May Rosa channels mid-period Kate Bush in a most excellent way. (thanks to the lads over at SWITÂ

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May Rosa channels mid-period Kate Bush in a most excellent way. (thanks to the lads over at SWITÂ

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Love the cover version, hate the song as a rule. Nice one Joe (if I may call you that)
No is not enoughâbut we need more than ideas to change society
âŚNaomi Kleinâs vision of how to win change only gets half way there, argues Sadie Robinson
Naomi Klein, author of No Is Not Enough (Photo: TroyH/Truthout)
Naomi Klein wants a different sort of society. The author and activist helped put together the Leap manifesto in Canadaâa set of radical demands activists want politicians to sign up to.
It says that âsmall steps will no longer get us where we need to goâ and urges a bold leap instead.
Kleinâs latest book, No Is Not Enough, builds on this idea and looks at how to make it happen.
As well as rejecting the things we donât want, Klein argues that we must put forward a positive vision of how things could be different. We need âa plan for the future that is credible and captivating enough that a great many people will fight to see it realisedâ.
US president Donald Trump symbolises much of what is wrong with the world we live in. Klein argues that we need to take on people like Trump. But we also need to say âno to the system that has elevated them to such heightsâ.
Trump is âa logical conclusionâ of the neoliberalism of the past few decades. So itâs a mistake to simply focus on fending off Trumpâs attacks.
âIf we accept the premise that the battles are all about holding our ground, then we will end up in a very dangerous place,â Klein writes. âBecause the ground we were on before Trump was elected is the ground that produced Trump.â
Some on the left refuse to criticise Democratic politicians such as Hillary Clinton or Barack Obama. Klein refuses to let them off the hookâŚ..
Read on:- https://socialistworker.co.uk/art/45244/No+is+not+enough+but+we+need+more+than+ideas+to+change+society
Did you know...?
- In Spain there are (still) 120.000 missing people (after all these years). Spain is the second country in the world for the number of missing people, only behind Cambodia. Â Â
- There are more than 2000 known mass graves still to be opened. Not to count the unknown ones. Hereâs a map. Itâs horrifying.
- Fifty kilometres north of Madrid, in the granite mountains of the Sierra de Guadarrama, is the tallest stone cross built anywhere in the world, itâs called the Valley of the Fallen. Itâs more than 150 metres high, it stands guard over a vast basilica hewn into the rock below. It was built by republicans prisioner-of-war and victims of reprisals. The tomb of the Dictator is located here.
- Every year, diehard followers of Franco pay their respects around the anniversary of his death (November 20), either in the Valley of The Fallen or even worse, in the church of Los JerĂłnimos, in Madrid, where they sing the fascist hymn and thereâs a priest celebrating a special mass in his honour.Â
.The Popular Party (PP), the most voted political party in Spain, was founded by Ministries and personalities from the Regime. They have never been able to bring themselves to condemn Francoism. Their opinion is that although the wounds are still open, we shall remain silent and forget.
- There is a foundation called Francisco Franco, that gets public money every year. One of the main benefactors is the Popular Party. They organize acts and events defending the right of the uprising and subsequent war.
-After all these year, the government passed a controversial law called âLey de Memoria HistĂłricaâ, calling for the removal of Franco statues and street names, and opening of war graves. The Popular Party, and the new right party âCiudadanosâ (Câs) are constantly blocking any change in most towns where they are governing. They argue itâs âopening old woundsâ and âthreatening the tranquil co-existenceâ.
âThose who cannot remember the past are condemned to repeat it.â
âAre you saying Iâm not hungry? Because I missed breakfast. Rude.â Artist: Matt Lubchansky

