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2020 artifact

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mood.
I saw the Red Room Orchestra live. They did a three part harmony rendition of Love Me Tender which knocked me to the floor. You should see them perform immediately. I tried to find it to share with you, but no luck. They also made me think about Wild At Heart in a new way. I found this clip instead and fell in love with it all over again. Your turn to fall in love with it all over again (or for the first time).
What about Bob? (pt. 4)
Mueller enters the club. It appears he has time traveled to the 1920s, the roaringly sinful 1920s. Women dance in beaded dresses with bobbed haircuts, men in their baggy suits. No one seems to see Mueller who did not notice the sign outside explaining that the club is hosting a themed fundraiser for Michigan Senator Debbie Stabenow, a true party-animal.
Mueller is offered a coupe of champagne which he takes but doesnât drink. Everyone knows that if you eat or drink anything in the past youâll be stuck there forever. Mueller is approached by Orrin Hatch who is wearing his usual off-duty senator ensemble - a red tracksuit with Adidas sandals and black trouser stockings. Hatch hurries over to Mueller, âYou party crashing too?â
âWhat?â Mueller asks.
âOh, I know this is supposed to be some kind of liberal themed party, but I love the gin gimlets they serve at this place.â
None of this information has made any sense to the sleep-deprived Mueller who believes he is either time traveling or still in a coma. He stares blankly at Hatch who doesnât seem to notice.
âAnd I do love jazz,â Hatch adds. He begins to move his body in a way that could be described as dancing, but to Mueller it looks like lurid writhing. He begins to feel nauseous. He turns away from Hatch and begins to make his way toward a soft reddish light he sees in the distance.
He walks toward the red light. Mueller weaves by a gaggle of raucous treasury members, led by nosy-Jack Lew. Lew snaps his fingers arrogantly as Mueller tries to avoid eye contact, but fails. Lew waves, flashing his renowned three-dollar smile. Mueller scowls, stunned by Dianne Feinstein, who, everyone agrees, can really dance.
The red light grows in intensity. All-too-suddenly Muller catches a strong whiff of asparagus and glue on a hot day. Itâs like a slap in the face. He grimaces, stopping dead in his tracks, knowing full-well itâs too late. âOh hell,â he stammers.
âBOB MUELLER. IN THE FLESH,â a deep voice with a syrupy southern-drawl announces.
âHi Rex,â Mueller says, moving his blazer, adjusting his cuffs. âAre those pigs in a blanket?â Mueller inquires.
âThere arenât many sure things in this world, Bobby, but those are pigs in a blanket,â he declares, gesturing with his whole arm at a platter bathed in red light. âHelp yourself.â
âIâd rather not,â Mueller says, remembering the slippery rules around time travel. He looks at Tillerson and his group of oil weasels, fawning over the recently-freed Tillerson. âWhat are you doing here, Rex? I thought you would be getting out of this dirty, old burg.â
âIâm a big fan of chaos, Bobby. I want this race to be interesting. Stabenow is scrappier than my pet goat, Ramona.â Ramona, Rex Tillersonâs pet goat is a well-known figure in DC and Texas. It is impossible to know how far beyond these spheres Ramonaâs story reaches. Bob Mueller met Ramona on several occasions and finds himself nodding in agreement. âPlus, I love a good show,â Tillerson adds, running a toothpick from one side of his mouth to the other, smiling menacingly. Helping himself to a pig in a blanket, Tillerson dangles it over his maw to impress Mueller. Mueller is unmoved, even as Tillerson releases it, gnashing his jowls and craning his neck at the same time, like a bear chomping down on a river salmon. The weasels approve. Mueller feels a tap on his shoulder and swivels around.
âWell, thank god you walked in,â Dianne Feinstein says. Sheâs bathed in sweat, no doubt from singlehandedly setting the tone on the dancefloor. Her tone is flirtatious. âTammy Baldwin was supposed to play piano for this gig. I guess sheâs double-booked tonight. I know itâs a big ask,â she says, wiping her brow with a palm tree-patterned kerchief, âbut would you mind covering for her tonight?â
Mueller feels time stand still. He had sworn off the piano years ago, or had he given it up minutes ago? The MK-timeline makes dates hazy. If only he had a paper cup right now. As a man of discipline, Bob Mueller was able to systematically swear off all distractions in his life -- except jazz. He remembers reading an article in The Hilltop, Howard Universityâs best newspaper, that said Jazz music was not to be trusted because of its jagged beats. In an alarming turn of events, he rebelled against this editorial, embracing the unpredictable rhythms of jazz as a guiding light - a truth that would ground him.
