Wiyon Press Bindery🌕

Black Cat In Every Way by @thessynyx

MY FIRST JEGULILY!!!! ❤️‍🔥❤️‍🔥❤️‍🔥 I loved it, and I made this bind especially for my friend @storiestoldbytime ❤️❤️❤️ I had the best time putting this one together!

The Flowers We Pick & The Fruit We Choose by Canon_in_D

This lovely typeset was made for Renegade Tiny Books Bang 2024 by canon-in-too-deep

book from the sky (tianshu) xu bing, 1989-91

This is actually a gift, but I'm taking a risk that my pal Lately isn't on Tumblr enough to know about this thing, lol. (Lately, if you see this: surprise? Merry Christmas?)

This is, of course, a bind of GallaPlacidia's fic The Bucket List. Galla's fic is no longer on AO3 but is available if you make a very small effort to locate it, which you should if you haven't already done so.

First off: huge thanks to @sits-bound who spotted me their typeset of the fic when mine was not behaving at all. I owe them thanks for this, for their choice for Draco's handwriting (which became quite a Theme for me as I went), and their help in figuring out toner-activated foil, which I used on the endpapers.

Secondly: the UK folks among you will, I hope, recognize this binding as an homage to the Oxford Black n' Red notebook. I wanted to create this binding to look as though it might be Draco's actual bucket list notebook, so I went with this theme in the colour choices and cover design, down to the name tag label (made from HTV) that I imagine Galla's Draco slapping on haphazardly as he frantically began his list.

I made Draco's version of the notebook just slightly different, of course -- with Galla's name in place of the text "black n' red", the name tag, and the little Aelfgifu crest in place of the Oxford one on the original.

(Aside: Aelfgifu is a bit of an inside joke with me and Lately, as we have spent a lot of time imagining a magical college within Cambridge called Aelfgifu College, as well as Draco and Harry's different academic journeys, their collegiate romance, etc., without ever writing more than a few hundred words of same, whoops. But! The college has a crest now! Maybe it'll get a story to go with it!)

This is a favorite, tip-top fic for Lately, and it's up there for me too. I don't think I need to dwell on Galla's brilliance as it's well-known in the fandom. But it was a treat to create my own typeset and bind for this fic. (I kept my first attempt as a personal copy, warts and all.)

More process under the cut.

Long time no see! I haven’t made a book since July!

I’ve had this textblock printed and ready since July and I wanted to get it bound before my imminent international move. I had scraps of two different chiyogami papers lying about plus an offcut of (probably) fake leather backed with paper - very thin, very flexible, suitable, I thought, for a tiny book. And all three bits I thought worked well together - the fireworks on the red have some dark blue dots in there.

both trade paperbacks and mass market paperbacks are usually constructed via perfect binding, where you take a stack of loose-leaf sheets and dunk the spine edge in, basically, hot-melt glue (low-temp thermoplastic with a little flexibility to it). stick a cover on the outside of that bad bitch and you're done. very easy and cheap to manufacture, but not durable; not only does the soft cover provide no protection, pages can fall out individually if the glue fails for whatever reason. (i don't have a picture handy but just grab any mass market paperback off your bookshelf and look at the spine)

typically, or perhaps traditionally, when binding a hardcover ("case-bound") book you assemble the sheets into signatures, which are sewn to each other to form a text block, like so:

(well, admittedly, using both linen tape and french link stitch is sort of the belt-and-suspenders of textblock construction. in my defense though look at the fucking size of this tome) but the point is that even before you've gotten around to gluing anything, the textblock hangs together and functions as a book, albeit an unusually wobbly one -- so if the cover completely falls off or something, the rest of the book still hangs together.

the other method of construction i see on many mass-manufacture hardcovers and some trade paperbacks is that they've folded the signatures and sewn them individually (one at a time, not to each other) -- this is easy to do on a specialized sewing machine -- and *then* potted the spine in glue, like you do for perfect binding. this is less liable to lose pages if you fuck up the spine, because instead of each page being glued in individually, they're sewn together into signatures which provide more glue surface area apiece. (i can post a picture when i get home...)

uhh oh yeah endbands. endbands are the little decorative bits that get glued onto the textblock before it gets cased in -- this is in itself sort of a cheapo mass-manufacture imitation of more traditional sewn endbands, which actually provide some structural stability; modern glued-on endbands are really just decorative. here's a picture of a sewn endband on an example book from the bookbinding museum in sf (left), and a different textblock with endbands glued on (right). (the latter also has mull glued onto it, which is like... starched cheesecloth, kind of? you can use kozo paper here too; it also helps stabilize the spine for extra durability)

anyway on mass-manufacture hardcovers i often see really half-assed endbands that are glued on crooked or slightly undersized or something and i'm like "are you even TRYING" (they are not)

a couple of perfect-bound paperbacks:

the benefit of perfect binding, such as it is, is that all the pages can be aligned with each other and the spine is nice and square. (the other benefit is that it is cheap.) but if you're folding pages into signatures you're always gonna get some creep where the inner pages of the signature extend a little bit further towards the fore-edge [edge opposite the spine] than the outer pages do; you can either leave it like that for a deckled edge or trim it off for a neater finished look. (personally i am not a huge fan of deckled edges but Madame La Guillotine can only handle so much book, you know)

a paperback and a hardcover with the signatures-potted-in-glue style (i wish i knew what it was called):

i quite like the green endband on this hardcover! matches the cover nicely, is an appropriate size, aligned well, etc. (in addition to gluing them on crooked, the other common Endband Sin is to make them too damn short and it looks ridiculous)

the cloth-bound hardcover from the first image in this post, pub date 1978:

as you can see, it has much more flexibility than the potted-in-glue style (which can bend a little bit, but cracks if you open it too far), because the signatures are sewn to each other, with some kind of mystery green paper glued over them for stability (and, deeper in the spine, brown... something. fabric?? some of my other vintage books seem to use thin brown canvas...). no endband, but honestly it doesn't really need one.

and! here is a 1945 pocket handbook for engineers (you know, with useful integrals and trig tables and unit conversions and stuff in it) in norwegian, which was falling apart when i got it (i picked it up on the cheap with the intention of hopefully fixing it someday):

square antiprism box

Bound: Recursion by @tessacrowley

Featuring art from: @itsphantasmagoria

Typeset, bound, and designed by me, @phoenixortheflame.

A process is recursive when it defines or contains itself; e.g., the Fibonacci sequence, which determines the next number as the sum of the previous two. But not all recursive processes are mathematical. Recursion can happen in a temporal context when, for instance, the powerful magical force that is true love drags you back in time so it can create itself, endangering the fate of the Wizarding World—not to mention the very fabric of space and time—along the way.

One of the first Drarry fics I ever read was Recursion. It set the bar high — and not just for fanfic. This time-travel, Snape-redemption, I’ll-love-you-in-every-timeline fic holds such a special place in my demented, perverted little heart. I cannot think of a better way to honour this piece of art than by binding it. (Sorry, Tessa, but this is me perceiving the hell out of you! 👀)

“Praise for” quotes from: @itsphantasmagoria @its-the-allure @sleepstxtic @drarrymyheart @arminaa8

Cover is Allure book cloth in Wisteria with blue transparent HTV. (I’ve heard applying HTV on this particular book cloth is tricky, so I should mention I had access to a heat press and pressed both before and after applying the HTV.)

Apple Pies and Other Amends by ToEatAPeach