manatreed deserved better.

Also Aoyama : [faces hardships alone]

Aoyama says he watched Izuku and his work with a quirk on the Entrance Exam! So, Aoyama really was sent to UA as a spy from Afo for the sake of keeping an eye on Midoriya Izuku!

LOOK AT THIS THESE PANELS HURT SO MUCH

Look at him!!!! He didn't want to hurt anyone!! My heart his parents I can't

I shall protect you my child

He saves Izuku. That doesn’t really seem like nothing. Not when you consider Horikoshi’s storytelling. How many times has he left breadcrumbs, just like this? So subtle, but later so very obvious and meaningful? And not just with—well, that obviously true theory about another character, but also like with Bakugou and his breakdown, among other things. There’s a whole lot of showing as telling with Horikoshi, imo.

And then of course there’s all the weirdness around Aoyama’s character, period. But also, there’s this:

And everything else re: Aoyama & Izuku’s friendship.

It just makes me wonder about it all 🤔

like, what other song can make that claim?

The crowd cheering after the first stanza when they realize what they’re all doing

So many people audibly ‘doing the guitar parts’… like ya do

The sheer number of voices joining the rediculous falsetto (thanks, Roger)

How they all start jumping at the ramp-up “so you think you can stomp me”

There’s good reason why, nearly fifty years after the height of their career, Queen is still considered one of the best bands of all time ever.

Okay. You’re back? Welcome back. Unless you’re a trained singer, you probably can’t do it. There are too many long notes, too many key changes, and too many places where–if you’re singing all the parts–you’re just up and down the scale too damned fast. I’m saying this as a trained singer and I can’t do it. I always crack on “magnifico” and “leave me to die,” and I have a pretty decent range, but I know I sound ugly as hell on that final coda.

Okay. Now that we’ve established that, I want to talk a little about singing as a chorus. One of the things a lot of people learned during the pandemic is how hard it is to take twenty people, all in different places, and stitch them together to make a single coherent song with perfect pitch and timing. You’re all practicing on slightly your own tempo, slightly your own key, even if you’re all working from the same base track. (You can see this in a lot of the Wellerman compilations from Tiktok, where someone always says “Soon” a moment before everyone else on “soon may the Wellerman come.”) When you have a chorus comprised of many smaller choruses that are all traveling to be together, this is what dress rehearsal is for–to get all of you onto the same tempo so you’re starting and finishing at exactly the same time. This is a thing that normally only happens after at least several days of practice, and it is an important skill that must be taught. You’re not just born knowing how to do this.

I do not know how many people at that Green Day concert were trained singers. But I do know there is no way in hell all few thousand of them were a single group–they showed up a few at a time, maybe even flying solo for the night. Now go and listen to the video again. Listen to the ends of verses and the pickups. They’re fucking crisp as hell. Everyone is starting and ending at the same place. Not even a single note off. (And yes, you can hear when it’s a single note off, even in a crowd that big. A handful of people would be enough to throw it off.) And while a few in the crowd may be off-key, so many more are on-key that the cumulative effect is of the song being on-key. This isn’t even the band they’re there to see.

They don’t just know this song, this technically-difficult song, this long and complex song by a completely different band. They know it perfectly. They know it down to the fucking note. They know it so well that they did it in perfect synchrony, without a single chance to practice.

High empathy

Anxious Anxious anxious!!

I AM GOD

Dissociate