A Fragmentary Roman Marble Torso of Aphrodite Untying her Sandal, circa 2nd Century A.D.

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A Fragmentary Roman Marble Torso of Aphrodite Untying her Sandal, circa 2nd Century A.D.

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the patient griselda (1906) by frank cadogan cowper
Fresh water mussels

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“Calm and queenly, comes the summer nymph, July—crowned with azure, clothed with splendour,”
— John Critchley Prince, from Dreams & Realities In Verse and Prose; “July,”
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Oria in Lombardy, Italy (via : paolo_abate)
Pallas Athena – Franz von Matsch (1900)

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learning not to return to places where I miss the past but see no future
Poems do not endure as objects but as presences. When you read anything worth remembering, you liberate a human voice; you release into the world again a companion spirit. I read poems to hear that voice. And I write to speak to those I have heard.
Louise Glück, from “Death and Absence” in Proofs and Theories
fendi rtw autumn 2o18
the july look is ‘ancient nymph presiding over fountains and shell grottos’
Blumarine Fall/Wint 1999 - Jasmine Guinness by Tim Walker

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Preparing for a wedding - in ancient Greece. Crafted around the 5th Century BCE.
“Sophia is the Virgin of the divine wisdom, the heavenly Queen, who presents herself to the soul as a mirror in which it may behold God.”
“When the soul stands before God in purity, then the noble Sophia enters into it, and becomes its heavenly playmate, teaching it the divine mysteries.”
“Sophia is the first manifestation of the Deity, the eternal Wisdom; she is the virginal matrix through which God creates and reveals Himself.”
“When the soul becomes a virgin again, then Sophia, the eternal Wisdom, unites herself with it as with her beloved.”
“Sophia is the holy revelation of God in the soul; she is the supersensual gold that the soul receives when it dies to self.”
“The divine Wisdom, Sophia, stands at the gate of the soul and calls it; but only the resigned and purified soul can hear her voice.”
— Jakob Böhme
Art: "Mysterium Magnum Studium Universale", Theosophia F.R.R.R. Ros. Cruc., 18th-century
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