wants them to.
He leaves his pudding at what he knows is Eddie’s spot at the Hellfire table and Eddie grimaces at him. It feels like the adrenaline of a buzzer-beater winning shot.
Win, win, win, something chants.
He catches the guy who keeps ripping up the Hellfire posters. Steve doesn’t know his name but he knows Steve’s—and he scatters into the crowded halls during passing period with his eyes downcast and a quick step.
He seeks Eddie out, ditching a class or two, and finds him smoking against the brick facade of the building. His curls frame his face, the smoke makes the light around them hazy. He looks good, and Steve finds the words slipping from his mouth without being able to help it.
He practices with the flowers, because, as the only florist in town tells him, looking at him strangely, no, black roses don’t exist, not naturally, but Steve can dye them, if he wants. She’s more than happy to sell him handful after handful of white flowers, however, and the first one that turns out okay—though not perfect—he drops through the window of Eddie’s van. It sits pretty on the seat, and Steve grins.
Eddie’s still grinning, one day, stumbling last out of the music room, and Steve can’t help himself—gets too close and murmurs something about his voice and his music, too fast, too distracted. He can’t quite remember what he said even minutes later, the shape of his smile and the memory of his fingers dancing over guitar strings seared into his memory.
A night that Steve can barely remember, plagued by nightmares and sleeplessness, he finds Eddie at the only convenience store that has the shitty coffee that actually keeps him awake. He trades a pack of smokes he can’t really tolerate anymore for one of Eddie’s beers, and they sit in silence. Eddie’s warmth, even with a inches of air between them, soothes something pacing and frantic inside him, and when he gets home, he sleeps the best he has in months.
It feels like injustice that just a few short days later Billy Hargrove decides he needs his head bashed in, but, well, it can’t always be coming up Harrington, right? And it doesn’t matter—it hurts less, because Eddie looks at him a few seconds longer, his mouth twists in something like concern when he sees Steve’s face, but not Billy’s, and that’s enough to numb the sting and grin right back at him.
That afternoon, he has to deck Tommy Hagan when he catches him out by Eddie’s van, pocketknife in hand, after practice has let out but not Hellfire, spitting obscenities and accusations about them both that make Steve see red. He learns later that he’s broken Tommy’s nose, but, well. Tommy should’ve known better.
...
Prom day comes, and Steve realizes—okay, maybe he’s a little dumber than he thought.
See, Steve’s not all that great with sarcasm. He’d like to blame the concussion that has a Billy Hargrove byline, but in truth, he’s never really gotten it.
Billy Hargrove’s plate definitely made it worse, though, and maybe Steve should’ve gone to the doctor but—who has time for that, anyway?
Anyway, the point is—maybe Steve overlooked some sarcasm in favor of being generally charmed with Eddie’s leaning-towards-asshole nature. That’s his fault.
Doesn’t make it hurt any less, though.
He’s at Benny’s at six. Like they’d agreed—like he’d thought they’d agreed. A few minutes before six, even, despite how he’d agonized for longer than he ever had before on what he should wear, what fit with Eddie, what he was supposed to wear for prom. Spent agonizing minutes on what felt like every individual hair so it’d fall in that way he liked, that he hoped Eddie would like.
But he’s there at six. Eddie isn’t. Figures, at first, that he’s late, maybe. Got caught up.
The clock on his dash creeps closer to seven, and then, Steve assumes, maybe Billy scrambled a little more up there than he’d realized. Had he said six? It’d probably been seven, right? That made more sense.
He’s half-asleep in his car when Eddie does appear—a result of even more nightmares and anxiety and maybe, possibly, though he’s terrified to admit it, brain damage. Scared the exhaustion is permanent.
But he jolts awake well enough when Eddie slams his fist on the beamer’s roof, loud metallic clang echoing through his skull like a gunshot.
“—your damage, Harrington?”
“Ed—Eddie,” he chokes. “Hi. Hi, Eddie.”
Eddie looks pissed. Angry, the same kind of frown that’d first drawn Steve’s eyes. “What the hell are you doing?”
Steve doesn’t really know how to answer, so he goes for honesty. It’s failed him in the past, but hell, what else can he offer?