As he thinks more about this, Mueller looks down and realizes he is halfway through Monkâs Nutty, confidently seated at a jet-black piano. Debbie Stabenow is suspended ten feet above the piano in a sparkling hula-hoop, spinning gracefully as red and silver confetti fall around him. Thereâs Gillibrand on sax and he swears he can see Sherrod Brown on drums. He leans in close to the keys and his fingers dance. Is he wearing sunglasses? He hears Tillersonâs booming voice âMy god Bobby, youâre gonna set the place on fire.â
His eyes scan the room. He wants to see the man in the pink umbrella, but all he sees is Orrin Hatch and Chuck Schumer dip each other awkwardly bumping into other attendees. He dives hard and fast into the middle eight and the crowd cheers approvingly. Itâs a helluva fundraiser he concedes to himself, pulling back on the piano as she begins her speech.
âHEY YOU, MACHINES,â everyone knows that Stabenow loves trying out new accents and referring to people who arenât from Michigan as machines. âTime to explode your wallets into my bank account,â she remarks grotesquely in a pitch-perfect Australian brogue. The crowd is delighted and Mueller hears audible squeals of delight. He glares at Schumer and purses his lips.
Stabenow continues about the importance of keeping Michigan out of the great lakes, how small things should be smaller, and launches into her usual stump speech, complete with talking points from the blimp lobby. Mueller chuckles to himself as the shape of blimps are very funny. He shakes his head because itâs really funny.
âBOB,â Stabenow says suddenly, forcefully, emphasizing the curves of the letter Bs, âWe are running out of time.â Sheâs staring directly at him. The whole crowd is staring too. The spotlight is on him and him alone. The crowd encircles him. He blinks vacantly. He tries to stay present, banishing the nagging thought that he will wind up in front of another unlikely district locale with a half-eaten sandwich in hand. He is tired of the tangled timeline and John Kerry run-ins. He misses the din of his office. He yearns for the field from his dream, far away from the district. He wishes---
âAre you even listening, Bob?â Feinstein is shaking him. He smiles, nodding. âWe need you more than ever.â Even the oil weasels are nodding their heads. Orrin Hatch gyrates with needless gusto and the scent of asparagus and hot glue permeates everything as Rex Tillerson claps like Duffy, the beloved seal at the national zoo.
âI...I..Iâm happy to help,â Mueller muses. âI...I just need to answer some questions first.â The room grows quiet. He feels it is suddenly very late. The crowd fades into the dark corners of the club. He gazes down at the checkerboard floor. It stretches infinitely in all directions. He feels heat behind his knees. He licks his lips and tastes vinegar. He reaches down into a bowl full of nuts and takes a handful. The world spins around its axis and feels a premonition, the future coming. He opens his mouth, absent-mindedly, taking in a handful of nuts. His large jaw makes quick work of them.
In the far-reaches of his mind he starts to hear music. A piano looping. A swell of a string ensemble. He closes his eyes. A cascade of color. All colors. Beautiful hues. A palette of deep, vivid colors comes into focus. The music grows louder. He begins singing along. Itâs Over the Rainbow. Warm tones and a soft crackle. An old recording. The one from the movie. A familiar warble. Is that Judy Garland? Heâs tearing up, looking at himself staring into the infinite abyss of Washington, DC. He sees light blue gingham everywhere. She appears in the middle of it, wearing, ruby slippers. She hands him a lei of flowers. He accepts them and locks eyes with her. In slow motion she says âBob, this is wrong. I am the wrong one. The other one. Find the other one. Make haste. We need you, Bob. The wizard. THE WIZARD!â She screams. Heâs confused, but nods. He reaches out to her and she disintegrates into a powerful gingham wind. Rex Tillerson laughs somewhere and the world shudders while Orrin Hatch tries out his new dance moves. Ugh. The room swirls around him and all goes dark.
Silence.
the double king

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PRANK TIME!
I canât watch this enough times.
Nobody has seen this movie, and yet, this is one of the most perfect scenes ever to have been filmed.
What about Bob? (pt. 3)
Itâs time. But time for what?
