A Writing Dreamer

TiL (click to go to the thread, which probably has more interesting tidbits I missed).

Bonus:

In addition to the print terminology stuff: the visual shorthand icons and ad graphics for something about writing are still often pen-nibs, fountain pens and typewriters…

…while graphics of a monitor, keyboard and mouse remain visual shorthand for computing…

…even though most writers now use monitor /  keyboard / mouse or even laptop / touchpad.

In addition, headers for “this blog / website is about writing” are often in one of the many imitation typewriter fonts complete with smudges, or just Courier.

The start and end call icons on most / all smartphones is still the handset of a classic desk telephone, and sometimes the open-app icon is a complete phone.

The term “hang up” for “end the call” refers to something even older - one of these…

And of course the Save icon is indeed a 3½ inch floppy disc.

Why it wasn’t a 5¼ floppy is a mystery. The icon version is just as distinctive.

Also, why various OP updates never changed “Save” to the graphic of a CD / DVD or flash drive is another mystery, and nowadays a Save icon should probably be a cartoon cloud.

NaNoWriMo can seem like a daunting task sometimes, for NaNo newbies and veterans alike. Fortunately, our NaNo Coaches are here to help guide you through November! Today, author Alexandra Villasante is here to share some specific tips for meeting your goal this month: National Novel Writing Month is here again and I’m excited and scared and slightly nauseous. PERFECT conditions for starting to write a novel!

Because writing is a freaking adventure. The kind with unknown obstacles, pitfalls (possibly of quicksand, more likely research rabbit holes) where you’d better bring the write weapon (both pen and sword), pack the Takis, don’t forget to hydrate and wear comfortable shoes. This endeavor should be taken on with equal parts trepidation and glee.

But how do we start?

1. Math Your Goal. 

Figure out how much time this will take. Divide that by how much time you have. Put some x’s & y’s in there to make your equation look cool, and you have your writing goal (if you are looking for real math, see below, but I warn you, I went to art school so I didn’t have to math.)

Disrupt the reader’s sense of justice. 

This generally means setting a character up to deserve one thing and then giving them the exact opposite. 

Kill a character off before they can achieve their goal. 

Let the bad guy get an extremely important win. 

Set up a coup against a tyrannical king. The coup fails miserably.

Don’t always give characters closure. 

(Excluding the end of the book, obviously)

A beloved friend dies in battle and there’s no time to mourn him.

A random tryst between two main characters is not (or cannot be) brought up again.

A character suddenly loses their job or can otherwise no longer keep up their old routine

Make it the main character’s fault sometimes. 

And not in an “imposter syndrome” way. Make your MC do something bad, and make the blame they shoulder for it heavy and tangible.

MC must choose the lesser of two evils.

MC kills someone they believe to be a bad guy, only to later discover the bad guy was a different person altogether.

Rejection is a powerful tool. 

People generally want to be understood, and if you can make a character think they are Known, and then rip that away from them with a rejection (romantic or platonic) people will empathize with it.

MC is finally accepting the Thing They Must Do/Become, and their love interest decides that that’s not a path they want to be on and breaks up with them

MC makes a decision they believe is right, everyone around them thinks they chose wrong.

MC finds kinship with someone Like Them, at long last, but that person later discovers that there is some inherent aspect of MC that they wholly reject. (Perhaps it was MC’s fault that their family member died, they have important religious differences, or WERE THE BAD GUY ALL ALONG!)

On the flipside, make your main character keep going. 

Push them beyond what they are capable of, and then push them farther. Make them want something so deeply that they are willing to do literally anything to get it. Give them passion and drive and grit and more of that than they have fear.

“But what if my MC is quiet and meek?” Even better. They want something so deeply that every single moment they push themselves toward it is a moment spent outside their comfort zone. What must that do to a person?

Obviously, don’t do all of these things, or the story can begin to feel tedious or overly dramatic, and make sure that every decision you make is informed by your plot first and foremost. 

some american pimp and a bionic staring machine

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