“Um. It was—Benny’s at seven. I was waiting for you.” He’s never felt quite so nervous, wringing his fingers like a little kid. He spies the flowers out of the corner of his eye, lying on the passenger seat, wonders when would be the right time to present them to Eddie. “Didn’t mean to fall asleep.”
Eddie still looks mad. The same face he makes when he’s ranting and putting on a show and anything else Eddie.
“It was Benny’s at seven, right? I thought it was Benny’s at six, at first, but I can’t really keep dates straight up here, anymore,” he knocks against his head with a knuckle, like a moron, “All the pointless melon-splits of American sports, or whatever.” It’s one of the rants he’d managed to pay attention to, Eddie’s hatred of sports in general an easy topic to digest. At least he understood half of that one.
“It was at six,” Eddie huffs. “I didn’t bother showing up.”
“Oh.” Steve can’t keep looking at his face, with that acknowledgement, and notices—Eddie’s not exactly dressed for the occasion. Not at all, really, unless it’s another of his things to show up to prom in Garfield-patterned pajama pants and a dark band tee that Steve can’t make out the name of. He doesn’t really understand. Wouldn’t really mind, any way. “But you did. Now.”
“Yeah, well.” Eddie pulls away. There’s something properly bitter when he says, “Call it a lapse of judgment.”
Oh. Oh.
He can’t look at Eddie anymore, suddenly. Can’t stand it. Realizes, now, how it went over his head, but, again, doesn’t make it hurt any less. There’s black under the fingernails he’s picking at, and he feels so dumb.
But Eddie’s funny in that way. Funny in that it reels Steve back in like a fish too weak to fight a line. Unwilling, maybe.
Eddie doesn’t make fun of him for it. For being confused. For being dumb. Doesn’t make fun of him for missing something that would’ve been so immediately obvious to anyone else. But he does ask.
“What the hell was your plan here, Harrington?”
Steve’s helpless but to answer, like a fool. “Dinner, and then, you know, prom? Isn’t that how is usually goes?” It’s certainly how he’d been hoping it would go.
“You realize you’ve wasted your only senior prom on this dumb joke, right?” Eddie spits. Steve’s head spins. “And I didn’t even fall for it? Way to have your priorities in order, King Steve.”
The name stings, but something else burrows deeper.
“I’ve had the misfortune of having two, and I didn’t subject myself to either. So—”
“Wait, hold on,” Steve manages. Because now he’s confused, again, more, but it’s not clicking, either. It doesn’t make sense. And he’s dumb, but, still—he doesn’t get it. “It wasn’t—what joke, Eddie?”
Eddie’s face does something funny then. Still angry, but also a quiet kind of… devastation, almost. “You know,” he says, like it doesn’t matter, like it’s what should’ve been, “Lure me to prom. Dump a bucket of pig’s blood over my head or however that movie goes.”
What—what? What the fuck?
A stone lodges in Steve’s throat, prevents him from answering, and Eddie finishes, “Even I’m not that dumb, man.”
Steve’s world turns on its head. It feels comical, almost, like shaking a snow globe and then smashing it against unforgiving concrete.
“That’s fucked up,” he hears himself say, distantly, “There’s a movie like that? I wouldn’t—that’s not what I—”
“Yeah, I think I’m starting to get that.”
Steve stops. Can’t bear to speak again.
Eddie thinks… Jesus, fuck, working through what Eddie thinks of him makes Steve want to vomit. He can’t do it. He doesn’t know what to do, now, kind of wishes something would put him out of his misery.
“That was you, wasn’t it? With the pudding and the posters and the flowers.”
It’s not a question. Eddie knows, and Steve can’t bring himself to regret it, even though now it makes his stomach churn.
“I broke Tommy’s nose when I caught him trying to let the air outta your tires, too,” like he’s confessing a sin. It might as well be.
Something in his chest feels like it shatters, and it’s only a second later that he realizes that it was Eddie, instead, pulling open the passenger-side car door. He almost can’t stand to look at them but can’t see all the hard work he put into the flowers, for Eddie, put to waste, and they’re scooped up into his lap without second thought.
And then Eddie’s next to him, all of a sudden. “Okay,” he says. He breathes in quick like it hurts. ““I didn’t know you were being serious. I thought it was just a dumb joke.”
