mother, make me a bird of prey / so i can rise above this, let it fall away
WARDEN STAGG III. TWENTY-NINE. HE & THEY. written by abby. ( 24, she & they, pst ) APP ( âABBREVâ ).  SKELETON.  PINTEREST.  QUICK STATS.
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@wardeniii
mother, make me a bird of prey / so i can rise above this, let it fall away
WARDEN STAGG III. TWENTY-NINE. HE & THEY. written by abby. ( 24, she & they, pst ) APP ( âABBREVâ ).  SKELETON.  PINTEREST.  QUICK STATS.

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LOCATION: verumâs city edge DATE: may â,1993 WITH:Â â
Itâs quiet here, among the whispering of the trees and bumbling of the grass. Quieter than it has any right to be for such an occasion (and what a marvelous occasion it is). The man takes in the moon that hangs by a thread and swings like a pendulum across the dark sky. Here, the world stays in balance and perfect time to the rhythm of his heart, one syncopated beat after the other.Â
There is a world of a distance between you two and yet he crosses it as though the physical limitations of law and order were more than mere suggestions of reality. Time shifts with every step toward you and hurls you into the center of its dark mass.
âI waited for you.â
A beast howls, but tonight Warden is silent. Leashed and muzzled, pacing its cage. He arrives with only his footwells to show for him, bending the grass beneath his sightless bootheels like water over its bed. Moonlight, thin as it is, slices through him like air.Â
The revulsion comes first, bile yellow and bitter. A profound and bone-deep wrongness. A symphony played in reverse. The wound at his neck wants for weeping, but he leaves it untouched and ignored. There can be no bending tonight. Later than he should, he changes. The light flicks on.
âYou should have said so.â Warden cannot help himself, no more than light can help its swallowing into a black hole. No more than the universe can keep itself from entropy and its embrace. He steps forward. Night no longer passes him through.
"We would have come sooner.â
PROMPT 07Â â NURSE MEÂ for @wardeniii (One character healing another.)
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Everything disappears. Even dreams. I suppose I just flew too close to the sun.Â
đđđđ đđ â nihilum vitae.            âŹÂ đđđđđ.
â HARRIER.
It was a mistake to bring up Erin. Ward tastes her name like blood on the tongue, antiseptic in the air. A distraction from the Kasimir of it all, and the rage like rod in his brain that their proximity fires off. Electric. Lightning-hot. But not one that settles his pulse or cools the blood in his veins, dilated. The hospital is too close of a memory to access, barbed and easy to grip. Plastic chairs against the walls, rows and rows like toy soldiers. Nurses, armies of them. Clogs squeaking on the linoleum in time with a thousand heart monitors out of sync.Â
âBut itâs not really.âÂ
Ward bites the skin beside his thumbnail and curves his smile around it. He considers the space between them, how easily it was made and how easily closed. No more than a few paces. Less, if their arms are outstretched. Not that Ward is eager for a rematch, so many years later. Thereâs still a scar on the inside of his cheek where his teeth sliced through the first time. He spent days after, mouth purple and both eyes blackened, running it over with his tongue. He does it again now, but thereâs no sting that comes.Â
âUp to you.â
He closes the distance. Itâs easier, he finds, than breathing.Â
âIs it, Blue Jay? See â thatâs the thing about our kind of shit. The river never flows just one way. You Corvids are all the same. Preening. Telling yourselves and each other that youâre the righteous ones. Itâs our anger thatâs heretical. Our ââ Ward pulls back with a breath yanked sharply between his teeth, turns on his heel in a half spin until heâs looking at Mateo with a cheek turned across his shoulder.Â
âSure. Iâll talk to her. She can talk to me. We can have our ⌠intimate rituals â youâre familiar with the ⌠concept. Rusty as they might be for all of us.â Another few steps, a half turn once more to make a full circle. Ward rests his back against the wainscoting again and lets it dig into his spine.Â
âNeed anything else from me, Blue? Or can we get to work. Thereâs a bedroom calling my name.â
Itâs a smart move, to bring up Erin. This house thrums with unfinished business and Mateoâs biggest share of it is her, the memory of letting go of her hand and leaving her to bleed dry. Heâs paid higher prizes for his mistakes, caused bigger wounds, and yet this is the one that could undo him. Most of those other bloody missteps had been made by a boy with another name, after all. Most of those other crimes had ended with a body or at least a person wise enough not to cross the same people again. In this case, there was a revenant. In this case, it had not been an enemy at all.Â
He has a job to do, though. Composure to hold to his chest. They are watching, and besides them, there is Magpie and Rook relying on him more now that Crow remains a ghost.Â
âI never said Erinâs anger wasnât righteous, now did I? I never said that I was righteous, either, because I wouldnât. Youâre being presumptuous, Stagg. No, actually, youâre projecting.â Condescension drips from monotone voice, and he clings to calmness as if itâs the last solid thing. He cannot falter. Cannot start to dip into the remorse that lives somewhere, that unending well. And he does mean it: he doesnât think himself righteous. He does, however, think himself above the likes of Harrier, and not just because heâs a Corvid when the other is not.