Mueller throws the newspaper off his face and lurches upward. Heâs back in the gym. Staring back at him he sees Sam Waterston from the NBC hit Law and Order. He rubs his eyes. No, just John Kerry again wearing those damn American Flag workout shorts that say â04 on the rear. âSay Bob, you seem stressed. Why not come to our improv show tonight? I guarantee itâs the funniest show this side of the Potomac.â
âThatâs not a thing people say, John,â Mueller spits, gathering the papers he threw on the floor. He could use a good laugh he admits to himself. Kerry thrusts a neon flyer that he made in Muellerâs direction. It depicts stick figures laughing at a crudely-drawn performer on stage. âErr, thanks, John. Iâll see if I can come. Itâs pretty busy on my end,â he says, squeezing out his best smile.
âSure Bob, no problem. Maybe you can ask Tammy what she meant. She has such a foul mouth in these shows. She is very - and I mean very - funny.â Kerry checks himself out in the mirror. Mueller takes his papers and stands up. âCandied pecan?â Kerry offers, âYou look famished. I love these things - never leave home without a bag or two.â Did Kerry just wink at me, Mueller thinks to himself.
âSure, sure, thanks John,â Mueller demurs, helping himself to a few. He scans the papers, walking away quickly, hoping that heâs lost Kerry. Heâs on the fence about whether he should go to the show this evening. Following up with Baldwin would be smart. And nobody enjoys a good laugh more than Bob Mueller...but John Kerry? Seven dollars at the door?
âYou know Bob,â Kerry says far down the hall, âitâs always time for nuts!â
Muellerâs mind starts racing. Nuts, time, shawarma, Law and Order, the â04 election...what does it all mean? How does it fit together? Mueller leans against a shuttering tree outside the gym. The rain has started up again. He removes the tie from his waist and uses it to wipe rain and sweat from his forehead. A lightning bolt splits the sky. Mueller feels a primal urge to take shelter.
He enters a shop with a strange device over the door, a sort of masonic mermaid - âStarbucks,â reads the sign under the device. Muellerâs head clears as he enters, the acrid smell of coffee fills his nostrils. He closes his eyes and sighs. And then he notices something, all the people in this little shop are holding the paper coffee cups! This must be where you get one! Finally, a piece of the puzzle becomes clear.
Mueller goes up to the counter and says to the barista, âI want a cup of coffee, in one of the paper cups.â The barista sighs inwardly, she can tell this is a man who has never ordered a Starbucks coffee before.
âWhat size?â she asks, gesturing to a display of various sized paper cups. Mueller is struck by the variety of sizes, and by the names for the sizes which seem to correspond to nothing. This is a metaphor for his life, he realizes.
Several people order while Mueller contemplates the cups as well as the idea that words are meaningless until we add meaning to them. Finally he gestures to one of the middle cups and says, âthat one.â
âOkay, great,â says the barista, âis a dark roast okay?â
Mueller rocks back and forth on his heels, feeling almost revived, âYes, yes, anything!â
She gets the coffee and punched a few buttons on the cash register, âThat will beâŚâ
Mueller is already digging in his pocket for his wallet, âAnything, I donât care how much it is!â He pulls out a crisp $100 bill. âKeep the change!â
The baristaâs face goes from mild annoyance to happy surprise in an instant, but Mueller only has eyes for his paper cup of coffee. He cradles it as though it were a newborn Panda at the National Zoo, a symbol of international cooperation, joy, and new grant money.
âMilk and sugar are over there!â the barista calls. Robert Mueller is not a man who needs milk and sugar in his coffee. He takes a seat in a stoll looking out the window. He takes a sip of the coffee - too hot, acrid, perfect.
With a snap, he straightens like a predator who has smelt a trace of blood. He stares out the window. There, just across the street, is his Mr. Tumnus, his white whale, his...he canât think of another literary comparison. The man with the pink umbrella turns to look across the street into the Starbucks. His eyes meet Muellerâs. In this mild-looking manâs eyes, Mueller sees reflected the void he himself has stared into for many months. For a moment, they are one.
Bob Mueller quickly sips from the white paper cup. A caustic, burning taste fills his mouth. He winces and it is the best feeling heâs felt in months. He bursts out of the doors onto the sidewalk where it is pouring. The man with the pink umbrella stays put across the street, as if beckoning. The world grows quiet as busy citizens zoom by in their automobiles. Mueller straightens his back, cups his hands over his mouth and shouts âIâve seen you before.â The man with the pink umbrella stares, face partially obscured by his prop. âI...I think I know you,â Mueller stammers. He feels an energy seething within as if long-sought after answers stand across the street from him. Could this be when everything changes?
