Emil || 22 || He/Him She/Her || Jewish || draft dodger (honorary, yet false) Queer fantasy and space opera nerd. Weird amounts of Death gate cycle, gay droids, doctor who (+ EU + OCs), and tomfoolery. ืืขืืืฃ ืื ืืฉืืืช ืขื 'ืืฉืจืืืืืช' โค๏ธ๐ต๐ธโฎ๏ธ ืื ืื ืื ืืืืกืื ืืืืืงื
[ID: soft painted piece of digital art based on the death gate cycle book series. Alfred- tall, pale, balding but for a crown of silver hair, in a dark purple frock coat, stands looking wistfully out of the window of a shadowed stone room, at a view of castle ground, green forest in the distance, and other islands hanging in the blue sky, hand resting on the window aill. /End ID]
Spent a lot of time recently gazing out of my kitchen window thinking about The Character's identity issues and fractured life, so I started sketching it, and it just demanded a painterly treatment. The world out there is yours, but it is not the world you knew, and you are someone new in it, some old, young afraid thing hiding inside something new that is Old... And you live at your feudal customer service job.
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People -and therefore characters- can have self-esteem issues while also being convinced they are the GOAT, and I think not aknowledging that often gets in the way of character analysis.
"pretending to be confident, but deep-down actually insecure" is definitely a character type that exists, but "genuinely confident but there are a few things she doesnโt trust herself with," or "genuinely hyperconfident in her abilities but entirely unsure of her worth beyond that," or "genuinely hyperconfident in herself but if you push these 3 mental pressure points in a specific pattern she will be a sobbing mess on the floor" are characters who exists as well. And they're all beautiful.
egypt, 4th-1st century bce. the angle here is startling and charming to me and appears to have been standard at the time. at first i had difficulty imagining the lock it would fit into. looks like a guy clenching his big hand at you ๐ซด. A+
north china, 3rd century bce. hey everyone SHUT up. everyone SHUT UP for a fucking second and have some RESPECT while i tune my ZITHER with my beautiful little BEAR KEY. i said SHUT UP!! i am KISSING HIM. A+
roman, 1st century bce-4th century ce, highly whimsical. this is not so much a key as a whole Creature. i wish he lived in my house. A+
roman, 3rd-5th century. lowkey whimsical. hermetic af. huge fan of the wings. a rustic, functional asymmetry that makes me clench my fists with enthusiasm: it looks like it was made to please the artisan. i picture the keyholder spinning this idly around a finger, perhaps whistling through their teeth. rubbing the feathers with your thumb when you're nervous would feel soooo good i bet. A+
roman, 1st century ce. nonwhimsical. stern and to the point. do NOT whistle while spinning this key. it is for business. someone has probably designed an ancient bomb for a video game using this as a reference. A+
roman, 1st-7th century ce; roman, 1st-7th century ce. you'd think this many pleasing shapes would cancel each other out but they don't. a cascade of excellent geometric figures into which the spirits of various cultures either encountered or subjugated have breathed. A+
roman, 1st century ce. i love a Little Guy, obviously. i do feel like i could pick the lock he is supposed to guard. A+
german, 13th century; french, 13th or 14th century(?); german, 14th century. i'm going to be so real and vulnerable with you guys right now. i would love to lock a beautiful, weeping stepdaughter into her tower room with one of these and then slip it deep into the fitchet of my outer gown, smiling cruelly. perhaps patting it with my long, bony hand to be sure it is secured to my girdle: good, it is. ha ha. she will have to be rescued by birds, who will later peck my eyes out. A+
german, late 15th century. What if you were german in the late 15th century and your girlfriend gave you this key ring with two little guys dancing on it and was like "that's me and you :)". would you cry? probably not actually, because you would be german. A+
german, 15th century; german or south netherlandish, 15th century. platonic ideal north european keys to me, relatively simple yet extraordinarily satisfying to look at and, i imagine, to use. if my front door locked with one of these keys i would never feel bad about myself again probably. A+
french, 16th century; italian, 17th century. i imagine these are the the equivalent of those pens with liquid inside where you can make the lady's swimsuit come off by tilting it. i would be touching those tiny metal boobs and butts so much. A+
french, 16th century. OPULENCE subtype DEMONIC. cenobite ass key. A+
india, 18th century or later; russia, 18th century. these are padlocks not keys but on the other hand: hell yeah! horseys! hell yeah!! hell yeah horseys! hell yeah!!!! A+
french, 19th century; german, 18th century. the elaborate chamberlain/ceremonial keys are not always my thingโthe appeal of a key is often in its mystery and i find these keys unmysteriousโbut i can't knock the craftsmanship. A+
benin, 16th-19th century. now this is a fffucking key! รฌgรนn รฉrแปฬnwwแปฬn strike again! Little Guy on there perhaps doing a bodybuilder puff up pose: check. pleasing angles: several. an elegant simplicity that gives worksmanship without being distracting: absolutely. tiny top ring so you can attach it to something without covering the guy's face: innovative. A+
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They should invent a cry for help that has zero negative effects on anybody and also that makes everyone treat you like a little animal in a cardboard box. But everyoneโs cool with it because youโre a cute little animal and not an adult human that needs to get their shit together to stay alive
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