Something twists. “Yeah, I got that part,” Steve chokes.
“Those were for me, right?”
Steve looks up. Eddie’s not looking at him—he’s looking at the flowers. The goddamn flowers. They feel like acid in his hands, and he passes them over, even though he’s almost worried they’ll burn Eddie like they’re burning him.
“Kinda makes it worse, but sure. Yeah, they were for you.”
“Worse?” Eddie asks.
Steve laughs. Can’t help it. At least one person deserves to laugh over that stupid joke, right? “I thought it’d be funny. You said you’d wear a dress if I got you black flowers, but I—I didn’t mean it that way. I just wanted to get you flowers you’d like.”
He really did. He wonders if it looks like that to Eddie, or if it’s another joke Steve didn’t see coming.
Eddie touches the flowers like they’re something precious instead of poisonous.
“You’ve been… practicing these.”
Of course he was. How could he have given Eddie anything less than perfect flowers?
“First ones came out a really gross kind of green,” he admits. Like it matters anymore—like there’s anything to win anymore instead of being booted from the team. Stupid fucking sports metaphors—Eddie hates sports. What’d he been thinking?
“I don’t do prom,” Eddie says next. Steve wishes the car would swallow him.
“Yeah, I figured that one out,” he sighs. Can’t look at Eddie, but sees him press a finger to one of the thick thorns on the flowers’ stems.
“No, I mean—I wouldn’t have gone even if I’d thought you were being honest from the get-go. I don’t DO prom. It’s the death of counter-culture and individuality,” Eddie clarifies, but the words swim around in Steve’s head. He doesn’t understand them, and he doesn’t understand why Eddie is still in his car.
“I don’t know what that means.”
Eddie’s twitchy. Not in the same way he was just a few seconds ago. It’s impossible to keep the shreds of his heart from fluttering.
“What I’m saying is, I’m not gonna go to prom. Ever. That’s an invitation to douchebags like Hargrove and Hagan to split my skull open on the gym floor.” Eddie’s leg jumps, like he wants to run at the idea itself. From Steve, maybe. “I don’t want my last breath to be weeks-old jock socks.”
He ducks like he wants to see Steve’s face.
“But there’s this bar I go to,” he continues, “It doesn’t really check ID. I think they’d go out of business if they did. They let us play on Tuesdays.”
The Hideout. “I know,” he admits, like he could ever forget how Eddie looks up on that stage. When he looks up, it’s not the same Eddie that meets his eyes. A more breathtaking one, almost, wild mass of curly hair backlit by streetlights that make him glow. God help him, Steve still wants.
“That’s more my speed,” Eddie blurts, after a second of silence, like he can’t help himself. His fingers are tearing one of the thorns off of the roses Steve worked so hard on. “It’s… probably better than prom as a first date, anyways.”
First date.
“Really?” he breathes before he can help himself. It feels like a rope dangled over the edge of a cliff to pull him back up. “That’s—you’d wanna? Really?”
He’s gotta be a masochist, with the way his hope builds and withers and builds again, when Eddie responds, “I mean, not right now. I’m not really dressed for the occasion. But maybe, like… tomorrow?”
“Tomorrow,” It feels like a promise that’s a thousand miles away and in the palm of his hand all at once. “That’s soon.”
Eddie’s embarrassment is cute, the red flush climbing up to his ears hidden behind frizzy curls. “Or never,” he snaps, but it doesn’t hurt, this time. “That works too.”
Steve’s smiling, he thinks. How can he do anything else? He’s won. “Tomorrow’s good,” he agrees, and it’s the easiest thing he’s ever done.
Eddie mutters, “Yeah, well. Better be.” And he kicks Steve’s door open—Steve might’ve ripped anyone else a new one, but that’s how Eddie is, and that’s what Steve wants.
“See you then, Eddie,” Steve chirps, as Eddie backs out of the lot, old van clanking up a storm.
He’s gone soon enough, but Steve sits there a while longer.
It’s weird. Everything’s shifted, tilted on its axis, but… it’s almost like this is how it was supposed to be, from the beginning, and Steve had only been content with what he had before because he hadn’t known this was an option. It feels like he can see right through Eddie, to his bones and his soul, knows how to step around him and be welcomed. It’s different—no longer glances from across the room, hoping he won’t run, but a sure touch and knowing.