The man replies in a slow, calm tone, âI know you too, Bob. Itâs good to see you. Thereâs much to discuss.â He glances up and down the street, âBut this is not the place.â Sound suddenly returns to Bob Muellerâs world: trucks wheeze down the road, shoes scrape against the pavement, rain cascades down, phone conversations stick like pins into his ears. âI need to go,â the man announces.
âWait, just wait, please,â Mueller begs, waving his arms, spilling coffee everywhere. âAre you real? Do you know whatâs going on? Who...who are you.â Questions flood his brain and his shoes suddenly feel too small for his feet. Everything is wet.
The man smiles, establishing a comforting truth. âIâm flesh and blood, Bob. Just like you. Iâm as real as those ties you are wearing. We share the same passions. The answers you seek are out there. Weâre on the same side of this story. I know itâs not easy, but I need you to be patient.â Where Mueller would normally feel frustration, he feels a deep connection with this stranger - an understanding, a sense of justice.
âSoon, then?â Mueller squints and shouts over the din of the storm.
âYes, soon,â the man says, nodding, as a bus suddenly appears, obscuring him. Mueller tries to track him, bolting down the street to catch another glimpse, but he is already gone. In his place is Chief Justice John Roberts holding a red umbrella and some bowling pins. Mueller instantly realizes that Roberts has just finished another one of his circus classes.
âBob Mueller, that you? Dang! Did you know I just learned how to juggle? Well, sorta.â
âInopportune,â Mueller swears to himself under his breath. He feels the weight of his foul mouth and quickly conjures up a way to avail himself âJohn, you are here! I have to go fix my sink!â Brilliant, he thinks and teeters away down the jagged, labyrinthine streets. He can hear Roberts shouting something about an improv show going on later as he speeds away.
Mueller feels overwhelmed by his interaction with the man with the pink umbrella. He seems so familiar. He must connect the dots. How can he find out who that man is? Sky plane note? No. Microfiche? Probably. Fortune-teller? Expensive. Old newspaper clippings? Likely, but which ones? Who shares the same passions that he does? How soon is too soon to obtain another paper cup? He feels a familiar feeling and looks up. Wind. Simple wind. It is the wind blowing on his face. He looks toward its source.
The storm has subsided and the sun is setting. Bob Mueller stares at the golden rays stretching across the old greystones. He realizes he has been walking away from John Roberts for longer than he thought. Thereâs a soft sound of...music? He looks up to see that heâs standing outside of an old jazz club, holding a half-eaten tuna melt in his hand. He throws the sandwich away and walks toward the hazy light coming out of the jazz clubâs doorway. Like the first chirps of birds in a well-earned spring, the most beautiful sounds coax him in.
What about Bob? (pt. 2)
Mueller steps back out into the drizzling street. In the distance, a furtive figure catches his eye. A man carrying a brightly colored umbrella, its pattern indiscernible at this distance, is leaning over a garbage can. The man straightens, seeming to feel Muellerâs eyes on him. He scurries off, his gait both unusual and familiar. Mueller follows, no longer noticing the rain. As he trails the mysterious man, he is reminded of Mr. Tumnus, the faun in The Chronicles of Narnia, who helped the Pevensie children. Or did he sell them out to the White Witch? Mueller isnât sure. He breaks his stride to consider the story, in that instant, the man with the umbrella disappears.
A few yards ahead Mueller sees former White House photographer Pete Souza coming out of a laundromat.
âHey there!â Mueller calls. âDid you see a man with a pink umbrella go by a minute ago?â
Souza is startled and almost drops his sack of laundry. âNo, I didnât see anyone.â
Mueller continues, âit was one of those really big umbrellas.â
Souza replies, âI think I would have noticed that, Mr. Mueller, itâs not even raining.â Mueller stares at him. Souza goes on, attempting to be conversational, âIt hasnât rained here in weeks, we could really use it.â
Mueller continues to stare, he is sure it was drizzling only a few minutes ago. Then he thinks to himself, you canât trust a photographer anyway. He is about the push past Souza to try to find the umbrella-wielding stranger when Souza pipes up again. Souza, alarmed at the lack of focus in Muellerâs eyes and the fact that he is wearing two ties, asks, âAre you okay, Mr. Mueller?â
Mueller snaps to attention and begins to correct Souza on the pronunciation of his name. âItâs Mueller, like mule. No, I mean itâs like dull, but with an âM,â I mean...what were we talking about? I canât say anything about the indictments.â Mueller presses his knuckles into his temples. Souza, meanwhile, has begun to back away.
