And the results are in...
Now that weâve all had time to digest the latest quarterly figures from RAJAR (Radio Joint Audience Research), what does YOU think about it all? Well, our Media Director Rupert Bean outlines the key findings from Q3 2018âs report, and provides some thoughtsâŚso listen up (a radio punâŚ).
- 48.6 million adults listen to radio each week â representing 89% of all UK; 65% of all UK adults listen to commercial radio (as opposed to the BBC).
- The number of 15-44-year-olds listening to commercial radio has risen from 17.94m to 18.24m â this, therefore, goes some way to demonstrate that contrary to what some media experts may say, radio is not a medium channel which is on its way out!
- In terms of where we listen to the radio â 70% listen at home, 63% listen in the car (or other modes of transport) and 25% listen at work (or elsewhere).
- 34.4m adults listen to the radio on a digital platform each week (DAB, DTV or via the internet) â which equates to 71% of the population; and in terms of share of listening, digital has increased to 52% - proving that the UK radio listening population is shifting how it consumes audio.
- In terms of how each main radio brand / network has performed nationally, the main facts are:
o  Heart brand â remains the UKâs biggest commercial radio brand, reaching 9.66m listeners (bigger than Radio 1)
o  Capital brand â 8.4m listeners
o  Smooth brand â rose 200,000 from Q2, up to 5.81m listeners (its highest ever reach)
o  Kiss network â 5.75m listeners
o  Absolute network â 4.9m listeners (up 8% year on year)
o  Magic network â 4.05m listeners (up 8% year on year)
- Dave Berry has nabbed the top spot in this category, with his Absolute Breakfast show â achieving 2.21m listeners in his first quarter of results since his start at the station (having moved from Capital); potentially he may have poached some listeners from Radio 2 (which has lost 214,000 since last quarter, and over 500,000 since this time last year).
- It will certainly be interesting to see how Zoe Ballâs move to the Radio 2 Breakfast show (and, on that note, how Sara Cox performs on the Drivetime slot) affects listenership figures â watch this space!
- Magic Breakfast with Ronan Keating and Harriet Scott, now a national broadcast (having traditionally been a London only slot), is reaching 1.3m listeners.
- Capital Breakfast is the No.1 show in London at that time, with 928,000 listeners each week (the presenter being Martin Kempâs son, RonanâŚwho is of course also the son of one of Wham!âs backing singers â Shirley!!).
- Looking at the overall listenership on commercial radio in London, we see the stations stack up as below:
o  Capital â 2.07m listeners
o  Smooth â 936,000 (up from 775,000 a year ago!)
- Looking at how commercial stations rank when looking at the rest of the UK, there are a few key observations:
o  Classic FM is the UKâs most popular classical music station, with 5.2m listeners every week.
o  Manchesterâs newest national station Hits Radio has performed strongly out of the blocks â achieving an audience of 6.43m listeners.
o  Absolute 80s achieved a record listener figure of 1.8m (up 14.7% quarter on quarter and 15% year on year); likewise, Absolute 90s achieved 913,000 listeners, up 11.1% quarter on quarter.
- Global have posted good results, with Capital winning both in London as a whole, and also at London breakfast, with Ronan Kemp; as well as winning the top 3 brands in the UK. It will be interesting to see how they work this to their advantage now that they own almost 35% of the UK outdoor marketplace; how will they work to offer combined audio / OOH campaigns â we can only wait and seeâŚor is that wait and hear?
- As mentioned earlier, how Radio 2âs new line up (Zoe Ball and Sara Cox specifically) in the coming months affect things â will they grab listeners back in their particular time slots?
- Dave Berry has done sterling work on his Absolute Breakfast show nationally â can he sustain this?
- Diving deeper into the age demographics â the fact that 71% of 15-24s and 73% of 25-44s are listening to commercial radio every week, can only be a good thing for the medium. It is by no means a dying medium, and the ways of using radio (or should we call this audio now?) are so multiple, above and beyond the simple spot time, so itâs certainly an exciting time for this media channel.
When it comes to radio, YOU are all earsâŚ