im reading god emperor of dune heres my leto ii x duncan idaho fanart
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im reading god emperor of dune heres my leto ii x duncan idaho fanart

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Ok Harry du Bois would say this but I feel like Tomodachi Life is cheating
im obsessed with the world of donkey kong, where the "barrel" is an abstracted, functionless object that seems to just manifest in the wild
the death of dvds is so fucked. what about bonus features
far far away idol would never happen now
Julie Farkas, Fallout New Vegas, 2020

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TOO MANY TEENAGERS AT MY BACKROOMS SCREENING. gerard way warned of this
Not putting this on the original post bc I don't want to derail but this is how it feels to play magic the gathering after 2020
in other developments re german/anglo cultural exchange on breadstuffs, this image was posted to a facebook group yesterday
the following events ensued:
1. predictable lively discussion on the preparation of Wienerschnitzel, in which natives and wurstaboos are pro-puff and everybody else is like *confused dog head tilt* why wouldnât you want the crust to stay ~attached to the thing you put it on? as with other fried foods?
2. thirty âBad Schnitzel is my band nameâ jokes
3. thirty âBad Schnitzel is my stripper nameâ jokes
4. one âah yes, Bad Schnitzel! a lovely spa townâ joke
5. this absolute masterpiece:
Carrot and Angua's relationship is so funny to me because Angua is living a doomed tragic romance of two lovers from different worlds who can never truly be together and meanwhile Carrot is just like "I love taking my girlfriend to museums ^â^ "
have you seen the lord of the rings movies? the practical effects look great, but there's also an amazing digital serkis

