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JUVIA MY GOAAAATTTTTTT I KNOW THATS RIIIIIIGGGHHHTTT

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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quick ref for my oc mc'cain
Can I get uhhh…
stop asking who’s the man and who’s the woman in gay relationships and start asking which ones the serial murderer and which ones the one trying to catch them
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The moment you realize you’ll never have someone like Kou in your life SUCKSSS
Nah nevermind turned out I AM the kou

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follow up to 2:
Doodles featuring gatemare’s FT collab with gray and juvia plush
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Not me simping over a black haired istp character again ☠️
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♫・゚: *
What if silence is in fact a sound, but because its a universal sound we just adapted to it and dont notice it anymore
I actually just wrote a paper on this!!
The short of it is, yes, that's exactly what happens. There's no such thing as pure silence outside of a vacuum (and inside a vacuum you'd be dead). So basically your ears are constantly adapting to the noise threshold of your surroundings and slowly ignoring it. If you were in a perfectly silent room (anechoic chambers are cool!) you would actually start to hear the sound of existing!
In film class we learned that you need to record the silence in a room for at least two minutes or so and save it before you start shooting there. This is called "roomtone" and is done so you can put it into every bit of artificial silence later- if your editor decides it's best to cut the sound so there will be a longer gap between lines of dialogue, for instance, the artificial silence in between will sound weird to the viewers and break their immersion, because it isn't the silence of that room as they're been hearing it so far.
Room tone is also useful to overlay if you need to re-record any lines later or that kind of stuff, I think, but. I didn't listen THAT much in film class
This is pretty much why active noise cancelling works too!
I recall reading about a performance of some kind whose first "sound" involved a sudden, heavy, oppressive silence, and they arranged that by artificially creating a noisy roomtone---before the performance started, before people were coming into their seats even, the speakers were already outputting a soundscape of white noise, electronic hums, air vent noises, et cetera, so when the audience was all seated and the performance started, the sudden cutoff of all the existing noise made a major contrast that got everyone's attention without so much as a sound.