He shrugs. âAll Iâm saying is that we have a job to do. That thereâs always a job to do. And Erin needs to focus, as do you, as do I.â Maybe itâs easy, to deny a person their anger when itâs what youâve forced yourself to do with your own.Â
Warden is turning and Mateo watches, not stopping the other. He has no interest in this conversation any more. âNo, get on with it.â He lifts himself from the doorpost, moving away himself. âSee you when we reconvene.â And with that, his pace picks up.
END.

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MATEO.Â
Warden dangles Anezka in front of him, as if heâs plucked a white swan-feather off her and threatens to blow it in his face, and Mateo wonders if heâs ever witnessed him, all those years ago. When heâd still looked at Nez as little more than a fairytale, breathless and foolish, the lost-puppy of it all as he walked behind her. Unreciprocated crush, but not entirely unreciprocated in its fondness. There are forms of adoration that neednât be romantic or lustful, after all. It can be a head tucked between someoneâs neck and shoulder, her cigarette lit with his own, three strands of blonde hair messily braided by his rough hands. If Warden wants to scratch at his jealousy and trigger it, heâs a few years too late. All thatâs there now is a protectiveness that rears his head.
But heâd be lying if he said he wasnât bothered. He justifies this weakness by mentally reiterating that most things Warden say bother him, no matter the substance of his words. âA mating call is just another form of ego, if you ask me. Expecting someone to flock to you â yes, letâs stick to the bird metaphors â when you show even a glimpse of your masculinity?â A scoff, a shake of head. How he hopes Anezka doesnât answer this call now, just so his point can be driven home. âAnd if you call that a performance âŚâ He leaves it at that, for a moment. âMaybe thereâs a perfectly logical reason as to why sheâs been dodging you.â
Heâs attempted to amputate his violent nature but has failed to cut it out over the years, despite all the hacking, slicing and purging. It resides, like an extra organ. He thinks Warden might have the same problem, but whether heâs made a life out of trying to make his violence leave his body is something he doubts.
âStagg, most of us here are vicious, violent fuckers, regardless of what bird we were named for.â There has to be some kind of logic behind the names, but it doesnât serve his point. What does serve his point is the monotone condescension that fills his mouth.Â
âErinâs vendetta is hers, not mine. Maybe you should have a chat with her, one bird of prey to another, tell her what you should also be telling yourself: that your grudges are too small to take up our time, here.â Discomfort thrums underneath his skin, right where his neck dips. Of all those heâs not wanted to see again, Erin is first on the list. He wonders where he stands on hers, wonders if the years have dissipated her rage or just let it grow.Â
What he does know, is that the years have hardly done miracle work on his own feelings on the matter. Theyâre still best left unpacked. âSo, if itâs up to me? That shit is parked and it has been for quite â some â time.â Thereâs a tenseness at his jaw, revealing the lie.Â
Sometimes he considers moving forward, looking Warden in the eye and telling him that he should attempt it, letting go of the grudges, the hatred, the wish for vengeance. My mother was murdered and I vowed to make it right, but never succeeded. But Iâve left it in the past and I am better for it.Â
But then, if Mateo had what Kasimir is to Warden, would he be able to let go? The answer remains no, even now. Hypocrisy has kept plenty of men afloat over the centuries, though. Mateo is no exception.
This is getting close to rubbing alcohol in healing wounds. Mateo gives a nod. âSure. Include yourself in the equation and we should be swell.âÂ
It was a mistake to bring up Erin. Ward tastes her name like blood on the tongue, antiseptic in the air. A distraction from the Kasimir of it all, and the rage like rod in his brain that their proximity fires off. Electric. Lightning-hot. But not one that settles his pulse or cools the blood in his veins, dilated. The hospital is too close of a memory to access, barbed and easy to grip. Plastic chairs against the walls, rows and rows like toy soldiers. Nurses, armies of them. Clogs squeaking on the linoleum in time with a thousand heart monitors out of sync.Â
âBut itâs not really.âÂ
Ward bites the skin beside his thumbnail and curves his smile around it. He considers the space between them, how easily it was made and how easily closed. No more than a few paces. Less, if their arms are outstretched. Not that Ward is eager for a rematch, so many years later. Thereâs still a scar on the inside of his cheek where his teeth sliced through the first time. He spent days after, mouth purple and both eyes blackened, running it over with his tongue. He does it again now, but thereâs no sting that comes.Â
âUp to you.â
He closes the distance. Itâs easier, he finds, than breathing.Â
âIs it, Blue Jay? See â thatâs the thing about our kind of shit. The river never flows just one way. You Corvids are all the same. Preening. Telling yourselves and each other that youâre the righteous ones. Itâs our anger thatâs heretical. Our ââ Ward pulls back with a breath yanked sharply between his teeth, turns on his heel in a half spin until heâs looking at Mateo with a cheek turned across his shoulder.Â
âSure. Iâll talk to her. She can talk to me. We can have our ... intimate rituals â youâre familiar with the ... concept. Rusty as they might be for all of us.â Another few steps, a half turn once more to make a full circle. Ward rests his back against the wainscoting again and lets it dig into his spine.Â
âNeed anything else from me, Blue? Or can we get to work. Thereâs a bedroom calling my name.â
[YOUFITINTOME]Â to warden, with not quite love ( cw drugs + drowning mention )
TRACKLIST
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Carrie Fisher, from The Princess Diarist.