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Best sticker
Freakinâ awesome. We live in anaheim so our boys got to enjoy the all-access Disneyland Daily pass. Our youngest (Tanner) wanted to be an officer. Unfortunately he was too small for the restraints on splash mountain so when the coaster sped up it flung him out and he skidded about 200 feet on the asphalt. Hereâs what weâre keeping him in right now:
Disney wonât let us bury on park grounds because of a potential copyright issue with the superman thing.
We miss him a lot, but thereâs a cancellation fee on the Daily pass, so weâve been making the most of it. His brother still enjoys the park and since we chose not to press charges, weâre entitled to one free mickey pancake a day
??? Reading that looked like you tried to copy abd paste 3 differint stories together to make us not realise you just copied and pasted??
First of all: splash mountain is a water log ride. There are no places where it justâŚspeedsâŚup? Its a fucking water log ride???
BECAUSE its a water log ride it DOESNT HAVE RESTRAINTSâŚ.it DOES however have a minimum height requirment of 46 inches to ride the ride, so EVEN IF this kid was too small, they WOULD NOT let them ride.
There is no asphault anywhere near the track itself. The CLOSEST you could come is the big drop at rhe end but again, minimum height requirement of 46 inches tall to ride, the angle of the drop and the speed at which you go it is physically impossible to get âlaunchedâ.
I feel like this is obvious but theres so much obviously wrong about the second addition i suppose i need to state this.
SUPERMAN. ISNT. DISNEY. Superman is DC. The only theme parks that have licenced DC character based rides is six flags.
Six flags, another park that HAS MINIMUM HEIGHT REQUIREMENTS for rides.
That has restraints on rides in which are necesary. Which again, YOU CANNOT RIDE IF YOU DO NOT MEET THE SAFETY GUILDLINES.
Go try to shitpost and ruin the reputation of a differint park, will you? At least make sure your story is even plausable before you open your mis-informed mouth.
@crabwalkerâ Are you seriously explaining to me how Splash Mountain works? Do you think I donât remember how my son died? Oh, and itâs âphysically impossible to get launched?â Guess what, asshole? My SON got launched. This is the last photo we have of him.
Youâve said some cruel things to me, but Iâm going to be the bigger person. Iâll be praying, for your sake, that nobody in your family ever gets launched.
That photo is based off of a meme of this lady looking pissed. That and I canât find an incident based off of what you posted. Shut the fuck up.
Why did you photoshop tanner out of that picture?
sad that there are still ignorant tanner denialists out there
Had been thinking about this post (which is a fake excerpt from an imaginary narrative written to mock 'tumblr prose'), and how most "no actually this is good" comments are highlighting how the construction of individual sentences is interesting, how some of the language is evocative, how it Goes Hard. Because that post is written badly in a very thoughtful manner that focuses on core structural issues rather than going for low hanging fruit of poor technical proficiency with the written word, it is not bad in the most "obvious" of ways. So I think this is a legit learning opportunity, but also I don't want to dunk on anyone so instead I will just preach to the choir of My Followers.
But yeah like to be more constructive than "lol tumblr prose bad", really the issue in Large part that characterizes "tumblr prose" (which to be clear I don't think is a discrete thing and at most is a combination of several writing tendencies influenced by the medium of Online) comes down to the lack of real contrast in Any aspect of narrative construction, and an obsession with being quotable and constantly being at 100% of Going Hard (which go hand in hand).
In that post, the character voice is indistinct from that of the narration, and the characters quote one-liners that look Meaningful as excerpts and are borderline nonsensical as dialogue. There is no more than the faintest, most generic hints of characterization; these people exist as vague concepts to say deep words for the reader. The sentence length has little variation from its staccato beat, and so it is awkward to read and fails to complement the action or accomplish anything with the pacing (save for the slight slowdown when the torturer feels all that damp animal electricity). The timing is awkward and exaggeratedly dramatic. The description is a flowery kind of tryhard visceral and seems avoidant of describing anything too directly ("something dark and arterial" where there's nothing being accomplished by conveying uncertainty about what is currently gushing out of the injured character and the simple use of "blood splashed across the stones" would actually be 10x more effective), in a way that does disservice to what is supposed to be a torture scene, and leaves it weightless and ungrounded. In fairness to the people saying "this is good", that is MUCH easier to say when reading this fake excerpt as the standalone piece it actually is, but this kind of writing Cannot function in an actual narrative and is not what an excerpt from well constructed narrative fiction is going to look like basically ever.
It reflects a lot of very typical amateur writing issues that just about everyone has to grow out of (the minimal diversity in sentence length, non-attention to scene pacing and timing), and issues common to fanfiction-influenced writing on social media (allergy to paragraph lengths of more than two sentences, little to no description of the characters or setting because, in fanfiction, the reader already knows their physical characteristics and mannerisms and it doesn't need to be lingered upon, Unlike In Original Fiction). But this particularly hits on an issue I think is semi-unique to narrative writing in the social media milieu, which is a focus on being quotable. This may not even be a conscious impulse at all But It's There. This kinda apparent terror of any moment not being as beautiful and hard hitting as possible (or for comedy, any moment not being A Joke). Everything "Goes Hard", so nothing actually does. A lot of "tumblr prose" type writing is less a narrative, more a string of quotes loosely assembled into narrative that vaguely gestures at things like Plot and Character. It substitutes depth for Suggestions of depth by utilizing stock symbolism without building it into the narrative, and by gesturing at weighty contexts without actually engaging with them. There can be little contrast or effective use of tone, pace, description when your story is a series of Hard Hitting Quotes.
I'm reading Watership Down right now and I think it's a great novel overall and can work as an example of how important it is to utilize contrast in your writing.
This segment is the lengthy first description of the titular down, which the rabbits are now encountering for the first time:
Adams is slowing the pace here to introduce us to the setting of the next segment of the book. The average sentence length is very long and keeps us lingering in the sensory detail, while still varied and thus smoothly readable. This new place is introduced by simultaneously conveying its physical description in vivid detail and conveying its feeling and character, and getting the most out of every described feature to do so. The thorn trees are "wind stunted". The air is "scented". The language takes on a very flowery character and heavily utilizes simile and metaphor. Woodland is "tumultuous with evening", sunlight filters through grass "like a wind" to the small creatures below, in contrast to laying "like a gold rind" on the hill when seen from a distance. This grandiose description is heavily functional and conveys both exhaustive physical detail and a feeling that this place is beautiful, awe inspiring to something like a rabbit, and full of life, though not without quiet hints of danger. It hits because Not Everything In The Book Is Described This Way. It means something that we're lingering like this and stopping to get a sense of this place on every possible level, and moving away from more direct, simple prose to convey the feeling of the place in depth.
This segment describes the rabbit Bigwig being found caught in a snare:
The prose here here has the opposite approach of the first excerpt. The language is concise, direct, and brutal. It only veers slightly away from the literal to describe Bigwig's voice as 'bubbling out' from his mouth, both conveying that the saliva and blood in his mouth is literally bubbling as he speaks, and implying the unsettling way his voice sounds as he's being strangled. The sentences are much shorter on the whole, as fit for the pacing of a tense and rapidly changing scene, and the pace closely complements the action - "There was a pause" not only conveys That There Was A Pause but interrupts the rhythm of this segment; the moment of uneasy stillness is echoed in the act of reading itself.
The scene this is excerpted from is extremely effective and does in fact Go Hard, it's well constructed in of itself but its effectiveness mostly lies in its place in the narrative. It's the culmination of a long, tense buildup as the reader becomes more aware that something is deeply Wrong about the place the rabbits are in, and the payoff is effective in being blunt and visceral, which hits because Not Everything In The Book Is Described This Way. Nothing about these excerpts are particularly quotable because that is actually not what good narrative writing is about.
Mini Card painting: worm display
XIV - Temperance

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this is so cute are you kidding me