writingcheatsheet

If you don’t feel like actually writing, prepare for writing:

Open your WIP Word doc

Read the last page again

Scribble notes on what happens next

Search for “there is” or “there was.”

Find all the description or action that starts with “there” and change it.

“There is a strike of lightning” becomes “lightning strikes the sky.”

“There is panic building in his chest” becomes “panic builds in his chest.”

For whatever reason you’re here, knowing survival skills can save your life or your character’s life (especially for those writers out there that are researching this topic).

Basic Rules If You Are Lost And Alone In The Wilderness

Basic Wilderness Survival Skills

Celestial Navigation & Land Navigation - Navigation without a Compass

Finding True North Without a Compass

Telling Time Without A Clock: Scandinavian Daymarks

Wilderness Survival - Field-Expedient Direction Finding

Wilderness Survival - Contact With People

Wilderness Survival - Clouds: Foretellers Of Weather

Wilderness Survival - Camouflage

Wilderness Survival - Sea Survival

Wilderness Survival - Cold Weather Survival

Wilderness Survival - Tropical Survival

Wilderness Survival - Desert Survival

Wilderness Survival - Field-Expedient Weapons, Tools, And Equipment

Wilderness Survival - Psychology of Survival

Wilderness Survival - Signaling Techniques

Morse Code

The Survivalist - Survival Gear: Make Your Own Signal Whistle

The Survivalist - Survival Skills: Signal Whistle Codes

The Survivalist - Survival Gear: How To Make A Compass

The Survivalist - Survival Skills: Folk Wisdom Weather Predictors

The Survivalist - How To Make Rope From Natural Fibers

The Survivalist - Tying Knots That Work

The Survivalist - More Knots That Work

The Survivalist - How To Make Your Own Tick And Bug Repellent

The Survivalist - How To Make A Toothbrush In The Field

The Survivalist - Insulate You Clothes To Survive The Cold

The Survivalist - Survival Skills: Find Natural Toilet Paper

Going To The Bathroom In The Woods 101

How To Go In The Woods

Plants That Repel Mosquitoes

One Green Planet - DIY Natural Insect Repellent

Preventing Bug Bites In The Woods

Homemade Natural Bug Spray Recipes

Bushcraft Camp Hygiene

Wilderness Hygiene

Preparing For Your First Year Trip — Wilderness Living

Camping and Cramping: How To Handle Your Period While You Enjoy The Great Outdoors

Hiking While Menstruating?

What Did Women Use For Menstruation In Europe and America From 1700 - 1900, And Probably Earlier?

Menstruation, Menstrual Hygiene and Woman’s Health in Ancient Egypt

Survival: Animal Attacks

Some of the scenes I have been most bored with while writing have been reader favourites. The writer’s boredom could come from external factors (you have low blood sugar, you’re tired, burned-out, depressed, etc) or that you are bored with this scene because it’s not your favourite part of the book. Or because you know what’s going to happen and wish you could race through it. Also, being a full time author, I know that writing is just a slog like any job at times and that can make it boring.

250 ways to say ‘went’

So I’ve noticed a bunch of medical errors in fics I read, so I decided to post this handy guide to some of the most common errors and some background on basic medical things.

whispering “kiss me” to your lover

wrapping your arms around your lover’s neck

kisses that travel from your lover’s nose to their lips

breaking the kiss but instantly pressing your lips back together

intertwining your fingers

kisses that start out gentle but grows more passionate

forehead against forehead

running your fingers through your lover’s hair

unbuttoning your lover’s shirt, pressed against the wall

surprise kisses, in which your lover weren’t prepared for it but responds immediately

a kiss in which, “we’re late for work but let’s be later”

kisses shared under a waterfall

pulling your lover closer by the waistband

kissing under the stars

messy kisses, destroying furniture trying to reach the bed

a kiss that isn’t meant to happen but it does anyway

sliding your hands down your lover’s chest

grabbing your lover by the collar

“if we get caught kissing we’re dead but let’s risk it”

hand kisses

exploring each other’s lips

smiling in-between kisses

now-or-never kisses

caressing your lover’s cheek

good night kisses

“i was supposed to take a shower alone but sure, jump right in”

brushing your lips together, lingering for a moment

an accidental kiss between two exes

kisses in which, you’ve already said goodbye but can’t help stealing another one

this might be our last kiss ever so let’s make it last

kitchen counter make-outs

jumping into your lover’s arms

soft kisses while cuddling in bed

i missed you kisses

a kiss that leave you breathless

stopping a kiss when it gets too heated

a kiss on the cheek turns into a kiss on the lips

trailing kisses from your lover’s lips to their neck

“everything is going to be okay” kisses

kisses that start of passionate but grows more delicate

pulling away from a kiss to look at each other, then smiling as you dive in for another kiss

wrapping your legs around your lover’s body as they lift you

a goodbye kiss, but neither of you can quite let go

“we shouldn’t do this” but they do so, anyway

a swirling reunion kiss

“i’ve had a terrible day at work so just kiss me”

a kiss that lasts longer than it should

tending to your lover’s wound, placing a kiss on top of their head, grateful they’re still alive

spinning your lover into a kiss on the dance floor

For those of you who saw my last post on a publishing and market research deep dive, here's a new shiny write up! Please spread this version instead :)