âCan I call anyone for you, Mr. MueâŚâ Souza pauses, now unsure how to pronounce the name, âCan I get call an Uber for you?â
Mueller is looking frazzled now, âWho have you been talking to?! NO CALLS!â Mueller steps toward Souza and stares down at him, and the full force of the jowly features ripple over the photographerâs face. Could it be a mask? Souza is torn now, he wants to get away from Mueller, but he also feels that the man needs help.
Just then Senator Baldwin comes back around from the Chipotle across from the shawarma shop. âJust spit it out, Bob,â she yawps, smacking Mueller in the middle of his back. The force of the blow throws Mueller to his knees. She continues to march down the street without looking back.
Souza takes the moment of confusion to slip across the street.
Mueller stands up, dusting off his knees. Better get back to it; lunch is over he thinks to himself but really says out loud to a gaggle of tourists from Revere, Massachusetts. âGo get âem, Bowbby!â they say in response. He walks toward a federal building at a gait that anyone would label as âteeteringâ or âgoofy,â but he thinks of as âpower walkingâ or âa heel-forward clip.â
Teetering by several pristine government offices, Bob Mueller opens a black door, which reveals a hallway that has not been renovated in decades. It smells musty. Homey. Honest. He unlocks his office door and blurts out âwhatâhaveâweâgot,gang?â It is a hive of productivity. In the back there are several cork boards with yarn radiating out from many axes, connecting disparate pieces of evidence. Trusted agents click-clack away at laptop keyboards, while others dig through crates of documents. Phones ring. An old stereo sounds a restrained jazzy beat. There are murmurs of âHey, boss.â âNothing yet.â âToo much to process.â âHiya.â
Special Agent Sandra Willard slams her phone down. âBoss, itâs another flurry today.â
âDonât I know it,â Mueller says, shaking his head, loosening one of his ties.
âAiming for another write up in the New Yorker?â Sandra or Sandy if you prefer, asks, looking at the ties.
âLetâs just say itâs all part of the plan,â Mueller responds, winking at a blank wall as if someone were there. Two agents see this and exchange knowing looks. âSandy, I ran into Tammy Baldwin at lunch today and she said that I shouldnât worry about the time, but that I should keep my eye on it too. What the hellâs that mean?â
Sharpie in hand, Sandy writes this down on an index card and posts it on a cork board. âCryptic. Itâs something. Weâre getting more used to this confusion every day,â she says shrugging. Index cards cover the boards with various phrases like âAll is still in the moonlessness,â âItâs Mueller time,â âFour in one isnât quite three of nine,â âBotched nose job,â etc.
âAll will reveal itself,â Mueller declares, tapping his lip for ten minutes. âI also saw Souza today. He was telling me it wasnât raining out.â
âSure wasnât. Wish it was. We really could use it,â Sandy adds. âBut, then again, you can never trust a photographer, even when theyâre right.â
âAgreed,â Mueller nods, pinning Souzaâs name on the board for good measure. Unwrapping a Charleston Chew, he takes a generous bite. He gnaws, sizing up the board. He stares, shakes his head, rubs his eyes, still chewing. He unbuttons his blazer and places his hands in his pockets. âThis is going nowhere,â he sputters between chews. Swallowing, he turns to everyone and says âYou are all doing the work this country deserves. I canât thank you enough and this citizenry owes you all a debt of gratitude. Iâm a little stuck right now and need to work through some of this,â he explains, gesturing at a cluster of cards and strings, letting the dayâs events wash over him. âIâm going to the gym.â High-fiving everyone he can on the way out, he grabs a copy of The Hilltop, Howard Universityâs best newspaper, by his estimation, to check for leads.
He teeters down the hallway and stumbles out into the bright sunlight. âGosh darn it, Souza,â he mumbles, using one of his stronger oaths. He takes a hesitating step out onto the sidewalk. He can tell there is something off about how he is walking. He tries a few steps on his tip toes, then a few hops, then settles into stomping with his left foot and dragging his right foot to meet it.
