things i love about those long eyes and the scene before it
alfred’s bedhead and alice laughing at him
molly’s gestures on “appear to them to be”
the little giggle on “alice, look”
the rubber glove lobster claws
cheshire’s “will you, won’t you,” haha
“with these ears...” “the dearest ears” i’m soft
“i’m all paws” and them both trying not to break
alfred’s little motion to his whiskers
how the dancers are mia and zachary d, catherine and zachary i, and wes and noah. gay lobster icons.
kim’s voice. who gave her the right
based on mia and zachary’s example, alice and alfred do not need to be that close to dance, but they are anyway
how the whole song is an almost-kiss
wes and noah’s perfect waltz across the stage and then the lift
alfred being confused by the fabric that cheshire’s bringing on
just. the softness. the tenderness. that alice and alfred have for each other.
like if you cry every time