teamlab has added more than a dozen, deeply-immersive digital installations to mifuneyama rakuen park â a 500,000-square meter garden and forest in japan.
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teamlab has added more than a dozen, deeply-immersive digital installations to mifuneyama rakuen park â a 500,000-square meter garden and forest in japan.

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Decoration zu der Oper : Die ZauberflĂśte.
Art by Karl Friedrich Schinkel.(1781-1841).
Universe, Architecture, and Dessert by Miao Zhao

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Si tratta di una nozione ampiamente accettata tra i pittori che non importa ciò che si dipinge, finchÊ è ben dipinta. Questa è l'essenza di accademismo. Non esiste una cosa come un buon quadro per nulla. Noi affermiamo che il soggetto è fondamentale e solo argomento è valido che è tragico e senza tempo. à per questo che noi professiamo una parentela spirituale con l'arte primitiva e arcaica.
Sintrax coffee maker, 1930/31. Schott, Germany. Â Via Collection Soehlke
Contrary to an often used description, the first device was not developed by the Bauhaus teacher Gerhard Marcks, but had been an in-house design by an unknown employee of Jena glassworks. It was first presented at the Leipziger Messe in 1926. The name Sintrax - a word creation from the terms of sintering and extracting - was registered as a trademark the same year.
Wu Guanzhong
Frogs taxidermy found inside French mansion that had been sealed for 100 years

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Between 1910 and 1915, Russian Futurist artists created a new form of art called zaum (âbeyond the mindâ) that fused words, visuals, and sound. Their hand-lithographed books emphasized âsound as suchâ and rejected logical meaning.Â
Explore four of these unique books and hear 10 of the poems read aloud in Russian in a brand-new online interactive that also features Russian transliterations and English translations. The interactive is a companion piece to a new book about sound, image, and word in Russian Futurist book art.
Cover and poem from Mirskontsa (Worldbackwards), 1912, Natalia Goncharova, cover design; Velimir Khlebnikov and Alexei Kruchenykh, poetry; Mikhail Larionov, Nikolai Rogovin, and Vladimir Tatlin, lithography. The Getty Research Institute, 88-B27486. Cover of Pomada (Pomade), 1913, Mikhail Larionov, lithographer. The Getty Research Institute, 88-B26240
#zaum
Galileoâs Moon Drawings, the First Realistic Depictions of the Moon in History (1610)
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In this feature Andy Warhol piss paintings are observed through discourses on social divisions, experimentations with body, abstraction, and eroticism.
Dido Building Carthage, or The Rise of the Carthaginian Empire by Joseph Mallord William Turner
1815
oil on canvas
The National Gallery, LondonÂ

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âHead of Medusaâ, c.1617-18, Peter Paul Rubens (detail)
Happy New Year from Janus, the two-headed god of beginnings and endings. This Roman deity, from whom we get the word January, is able to simultaneously look ahead to the new year and reflect back on the year past.
âFeasting Two-Headed Man Representing the Month of January, from a Church Doorway,â 1250â75, France