manipulated/scanned images of books + processing languages of some websites i use.

çĽćĽ / Permanent Vacation
he wasn't even looking at me and he found me
tumblr dot com
đŞź
Monterey Bay Aquarium
YOU ARE THE REASON

@theartofmadeline
ojovivo
Sweet Seals For You, Always
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă

⣠Chile in a Photography âŁ

Janaina Medeiros
almost home
Mike Driver
Peter Solarz

if i look back, i am lost

Origami Around

ellievsbear
Game of Thrones Daily
we're not kids anymore.
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@whtisabook
manipulated/scanned images of books + processing languages of some websites i use.

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Algorithm detects nudity in images
An algorithm has been designed to tell if somebody in a color photo is naked. Isitnude.com launched earlier this month; its demo page invites you to try it out to test its power in nudity detection. You can choose from a selection of images at the bottom of the page, including pics of Vladimir Putin on horseback and Tiger Woods in golf mode. We tried it out, dragging and dropping a picture of Woods over into the box and the message promptly said âNot nude-G.â âYou can probably post this.â
Other notes on the page include, âWe apologize if we didnât get it right, we are improving every day.â âPlease note that we cannot detect black and white images.â
(Algorithmia does not retain images.)
The company behind this effort, Algorithmia, was founded in 2013 to advance algorithm development and use. âAs developers ourselves we believe that given the right tools the possibilities for innovation and discovery are limitless.â
They said they are building âwhat we believe to be the next era of programming: a collaborative, always live and community driven approach to making the machines that we interact with better.â The community driven API exposes âthe collective knowledge of algorithm developers across the globe.â
âWeâre building a community around state-of-the-art algorithm development. Users can create, share, and build on other algorithms and then instantly make them available as a web service.â
Lucy Black in I Programmer noted the use advantage. âThe idea behind Algorithmia is that where an algorithm already exists you donât need to code your own, instead you can simply paste in its functionality using its cloud-based API.â
In his story about Algorithmia and the demo, Brian Barrett in Wired said, âHis company is an algorithmic clearing house, taking computational solutions from academia and beyond and offering them to the world at large for a fee.â
Why the interest in detecting nudity in photographs?
âA customer came to us trying to run a site that needs to be kid-friendly,â said Algorithmia CTO Kenny Daniel in Wired. The customer wanted the ability to screen images with some confidence that they would not be pornographic. Daniel said, âAnybody whoâs trying to run a community but wants to filter out objectionable content, or keep it kid-friendly, could benefitfrom this same algorithm.â
In the company blog this month, they also discussed the rationale in enabling artificial intelligence to detect nudity.
âIf thereâs one thing the internet is good for, itâs racy material,â said the blog. This is a headache for a number of reasons, including a) it tends to show up where youâd rather it wouldnât, like forums, social media, etc. and b) while humans generally know it when we see it, computers donât so much. We here at Algorithmia decided to give this one a shot.â
To give it a shot, they turned to various sources. For one, the result is based on an algorithm by Hideo Hattori and on a paper authored by Rigan Ap-apid, De La Salle University. In the latterâs paper, "An Algorithm for Nudity Detection,â he presented an algorithm for detecting nudity in color images.
He said, âA skin color distribution model based on the RGB, Normalized RGB, and HSV color spaces is constructed using correlation and linear regression. The skin color model is used to identify and locate skin regions in an image. These regions are analyzed for clues indicating nudity or non-nudity such as their sizes and relative distances from each other. Based on these clues and the percentage of skin in the image, an image is classified nude or non-nude.â
Meanwhile, plenty of images with lots of skin are âperfectly innocent,â said the blog. âYou might say that leaning too much on just color leaves the method, well, tone-deaf. To do better, you need to combine skin detection with other tricks.â
Brian Barrett in Wired said âTo help weed out false positives, Algorithmia added a few layers of intelligence.â
The blog stated that âOur contribution to this problem is to detect other features in the image and using these to make the previous method more fine-grained.â
To come up with the algorithm, they turned to the book Human Computer Interaction Using Hand Gestures by Prashan Premaratne, OpenCVâs nose detection algorithm and face detection algorithm.
As I Programmer said, the algorithm is still a work in progress. They are still interested in further improvements. âThere are countless techniques that can be used in place of or combined with the ones weâve used to make an even better solution. For instance, you could train a convolutional neural network on problematic images,â they said.
when will we have an algorithm to detect âbeautyâ ?
Nudity removed on Pinterest
btw âimproving our processâ is just code for teach our AI
I SPENT SO LONG WONDERING WHEN ARTIFICIAL INTELLIGENCE WOULD TAKE OVER ONLY TO REALISE THAT WE AREÂ ARTIFICIALLY INTELLIGENT.
Iâve come to a point where I canât spell without google or remember the dates of birthdays or the colour of my friends eyes without Facebook.
As touched on in The Age of Earthquakes by Shumon Basar, weâve begun to store less and less in our own mindsâ rather relying on the internet to hold our answers. Our IQ drops considerably when not within reach of a phone or device with which to access the cloud brain.  With only a vague knowledge of information what would occur in a cyber-apocalypse?
Our raw memory has become a blurry archive and our connection to the world wide web has become the glasses needed to decipher this self-encrypted data. Which begs the question, at which point do we ourselves become the âEVIL ARTIFICIAL INTELLIGENCEâ dystopian fables have us fearing? We live half our lives online, communicating more with megabytes than audio waves. We pay with our fingerprints (ala cardless phone payments, logged into with biometric print) and use crypto currencies to buy both physical and intangible goods or thrills. If all network based infrastructure were to collapse would we as a society also not fail to crumble?
https://www.youtube.com/watch?v=mweTc7tDO3I Weâve begun our âdissentâ into human-tech hybrid with wearable technologies such as earbuds and smart watches. Visa MasterCard even released a waterproof wristband thatâs tap and go enabled designed for festivals and events. Algorithms permeate every facet of our lives from your iPhone tracking and discerning your sleeping patterns to autocorrect learning how you speak. With our conscious mind uploaded and forever on the internet there is little more than organic flesh separating us from our machines. However, it is hard to be afraid of the big bad robots when as opposed to Arnold Schwarzenegger, itâs 13 year old reddit dorks and cat video mums who we are facing.Â
Real nice spread from Whole Earth Catalog (1968)
This magazine is a form pre-Google? It highlights information and tools and points the user to where to find them. A rudimentary search engine or content-encyclopedia.Â
Information and access to tools has always been curated, how does this (perhaps idealogical curation) differ from current search engine behaviours (perhaps monetary curation).
well humans write the algorithms behind googleâs AI, thus embuing it with ideology

