Boy Slow Down (2025)
Screen print on paper
24.4 x 35.4 cm (x 8)
24.4 x 36.1 cm (x 8)
will byers stan first human second
d e v o n
I'd rather be in outer space đ¸

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Xuebing Du

Love Begins

romaâ
sheepfilms
Three Goblin Art
Game of Thrones Daily

çĽćĽ / Permanent Vacation
AnasAbdin
noise dept.
"I'm Dorothy Gale from Kansas"
trying on a metaphor
TVSTRANGERTHINGS

Product Placement
occasionally subtle

⣠Chile in a Photography âŁ
seen from United States
seen from Azerbaijan
seen from India
seen from Pakistan

seen from Australia

seen from Netherlands

seen from Indonesia
seen from Indonesia
seen from TĂźrkiye
seen from Poland
seen from Vietnam

seen from Germany

seen from Italy

seen from Australia
seen from United States

seen from United States

seen from Germany

seen from Kyrgyzstan
seen from Nepal
seen from TĂźrkiye
@yoshiarxhive
Boy Slow Down (2025)
Screen print on paper
24.4 x 35.4 cm (x 8)
24.4 x 36.1 cm (x 8)

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Untitled Study (2025)
Oil on wood (MDF)
21.3 x 42cm
Covered N Money (2025)
Oil on wood (MDF)
110 x 137.5 cm
Untitled Study (2024-2025)
Oil on wood (MDF)
28 x 20.3 cm
Three Bedrooms In A Good Neighborhood / No Sl33p (2024)
Oil on wood (MDF)
35 x 46.1 cm
Titled after the two songs âThree Bedrooms In A Good Neighborhoodâ and âNo Sl33pâ, this piece explores the polarized perspectives on âselling oneâs bodyâ in the context of sex work and war.

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I Want It I Need It (2023)
Oil on wood (MDF)
138 x 90 cm
A âwastedâ person is depicted lying face-down on a grass field surrounded by beer bottles. This 58mm by 104mm frame, which is the size of an iPhone 6 screen, is repeated 156 times - the amount of âweekend eveningsâ (Friday to Sunday) in a year. Titled after the Death Grips song âI Want It I Need Itâ, which satirizes decadent lifestyles characterized by substance abuse, this piece comments on the use of âgetting wastedâ as a coping mechanism, and how it has been documented and normalized.
Rage (2023)
Oil on wood (MDF)
46 x 36.5 cm
Baboon with Salt (2023)
Oil on wood (MDF)
46 x 36.5 cm
A chacma baboon is depicted holding a piece of salt. Based on Dave Chappelleâs salt trap analogy, where a baboon is lured with salt, trapped as it does not want to let go of the salt, and then given as much salt as it wants until it becomes thirsty and leads the person who trapped it to the nearest water source. The piece attempts to bring the idea of exploitation into question, and questions at what point a âmutual exchangeâ becomes exploitation.
Pest (2022-2023)
Oil on wood (MDF)
21 x 29.7 cm (x 3)
XXI (2021)
Paper collage
29.7 x 42 cm

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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