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Black Lives Matter has proven to be an effective name for the movement now entering its fourth year. However, to answer their opponents who counter with âall lives matter,â the hashtag #AllLivesDidntMatter was used on Twitter. And it went viral.
âThe #BlackLivesMatter hashtag first appeared in July of 2013, following a juryâs acquittal of George Zimmerman for the 2012 shooting death of Trayvon Martin. Since the beginning, critics of the message have taken issue with what they say is an implication that other lives do not matter. Along with the hashtag #AllLivesMatter, some have used #BlueLivesMatter to defend police, for instance Ferguson police officer Darren Wilson, who shot and killed Michael Brown in 2014.
Supporters of Black Lives Matter have now, in an attempt to call the bluff of those using the #AllLivesMatter hashtag, garnered support for their side by using the hashtag #AllLivesDidntMatter, an open invitation to others on Twitter to share examples in history, especially within the US, where minorities were oppressed or abused.
Nearly 180,000 Twitter posts with the #AllLivesDidntMatter tag were sent by early Monday evening. Here is a small sampling.â
See the tweets here
Claes Oldenburg. Floor Cone. 1962 | MoMA
In honor of National Ice Cream Day, hereâs Claes Oldenburgâs Floor Cone, currently on view in From the Collection: 1960â1969. Floor Cone is one of three large-scale soft sculptures that Oldenburg produced with his then wife, Patty Mucha, for the second exhibition of The Store, at New Yorkâs Green Gallery. Mucha recalls taking the work for a drive in a pickup truck along West 57th Street, where the Green Gallery was located, and encountering a warm reception from children in passing cars, who âshouted out their approval.â
[Claes Oldenburg. Floor Cone. 1962. The Museum of Modern Art, New York. Š 2016 Claes Oldenburg]
(via Claes Oldenburg. Floor Cone. 1962 | MoMA)
The IMDB fan ratings for Ghostbusters 2016 are sobering.
If You Care About Hollywood Sexism, Go See Ghostbusters on Opening Weekend
âSince Paul Feigâs all-female reboot of the 1984 classic was announced, a small yet vocal group of angry misogynists have derailed the filmâs rollout, spamming social media and launching a coordinated effort to make its trailer the most disliked in YouTube history. These crackpots are not representative of the larger viewing public, but they do represent a more extreme version of the ingrained sexism in Hollywood. As we know from experience, if Ghostbusters flops, one narrative will engulf all others, like a tidal wave of ectoplasmic slime smothering all rational voices: Women movies bad! Women no funny! Women box-office kryptonite! Ainât no bitches gonna hunt no ghosts!
Ghostbusters faces an uphill battle to be considered a success. The film cost $144 million, pricey for a comedy, so the studio will be hoping for a $50 million opening weekend (with low-end predictions around $39 million to $41 million). Opening weekend shapes the story about a filmâs fate, which can be a self-fulfilling prophecy when it comes to drawing more viewers in down the road. While some films gain âlegsâ over time, usually by favorable word of mouth, Ghostbusters will be expected to start strong, given the fact that itâs part of a much-hyped franchise with major brand recognition. If the numbers are middling come Monday, it may be too late.
This wouldnât matter much if the only thing at stake was Ghostbusterssequels. But female-led blockbusters in Hollywood are still such a rarity, and the view that audiences wonât watch movies helmed by women so pervasive, that every female-led film is seen as a litmus test for every future one. (Particularly a major action-comedy tentpole like this one.) IfGhostbusters flops, nobody will point to the weak script or an excessive budget. Theyâll look to the one factor that deviates from the Hollywood norm: the gender of the stars fronting it.â
Read the full piece here
IF YOU ARE PLANNING TO SEE THE MOVIE AND ABLE TO DO IT THIS WEEKEND, MAKE YOUR TICKET COUNT! ADD IT TO THE OPENING WEEKEND TALLY.
Lol try to tell me men donât hate women,
<3 SUPPORT THIS AWESOME MOVIE <3
Itâs telling as well how many more men than women voted at all, how much they care about dragging the film down.
They are so pathetically obsessed with trying to trash this movie just because it dares to not be all about males
This is so pathetic until itâs HILARIOUS. đđđ They go out of their way to watch a movie flop because WOMEN are taking the lead? Get outta here. I canât even get mad at this anymore. Itâs downright comical at this point.
To call them children would be an insult to all of the children out there who show more maturity and better behaviour than any of these whining misogynistic fuckboys who throw a tantrum any time itâs acknowledged that women exist as more than just the love interest for the male action hero ._.
One wonders what proportion of the lads made up their mind before seeing the movie
loud. x-posted from: to me you are a work of art: feimineach (pinterest)
Muddy Waters with his wife, early 1950â˛s.Â

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Ben Hecht Nocturne by AK Rockefeller
For the night has a way of making a careless and unselfish lover even of a poet.
Remembering the Chartists
The Chartist movement shows the enormous struggle itâs taken to secure democratic rights â and how far we have yet to go.
by Sean Monahan
In 1839, the common people of the United Kingdom, fed up with oppression and poverty, took to the streets by the tens of thousands and united under the banner of a new social movement: Chartism.Their goal was rather simple. They wanted the right to vote.Seven years earlier, a coalition of middle- and working-class radicals had forced the Reform Act through parliament, extending suffrage from the landed aristocracy to middle-class property owners but excluding the vast majority of Britons, who were property-less workers.
At first, many working-class radicals thought their newly empowered middle-class allies â organized in the Whig Party â would pursue a radical democratic reform agenda. They hoped their common enemy â the conservative, landed aristocracy â would be enough to unite them behind a program of expanding suffrage to the property-less and serving the interests of the bourgeois and proletarians.But these hopes were soon dashed. The Whigs joined with the elite to safeguard the Act of Union â the legislation creating a single United Kingdom of Great Britain and Ireland, ruled centrally in London â against Irish protesters, who followed in the footsteps of the abortive Irish republican revolution of 1798.
When the new Reformed Parliament opened, a wave of civil disobedience and popular resistance against mandatory church tithes swept across Ireland, terrifying property owners who feared another republican revolt. Instead of supporting the Irish protesters, the Whigs endorsed the draconian Coercion Bill, which empowered the Lord Lieutenant of the Royal Irish Constabulary to âsuppress any meeting deemed by him to be dangerous to public safety,â declare martial law, enforce a curfew, and suspend habeus corpus.Working-class radicals across Great Britain felt betrayed.
The Whigs had shown themselves all too willing to abandon the principles of freedom and equality when their property was at stake. âŚ
Read on:- https://www.jacobinmag.com/2016/02/chartism-feargus-oconnor-democracy-suffrage-thomas-paine/
Superbe vidĂŠo de Anick Beaulieu pour TRAVELLING HEADCASE. PoupĂŠe de Marc Leduc.
Great video by Anick Beaulieu for TRAVELLING HEADCASE . Â Puppet by Marc Leduc.
Iâve always said that I learned the English I know through two sourcesâMarvel Comics and Finnegans Wake.
Umberto Eco (05 January 1932â20 February 2016)
On Sellers' debut album, the "garage country" artist's songwriting makes her accounts of losing control feel like deliberate, calibrated catharsis.
Like a car crash involving Link Wray and Patsy Cline. Me likee very much

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workersâ houses which are situated centrally and whose rents, even with the greatest overcrowding, can never, or only very slowly, increase above a certain maximum. They are pulled down and in their stead shops, warehouses and public buildings are erectedâŚThe result is that the workers are forced out of the centre of the towns towards the outskirts; that workersâ dwellings, and small dwellings in general, become rare and expensive and often altogether unobtainable, for under these circumstances the building industry, which is offered a much better field for speculation by more expensive houses, builds workersâ dwellings only by way of exception.
Engels - The Housing Question 1872 (via dailymarx)
A mandolin and double bass combo - who'd have thought that would work? Sykes and Preston - Rosie