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Triggernommentary
A new word that describes someone who is triggered by an online argument, and then becomes involved.
really really good word that i will try and use in general conversation tomorrow 4sure
E-book/digital scans of spreads at a gallery gĹĂŻtçhĂŽĂąg out when more than one finger is placed on it. Paper books donât do that do they?
like getting stuck in a wall when youâre playing a digital game... you suddenly become aware/annoyed of the artifice (you are literally and figuritively breaking the âfourth wallâ), but also, for a brief moment, you realise that you are seeing something special, like finding a way out from the matrix :)
In Japan, Hikikomori (ă˛ăăăă or ĺźăçą ă Hikikomori?, literally âpulling inward, being confinedâ, i.e., âacute social withdrawalâ) are reclusive adolescents or adults who withdraw from social life, often seeking extreme degrees of isolation and confinement. Hikikomori refers to both the phenomenon in general and the recluses themselves. Hikikomori have been described as loners or âmodern-day hermits.â
wiki (via jasonholiday)
Came across a sweet game called âStories Untold: The House Abandonâ that is horror retake on old school text-based adventure games. I thought it was interesting how although it is a game with graphics, most of the story and visuals unfold in your head, similar to a choose your own adventure book, only with more options. Itâs interesting how some of the original text-based games retain the look of codes, with the highlighted colours and font.
Reflecting on class
The class began by looking at examples of typography and letterforms. We analysed the extension of type as an image, and how this can contribute to its meaning. The calligraphic letterforms echoed the movement of the bamboo. We also looked at very ornate letter forms, where the embellishment of the letterforms was their primary function. We continued to explore works of modernists, futurists and surrealists such as StĂŠphane MallarmĂŠ, and his work âUn coup de dĂŠs jamais nâabolira le hasardâ (A throw of the dice will never abolish chance). This work contrasted the earlier examples; the layout created meaning in the work - as opposed to the imagery. The work was cryptic, baffling mathematicians, philosophers and many more.
I found the preface to this book online (in English). Mallarme discusses the importance of the textâs subtleties; how the placement and pages interrupt the flow of text, creating silences. The empty space serves to puncture the poem create form. However, even in telling us that the layout is important - he reveals us nothing about the underlying secrets of the text.Â
Andy then translated for use in the post digital context, using the essence of this book (the dynamic layout of its text), replacing the words with âRe-captchaâ images by using an algorithm. This online book kind of mimics the idea of chance (each time the page is re-loaded a new arrangement is formed). Like Mallarmeâs work, Andyâs book also has itâs hidden message - though it can be read by us - the work cannot be read by a computer.Â
A. S. Kline, http://www.poetryintranslation.com/PITBR/French/MallarmeUnCoupdeDes.htm, viewed April 17th 2017
a solid write-up of the seminar case-studies and concepts

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Algorithm workshop !
I really enjoyed this, as I have very little knowledge in this area. Iâm excited to play around with this more, as I like the idea of reactive art.
i mean srsly we could do a whole course just on twitterbots
Digital Poetry
Alinta Krauth - âCamberlandâ interactive digital poetry co-authored with Jason Nelson
Through a classroom activity, digital poetry was discovered. Although I can appreciate that it makes use of the digital devices as a vehicle to communicate literature, I feel that itâs a little nonsensical and more like text-heavy artwork, which is not a bad thing but I have trouble connecting with it.
This discovery has also led me to question: what exactly constitutes digital poetry?
Important questions; perhaps we should be discussing âdigital poeticsâ rather than âpoetryâ (because perhaps this last word still carries a lot of historical âbaggageâ)
yeah! why arent more books looking like this?

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https://www.reddit.com/r/Showerthoughts/comments/67hems/the_50s_60s_70s_80s_and_90s_all_feel_like/
An interesting discussion on reddit. This redditor points out how technology develops trends, and how accessible they are via the internet.
i often notice how UX design ages poorly, like in the original Alien movie trilogy the GUIs are so clunky and awful compared to what you see on the screens in the Prometheus prequel.
process towards the final
I had the idea of hand drawing spam pop ups and then converting them into digital images on the computer and having a naive quality to my publication. Using a loose illustrative technique of drawing allows me to incorporate a sense of my own style into this project. The first image shows my little mock up of the book in terms of how many pages it will have, I had decided on 48 pages (not including the front and back cover)- I chose this number because it is high enough to make the book look filled out, but it isnât such an enormous work load for myself.Â