Absent: preoccupied 

Agonized: as if in pain or tormented

Alluring: attractive, in the sense of arousing desire

Appealing: attractive, in the sense of encouraging goodwill and/or interest

Beatific: blissful

Black: angry or sad, or hostile

Bleak: hopeless

Blinking: surprise, or lack of concern

Blithe: carefree, lighthearted, or heedlessly indifferent

Brooding: anxious and gloomy

Bug eyed: frightened or surprised

Chagrined: humiliated or disappointed

Cheeky: cocky, insolent

Cheerless: sad

Choleric: hot-tempered, irate

Darkly: with depressed or malevolent feelings

Deadpan: expressionless, to conceal emotion or heighten humor

Despondent: depressed or discouraged

Doleful: sad or afflicted

Dour: stern or obstinate

Dreamy: distracted by daydreaming or fantasizing

Ecstatic: delighted or entranced

Faint: cowardly, weak, or barely perceptible

Fixed: concentrated or immobile

Gazing: staring intently

Glancing: staring briefly as if curious but evasive

Glazed: expressionless due to fatigue or confusion

Grim: fatalistic or pessimistic

Grave: serious, expressing emotion due to loss or sadness

Haunted: frightened, worried, or guilty

Hopeless: depressed by a lack of encouragement or optimism

Hostile: aggressively angry, intimidating, or resistant

Hunted: tense as if worried about pursuit

Jeering: insulting or mocking

Languid: lazy or weak

Leering: sexually suggestive

Mild: easygoing

Mischievous: annoyingly or maliciously playful

Pained: affected with discomfort or pain

Peering: with curiosity or suspicion

Peeved: annoyed

Pleading: seeking apology or assistance

Quizzical: questioning or confused

Radiant: bright, happy

Sanguine: bloodthirsty, confident

Sardonic: mocking

Sour: unpleasant

Sullen: resentful

Vacant: blank or stupid looking

Wan: pale, sickly

Wary: cautious or cunning

Wide eyed: frightened or surprised

Withering: devastating

Wrathful: indignant or vengeful

Write the bits you enjoy first

You enjoy writing the action, the environment the introspection? Go for it! Get that gold written down.

I really enjoy writing dialogue, my draft chapters read like a play with the thoughts and descriptive sections added in later.

Skip ahead to the parts of the story that excite you

This, this, this.

Stuck on a transition chapter? Skip ahead to one of the dramatic/fluffy/nsfw parts of the story that you have been head-cannoning about from the start. Not only will it keep you writing, it may remind you to include any foreshadowing you had in mind for earlier chapters and when you eventually get to your pre-drafted chapter you will love your past self when it’s already half written.

Get in the right frame of mind

Put your playlist on, spend time visualising, look at the picture or prompt that inspired you. Whatever drives your muse reconnect with it and begin jotting your ideas down once more

Take a break

Sometimes a cup of tea will do it, other times you need a day. On occasion I’ve taken a week or more off just to breathe and recharge the batteries.

Look after yourself first.

It can be hard if you have frequent commentors or people really eagerly following your story, the pressure whether self inflicted or from external influences is real. But everyone else can wait. You write for you first, when and if you decide to share your work rest assured we’ll all still be here cheering you on.

I wanted to type up a little rundown of quick n dirty writing tips based on things I see a lot in fic/ amateur original manuscripts, and, uh, it turned out that they all revolved around POV. Nailing point of view in fiction writing is both crucial and one of the least intuitive building blocks of writing to learn: an understanding of POV has been the only useful thing i took from my college creative writing classes, and god knows how long I’d have stumbled along without it otherwise.

So! I am saving you, baby writer, the trouble of slogging through a miserable writing class with a professor who’s bitter as FUCK that genre fiction sells better than his “sad white man drinking” lit fic novels. Here are some assorted writing tips/ common mistakes and how to fix them, as relating to POV:

(this turned into a WALL OF TEXT so i will be using gifs to break it up)

> “I watched the ship tilt” “he saw the sky darken” “she noticed flowers growing on the rusted gate.” no. If the character who felt/saw/noticed etc is your POV character, whether in first or third, then this is called filtering and it takes the reader out of the story by subtly reminding them of the separation between the POV character and themselves. in most styles of writing, this is bad, not to mention it unnecessarily complicates your prose. try again: “the ship tilted.” “the sky darkened.” “flowers grew on the rusted gate.” Readers will instinctively understand that the POV character is witnessing the story happen, they don’t need to be told it.