Halfway to the gym is when his best frenemy and doppleganger, John Kerry, bursts out of a boarded up Borderâs. âTypical,â Mueller thinks, âJust what I need.â
âHeya, Three Sticks,â Kerry calls out, âHowâs the weather up there.â Kerry runs up and hip checks Mueller. âWhatâs with the two-step?â
Mueller doesnât understand the reference. âJohn, have you spoken to Senator Baldwin lately?â
âSure, sheâs in my improv group.â
âShe told me something kind of cryptic today, off the record, ya know. Something about how time was short.â
âWell, sure, Bob. Time is like a hand slowly circling a clock face. But youâd have to talk to someone on the Budget Committee to really understand it.â
Mueller finds this statement to be completely unhelpful. He tries to lose Kerry in a gaggle of 7th graders, but it doesnât work because theyâre both much taller than the kids. âListen John, I need to get to the gym to do some reading.â He stomps off before Kerry can react.
At the gym, the twenty-something at the desk says, âGood Morning, Mr. Mueller, enjoy your workout.â
âItâs Mueller,â Mueller snaps, âLike bugler, with an âM,â I mean itâs like bowler, like that hat.â
In the locker room, Mueller removes his remaining tie. It has a golf theme, with tees, and ball, and putters printed all over it. âWhere the heck did I get this thing? Have I ever even played golf?â He promptly ties it around his waist.
He goes out into the gym to use his usual bench press. There is a new motivational sign on the wall next to him. âThereâs only one today until tomorrow!â it reads. Mueller is struck by this sentiment. Surely it was placed here for him to see. Is it a threat or a clue? Mueller canât tell. He leans back on the bench, places The Hilltop over his head and falls asleep.
A field, green with wildgrass. The sky is a golden yellow. The sun is strong. Bob Mueller can feel his jaw sharpening. He is far away from the district. He rolls over in the grass which feels like swimming. His hands stretch farther than normal and his feet feel light. He floats toward a tree and looks down at his watch. The numbers blink rhythmically. He clicks his heels together and notices a blue ribbon in a tree. He maneuvers up toward it. The air smells sweet. He reaches for the ribbon, grazing it with his hand. A gentle breeze lifts him toward it. He can touch it. He feels a sense of being late and something else. He should call home. And something else. He looks at the ribbon. Thereâs a message. âOh great, just what I need, another message,â he says, only his voice pours out of his mouth like a thick, juicy marmalade. He raises the ribbon to read, but the words remain out of focus. He pulls it closer. Still blurry. He begins to wrap his head in it, starting from his neck up to his nose. He is about to cover the last bit of his face, his eyes, with the ribbon when the last part of the message abruptly comes into focus: âItâs time.â

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What About Bob? (pt.1)
by @sarahlml and ws
Bob Mueller has been trapped in what he believes to be an MKUltra experiment for approximately 25 months. Every morning he wakes with a jolt at the crack of 5:30 a.m and turns on CNN hoping to see that itâs still 2016. Every morning, it isnât. He grants himself one heavy sigh and then gets to it. He brushes his teeth with salt, stares at his jowls in the mirror wondering if they always looked like this, and then glops a handful of Brylcreem on the top of his head.
He heads out into the city feeling hopeful this will be the day the break will come - heâll put together the pieces of the absurd task set to him and the experiment will end, or maybe heâll come out of a coma in 2004. He goes to the Mall to lurk among the cherry trees trying to spot his MKUltra handlers. Heâs about to approach a man reading a newspaper - a real paper, the kind of thing you donât see so much these days- when he sees House Majority Whip Steve Scalise. Mueller steps out in front of Scalise with a mind to try out his Harry Potter Pensieve Theory of whatâs happening to him. He waves a bony hand in Scaliseâs shiny face. âHey, do you know the New Yorker did a fashion piece on me?â Scalise doesnât respond; heâs shouting into a flip phone apparently to his service provider. âI know, but what is a data plan?â Scalice roars into the phone. He notices Mueller standing there and stalks past him with a quick, âNo English!â At least Scalice seems to have seen him. Mueller shrugs to himself. âI guess thatâs something.â
Mueller watches Scalise go, then strides off to get to a press conference early. As he walks across the Mall, he wonders about the people around him. Are they in on this? Are they even real? Where do they all get those paper coffee cups they seem to carry around all the time? Are they free somewhere? Did they have those before he went into what he now calls the MK-State? He canât seem to remember another time.