Photographed by Bruce Weber, St. Regis River, 1989
MATEO.
If the thing that lives in his very core is nothing but a creature of violence, an angry beast that snarls and growls and scratches â then let it be for a purpose that exists outside himself. Mateo has always known best how to live when he did it for others, you see: he is best at being anger on someone elseâs behalf, at raising a fist to serve someone elseâs purpose. And maybe thatâs not what Kasimir wants, but not every desire can be met, and maybe thatâs for the best.
So, thereâs a creature in his chest. There is a creature inside of Wardenâs, too. They stand here, like polite young men, on opposite sides of each other, the biggest act of violence the touch of hand to shoulder. A touch Warden slips out under. Mateo lets him. They stand like polite men, but Mateo has an inkling that both their instincts demand the complete opposite.Â
Should those creatures get to meet, it could be carnage. ( Heâd win, he thinks, if they were to go head to head. Or, at least, he would win the fight and lose himself â but thatâs all he does these days, anyway. Lose sight of the person that stares back at him in the mirror. Point is: heâd win. But heâd rather not. ) It would be a body slammed against a wall, a pair of knuckles thrown against the soft of a temple, gut-punch, head-butt, improvised-weapon, the crack of bone. But itâs not.
A huff of air falls from his lips, tumbles onto the ground between them. âYes, you seemed entirely chill just moments ago.â Even if there was no history between Warden and Kasimir, even then Mateo would resent him, he thinks. How could you not, right? âYou were inflating like a balloon, chest rising. Even now, I can see your ego getting ready to burst past the seams of your body.â
He meets the question, the very pointed and apt one, with a blank face. âSee, you do know what this is about. So smart.â Warden grins without humour and Mateo meets the sugarless expression with a raised eyebrow. âAnyway, do you think youâll be capable of parking that ego of yours? This reunion is not for your personal vendettas. Which, for the record, youâve had plenty of time to deal with.â He wants to point a finger forward, prod it in Wardenâs chest, wants to say youâre not the only one with unresolved shit, not the only one with grief and rage, donât make it my problem. In stead, he keeps his eyebrow raised and leans back, mildly, against a closed doorpost.
There was a time when this scene could have played out differently â might not have played at all. Warden is not so arrogant to say that he and Mateo would have ever been friends. No, not even absent of Kasimir and the grief he cleaves between them. Not really. The oil-black that lives in them is at once too alike and too different. A predator recognizing another outside of its niche. There is no way for Mateo and Warden to grasp each other and not wound. Every touch is teeth and claws; this is the way of things, of boys let to become beasts before men.Â
He likes to think, though, that it might not have always been this: fight or flight. Weighing the odds and coming up wanting. And, really, Warden doesnât want to fight. Heâs tired. Itâs a dog heâs let sleep for three years underfoot, only to kick it on the way out of the door. Watch it become a wolf, snarling at his hand. So, no, Ward doesnât want to make this a fight either â and not just because he knows it isnât one he can win.Â
And maybe it didnât have to be, but these are the spaces they inhabit now. These, the roles they filled, forgot, and are made to remember. The skeleton in the closet is a costume â go on, see how it still fits. Mend the elbows. Wear it. Remember.Â
Warden dismisses Mateo with the extended index finger, dropped into a lazy flick of the wrist.Â
âYour mistake. Ego? No, darling, that was a mating call, if weâre going to lean into the bird metaphors of it all. Anezkaâs been dodging me, thought Iâd put on a whole performance of it for our reunion, as you say. I really think Iâll have her this time, donât you? Well â wouldâve.â He casts a glance past Mateo, back into the foyer, waits a beat for any indication the other still linger. Nothing. So either theyâve dispersed, or, more likely, theyâre doing the same as Ward. Waiting to hear what becomes of Harrier and Blue Jay, left alone.Â
âNo doubt someoneâs snatched her up now. Everyone always preens for the swan, donât they? Have you ever seen a real swan, Mateo? Out in the wild? Or as as close as they get. Vicious, violent fuckers.â Ward flashes another smile with the same humor â which is to say, none at all â thinned and toothless.Â
