Okay so um this is really wow I just think that yknow
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@whatsaboba
Okay so um this is really wow I just think that yknow

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dan accepting a more feminine fashion style means soooo much to mean>>>>>>>>>>>>>>>
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the bathrooms was crazy guys
my favourite part of Backrooms was when Phil showed Mary a photo of Clark on the cameras and you could see the big fuckass censor square over the Pirate

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For a little I felt like we missed Clark’s spiral and that’s why the change felt so sudden but in the same scene that Clark shows this “sudden” violent part of himself he says ‘I don’t want to change’.
Clark has always been like this. We saw his extreme anger at the start of the movie. His disregard for those around him with how he speaks to and about them. The implied breaking of the glass was that he threw it, not knocked it over.
I was expecting a spiral but he didn’t need one. He was already there.
I really did like the ending of the Backrooms 2026, actually. The twist that the Backrooms is a space that you can physically exit but a part of you mentally will always be trapped in is a great subversion and really effectively inverts the concept. The main scientist character looks directly into the camera and reveals he is still caught in the same nostalgia trap that Clark was, stuck in a repetitive motion and going nowhere. Mary got out but she's still in there. You can leave but you can never escape
Sorry for the low quality doodle, I just really needed to get this idea out
i really love the motif of windows in Backrooms. mary’s book being called “the window within”. the curtains in her office always being drawn. the shot of her behind glass in her own home during the gathering at her house. clark looking through the window into his own house. him being unable to see kat through the glass she can see him through. the window in mary’s mother’s house. the windows in the hospital her mother is brought to that only look out to another building. the drawing that mary finds of captain clark reaching someone up towards a window. the fale window in clark’s “home” in the backrooms that just looks out to more of the same empty space. the window in the interrogation room that’s too high to see out of (and thus to determine if it’s real). the fact that the backrooms lacks any windows to a true “outside space”, and how terrifying that makes it. there is no window within. or, at least, not one that any of them can find
The TARDIS has landed in the backrooms

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Why did God create a dual universe? So he might say, Be not like me. I am alone. And it might be heard. —–- Mark Z. Danielewski, House of Leaves.
BACKROOMS (2026) dir. Kane Parsons
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What if you went mining.... only to discover not a cave, but a mysterious place beyond anything you’ve ever known
Iron Lung and Project Hail Mary as "men who persevere against impossible odds and find courage in the depths of despair"
Versus Obsession and Backrooms "men will willingly stay in a literal horror movie situation over confronting their mistakes and taking responsibility for their actions"

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The Shimmer is a prism, but it refracts everything. — Annihilation, 2018
All these places and rooms and buildings misremembering themselves. — Backrooms, 2026
Cool paralel
it misremembers