I’m not telling you to never refer to your character “watching” something, of course: “I watched the birds dart around for hours,” isn’t filtering because watching is a notable activity, here, rather than an unnecessary obfuscation of the “real” thing happening. But understand how phrasing can jar readers momentarily apart from the character viewpoint, and use it with intention.

> Close Third Person POV still requires you to be mindful of your POV character. this is a rookie mistake i see allllllll the time. “Josh cried stupid tears at the beautiful display by the dancers,” is a sentence in Josh’s POV. “Stupid” tells us how he feels about the tears, “beautiful” tells us how he feels about the display. ok. all good so far. BUT.

“Josh cried stupid tears at the beautiful display by the dancers. It was everything he’d wanted from this production, from the lighting to the costumes to the exquisite choreography. Martha had to suppress a fond smile at his reaction; he was always so sweetly emotional after the curtain fell.”

Do you see what’s wrong with this paragraph? The first two sentences are Josh’s POV, and then the third one suddenly becomes Martha’s. A lot of amateur writers don’t even realize they’re doing this, which in its most egregious form is called “head-hopping,” but it’s disorienting and distracting for the reader, and makes it harder to connect with a single character. In multi-person close 3rd POV story, the POV should remain the same for an entire chapter (or at least, for an entire scene/ segment,) and change only between them. If you’re new to POV wrangling, watch your adjectives/ interiority (we’ll get to that in a second) and think “which character am I using as a lens right now, and am I being consistent" every once in a while until you get the hang of it.

> Related: let’s talk about interiority. Interiority is a more sophisticated way of thinking of a character’s “internal narration,” IE bits of prose whose job is not to advance the plot, set tone, or describe anything, (although it CAN do any of those things as well, and good prose will multitask) but to give us a specific sense of the character’s internal life, including backstory, likes, dislikes, fears, wants, and personality. In the above example paragraph, the middle sentence “It was everything he’d wanted from this production, from the lighting to the costumes to the exquisite choreography” Is interiority for Josh. It tells us that not only did he love the show, he’s very familiar with this art form and thus had expectations going in; likewise, listing the technical components is a way of emphasizing his enthusiasm while pointing out that it’s informed, implying that Josh himself is intellectually breaking down the performance even in appreciation.

“That’s a lot for a throwaway sentence you made up for an example.” Well, yeah, a little interiority goes a long way. Interiority is what creates the closeness we have to POV characters, the reason we understand them better than the non-POV characters they interact with. It’s particularly key in the first couple chapters of an original work, when we need to be sold on the character and understand the context they operate in.

If readers are having trouble connecting to or understanding the motivations of your character, you might need more interiority; if your story’s plot is agonizingly slow-moving (and you don’t want it to be) or your character is coming off as melodramatic, you might need less. It’s not something you should necessarily worry about; your amount of interiority in a WIP is probably fine, but being able to recognize it for what it is will help you be more mindful when you edit.

(Fanfic as a medium revels in interiority: that’s how you get 10k fics where nothing happens but two characters lying in bed talking and having Feelings. Or coffeeshop AUs that have literally no plot to speak of but are 100k+ long.)

> try not to describe the facial expression of a POV character, even in third person. rather like filtering, it turns us into a spectator of the character when they’re supposed to be our vessel, and since it’s *their* POV, there should be other ways available to communicate their emotion/ reactions. There are ways of circumventing this, (the example sentence where “Martha had to suppress a fond smile” is an example) where their expression is tied up in a physical action, or something done very deliberately by the character and therefore becomes something they would note to themselves, but generally, get rid of “[pov character’s] eye’s widened” and “[pov character] smiled.”

so that’s what i got! go forth and write with beautifully deliberate use of POV.

Here are ten questions to ask that will not put your friend in a tough spot, but will still give you some useful input on your novel:

1. At what point did you feel like “Ah, now the story has really begun!”  2. What were the points where you found yourself skimming?  3. Which setting in the book was clearest to you as you were reading it? Which do you remember the best?  4. Which character would you most like to meet and get to know?  5. What was the most suspenseful moment in the book?  6. If you had to pick one character to get rid of, who would you axe?  7. Was there a situation in the novel that reminded you of something in your own life?  8. Where did you stop reading, the first time you cracked open the manuscript? (Can show you where your first dull part is, and help you fix your pacing.)  9. What was the last book you read, before this? And what did you think of it? (This can put their comments in context in surprising ways, when you find out what their general interests are. It might surprise you.)  10. Finish this sentence: “I kept reading because…”

Your friend is probably still going to tell you, “It was good!” However, if you can ask any specific questions, and read between the lines, you can still get some helpful information out of even the most well-meaning reader.

WRITING PROMPTS FOR DAYS Feel free to request any of these for any character.

Good news! I have finally finished my newest drabble list, which I will no doubt be using more than once. I have compiled 51 soulmate AUs from various sources (though a couple are my own) and put them together for you to choose from. Please give me one number ONLY per character. If you’d like use this list, go ahead! If you want, you can tag me so I can see what you’ve come up with :)

List of AUs: