|Put yourself back together|

from the artist’s statement:

In constructing a painting I look for ways that objects, images and marks can be combined to form conjunctions and disjunctions; to build a painting which is conceptually in motion; in the process of becoming // becoming meaning // becoming meaning-full. Sometimes this involves a correspondence, a conversation or an intervention within a chosen image-subject. Other times the images are found already in the world, and my role is to presence the existing tension through a selective translation into paint. But a painting is never a ‘one night stand’ to misquote Jack Spicer. I am particularly interested in the way that meaning evolves within a body of work…

other works:

Peripety (1), 2008, oil on linen (6.75 x 7.75 inches) by Jen Mazza

Red Letter No. 4, 2007, oil on linen (9 x 9.5 inches) by Jen Mazza