He hopes Eddie keeps the flowers. Forever, maybe—maybe tomorrow, after they’re a drink or two deep, music pounding so loud it threatens to give him a headache he’ll gladly ignore, Steve can tell Eddie how the florist explained that he could press the flowers, between two heavy books, and immortalize them. It’d be a good memory to keep.
Old Nan quite literally lives rent-free in every Stark child’s brain like the original Northern horror podcast. It’s hilarious because she wasn’t even trying to be scary that was just her bedtime routine. Other Westerosi kids got lullabies; the Stark kids got: “Once, my sweet summer child, the Others came and the sun died and everyone you love turned into ice-zombies anyway, sleep tight :)”
And the thing is… it sticks. Every single Stark kid, no matter where they are, no matter what trauma they’re experiencing, will suddenly remember one of her nightmare fables at the WORST possible moment.
She turned Winterfell into a place where the past is alive, where the Long Night is not a myth but a warning, where names like “the Last Hero” or “the Night’s King” sit in the back of your skull until the moment you realize maybe she wasn’t making anything up at all. Old Nan didn’t traumatize them accidentally she prepared them. In her own crooked, spooky way, she gave every Stark child the education they actually needed to survive the story they were about to enter.
What if Harry goes back in time after winning the war to post Hogwarts Tom Riddle era and opens an orphanage. Opens one OR buys Wools, whichever, but one freshly-out-of-school Tom Riddle needs people for some sort of ritual, and where better to get them than the very place he was raised? Somewhere that wouldn't care if a child went missing every once in a while, after all, they practically wanted him to go missing his whole life. So he walks into the yard one day in broad daylight, and he looks presentable, trustworthy, normal, forgettable. There is one child hanging around the fringes, "this one they will not notice going missing" he decides. Tom Riddle leaves. He comes back that night, well past bedtime, and creeps in through the front door. Sneaking through the house, he finds his prize, a sleeping boy, maybe twelve, he'll work great for this ritual. As he crosses the threshold into his room (a single, of course), there's a shift in the air. Barely noticeable to the untrained, but untrained he is not. He turns on his heel, ready to leave, and comes face to face with a man. Maybe a year or two younger than himself, unnatural green eyes, and most striking, a curse scar on his forehead.
That night had been normal for Harry. He fed the children, told some of the young ones a fairy tale (Rumplestiltskin had been the recent favorite), and put them all to bed. He himself went to bed an hour later after checking the wards on the childrens' bedrooms. No child would go unprotected or unloved in his care. It's midnight when he wakes up with this terrible feeling in his chest. Five minutes later, he feels someone walk through the wards in Jonathan's room. Whoever just walked into his room is someone he's met before. It doesn't matter. Nobody should be here this late. Harry silently stalks out of his room and makes his way upstairs, when he turns the corner where Jonathan's room is, he comes face to face with one Tom Riddle. He's older than he was in the diary and handsomer than when Harry was seventeen, but it's him.
For a moment, they just look at each other. Green eyes meet brown in the hallway of Wools. The ring on young Voldemort's hand starts to glow, and whispering fills the room. Then, without much fanfare, everything goes dark for the two men, and something is filled again in Harry's chest.
Anyways I had this idea while making a sandwich and thought it could be cool :)
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as a writer, it’s very important that you know this: whenever you tell yourself “this will only be one-chapter-long” that is a lie. your brain is lying to you. it won’t, in fact, be just a short one-shot
Oh, Mary, full of grace, receive the bloodied
sufferer into your arms
I really wanted to show how I see what is happens to bloodymary right after the moment when Grace takes Simon from the bloody ocean
I feel like I want it to be creepy and disturbing.
oh no, who's that standing against the wall in the last frame? It seems like while Rocky sleeps, Grace will survive the real Ripley-trying-to-survive-on-the-ship-with-Alien experience
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really funny to me whenever people are like "there's no way these characters are JUST friends they're always SMILING at each other" like i'm no expert on this but i'm pretty sure that might be in the top 3 things people do in a friendship. i hear sometimes people even do it with strangers and acquaintances......