âSpeaking of â violence, personal vendettas, and the parking of them. Which â sure, fine, whatever. Itâs all very convenient for you to stand there and lecture me, but I have fucking eyes. You and Erin?â Ward flicks his wrist again, between Mateo and the door. âIs that shit parked, too? Or does my shit only matter because it distracts from yours? Because from where Iâm standing, you just like having something to feel self-righteous about.â
Goddamnit. Ward rubs at his jaw with the back of his hand and continues, âHow about this: Keep your Corvids in line, and Iâll mind the raptors. How does that sound to you?âÂ

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Faiz Ahmed Faiz, from The Colours of My Heart: Selected Poems; âWall of Nightâ
Text ID: Blood begins again to drip from the mirror of the heart / My way of repressing myself, not letting go
đđđđ â 9:03PM đđđđđ â foyer, initially. đđđđđđđđđ â @wardeniiiâÂ
We reminisce. The words fade out and Mateoâs gaze moves from Eun-ha to one of the worries in the room. Warden Stagg the third, fourth, second â he doesnât quite care, even if he definetely knows. ( Itâs third. Like him, in this merry band of corvids. Thatâs where the similarities end, though â Warden Stag III and Mateo R. Young are nothing alike, thank you very much. ) He stares at him for a second, then reaches forward. The distance between them is short, no thanks to the otherâs previous approach and so Mateo can easily place a fierce hand on his shoulder. Non-negotiable.
He leads, as heâs supposed to, to a hallway off the side. Where it might lead to â well, thatâs a question for a later moment. His fingers retract once theyâre there, but his gaze remains. âDo I really need to say it?â The question is posed the way his father might have: with premature exasperation, with plenty of unsaid judgement. Come on now.
But he had seen the way Stagg had moved forward, knew the way certain grudges could fester. The thing about his own was that there was no confronting them â heâd carved that possibility from his life when heâd left his hometown behind, a magnolia dying on his empty grave. But while he regards his own grudges with a certain understanding, he has little patience for Staggâs. ( Life has little certainties, but hereâs one: Mateo might do just about anything for Kasimir Frei. )Â
âCan you roll back your shoulders and chill?â A simple request â one that hides more behind it, of course. A request is never just a request, especially not when watched, especially not among those like them.
The curtain rises on a sloped stage, and the players take their marks. It goes like this: Warden, knuckles bloodless and jaw taut, enters into a dance well practiced. Choreographed to perfection. The audience has seen this before, a young man ( now, less young than when they first learned the steps ) with a sword at his hip and a mouth full of blood. A young man, returned one year ( now, three ) hence. Mateo is no less the seasoned player than Ward. The cue is met. The scene begins in earnest.Â
Thatâs what this is, isnât it? The remembering. To play the same parts, rehearse the same scenes. Chew through the same lines like citrus rinds, left to fester in the sun.Â
Ward isnât afforded the time to think on it. The show must go on. Mateoâs hand comes to greet his shoulder, and it feels â right. Practiced. Familiar. A small knot in the wall he can grip while the floor slides and warbles beneath them. A knife he knows well the shape of, and the hurt it will make when he holds tight. He takes his cue, sidesteps the set dressings and exits, behind Mateo, stage right.Â
âI donât know what youâre talking about,â Ward says, instead of yes, as he steps out from under Mateosâ ungentle palm. He takes up residence against the far wall, wainscoting at his back, and folds his arms across his chest â a defensive maneuver. Because, of course, Ward knows exactly what Mateo is talking about. Because Mateo knows, too, and this is, very suddenly, a three-year-running game of chicken.Â
âI am very, extremely, and entirely chill, all of the time.âÂ
Ward rolls back his shoulders, to show that he is very, extremely, and entirely chill, all of the time. He tips his head back, even, until it meets the wall. Despite the siren song of the foyer, and the snaketail rattle of Kasimir in it, Ward looks nowhere outside of Mateoâs face, the familiar-unfamiliar slope of his nose, curve of his lip, slant of his brow. Believe it to be believed â isnât that how it goes?
Still. Not all natures can be helped. Wardâs least of all.
He adds, two heartbeats later, âIâm gonna go out on a limb here and guess he isnât also getting this nice little 'behaveâ lecture.â A grin, humourless, cracks his face and Ward extends an index finger. âDoes that make me your favorite?â
Bucherer Magazine FW 2019 - Sam Way photographed by Heiko Dreher
Adonis, tr. by Khaled Mattawa, Selected Poems

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