At the press conference he looks for a good twenty minutes, but cannot find any paper cups for the coffee. He feels another mystery building. The questions about the updates and the updates about the questions reminds him that he is trapped in a French farce, waiting, waiting. It begins raining outside and he stares at the raindrops blurring the gray, District landscape. The recorders record and the press shifts uncomfortably in front of him, symbolic of everything. He stares unblinking at the water streaking down the windows. He wonders to himself whether anyone is even listening. âI could probably say anything I want to,â he thinks. âThatâs what everyone else seems to be doing these days. I am the god of most watermelons, for example,â he ponders to himself. The idea rolls around his mind. It fades. He almost smiles.
As if on command, he suddenly feels a deep discomfort in his belly. MK-State chemicals? Has he revealed too much in the tone he said âI have no commentâ with? Was it a timed self-destruction device? No, no, it isnât any of those things, he concludes snapping out of a daze. It is hunger. It is another Tuesday. Gyros on Tuesday for Bob Mueller.
He steps out into the city which feels more and more like a MC Escher piece. Streets stretch without meaning. Corners bend and vanish only to reappear and sharpen in a geometrically impossible way. The rain sounds like a million snapping fingers which cascade into a deafening roar. It would be soothing if itâs werenât for -- âNEXT,â Lena, the woman behind the gyro counter beckons. Mueller places his order, dries off his face with a napkin, and sits down. Sen. Tammy Baldwin sits down across from him.
âStrange days, huh, Bob?â she says, tearing into a chicken shawarma.
âHi Tammy,â Mueller says, returning to the moment. âYeah, I canât talk much about that.â
âThatâs okay, I understand,â Baldwin notes, finishing off the last bit of her shawarma.
âYou ate that so quickly,â Mueller continues, envious of her appetite.
âOh, I love shawarma. Did you know Iâve been to every shawarma restaurant in Wisconsin. Betâcha didnât know that about old Tammy. Itâs more than just a passion for me,â she offers without explanation. Bob Mueller does not pry any further. All he can remember is a life consumed with prying -- crafting the perfect question, placing and timing the questions in a logical way. If only he could master a way of improving his posture or his gaze that would just get people to tell him things without having to ask. That would make these strange days go by a little easier.
âCan I give you a hot tip, Bob?â Baldwin asks as she digs into a second shawarma.
âYeah, Tammy, anything.â
âA lot of us are pining for answers, pushing for urgency and obstruction, and collusion. The works.â Shawarma juice trickles down her chin, pooling at the base of her jaw. âSometimes, we push a little too hard. Other times we donât push hard enough.â She nods. The juice drips. With gritted teeth she ominously advises âLook, donât worry about the time, but donât stop watching it either.â Muellerâs eyes break from her shawarma encrusted teeth to see Sen. Baldwinâs arm pointing at something behind him. He swivels in place, following her gnarly finger to a clock on the wall shaped like a peanut with the phrase âITâS ALWAYS TIME FOR NUTS,â glowing in neon.
âTammy, Iâm not quite sure--.â She is already gone. Lena comes over with his gyro. What did all of that mean? The neon clock keeps ticking. Bob Mueller rubs his eyes. It was going to be a another long day.
these guys got me through every night of the summer of 2001.
Called out.
Official:Â http://www.adultswim.com/videos/tim-erics-bedtime-stories/toes
What an unnatural thing to blend dark, weird, and funny so well. Bob Odenkirk is perfectly cast, as is everyone else. I cringe a little when heâs creepy putting his woman patient under, but they quickly redeem the piece with the old detective and sudden ending. Tim and Ericâs style is repetitive and they miss golden opportunities to add more substance to their characters, but we had better celebrate how well they do weird. It is unique, refreshing, and underscores just what a homogeneous time we live in as far as TV and writing go. Snack away. Be uncomfortable. Laugh but donât tell anyone why.
It is no surprise that there are good ideas can be old ideas. It is striking that this debate has gone on for decades and its campaign has taken several different forms. After being overwhelmed by the social media/cable news cycle portrayal of the ACA, it is refreshing and mind-bending to see the Truman Administrationâs take on it. The air of authority and propaganda feel to this is simultaneously comforting and disturbing, if only for the associations with other propaganda messages. Hereâs to people watching promotional pieces for our health care films 68 years in the future where maybe, just maybe, things will be less of a circus (and non-white baby girls can grow up to be president).

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This the best part of the Magnificent Seven. If you donât agree, just say a clip thatâs better out loud and immediately follow it by rewatching this clip.
Exactly right.