(via (25) 102 Years in the Heart of Europe: A Portrait of Ernst Jünger - YouTube)
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(via (25) 102 Years in the Heart of Europe: A Portrait of Ernst Jünger - YouTube)

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Paul A. M. Dirac, (1983), My Life as a Physicist, in The Unity of the Fundamental Interactions, Edited by A. Zichichi, Springer, Boston, MA, 1983
/ «Tra gli studenti, e persino tra i professori, nessuno sapeva esattamente che cosa fosse la teoria della relatività . Dovevamo accontentarci di parlarne sulla base di resoconti forniti dalla stampa popolare, riassunti perlopiù filosofici che non contenevano nessuna delle equazioni che ci occorrevano davvero. Da ingegneri, avevamo basato tutto il nostro lavoro su Newton, per scoprire adesso che, chissà come, Newton si sbagliava. Per noi quella fu una grande sorpresa. Nessuno capiva perché si sbagliasse, ma dovemmo accettare che le leggi di Newton non erano esatte. Ciò mi portò a pensare che forse tutte le leggi di Natura erano solo approssimazioni e andavano modificate con il progredire delle nostre conoscenze.» Paul A. M. Dirac, (1983), La bellezza come metodo. Saggi e riflessioni su fisica e matematica, Edited by Vincenzo Barone, Translated by Francesco Graziosi, Indiana Editore, Milano, 2013, p. 61 /
A New World
If there is to be no new world, then there is to be no world at all!
(via (22) Van Morrison - Astral Weeks - YouTube)

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SP. The image of the city is reflected in Deckard’s eyes.
Blade Runner (1982)
(via (22) MINISTRY "Work for love" live in Boston October 1984 - YouTube)
The Dr. Seuss-Like Topiaries of San Francisco Photographed by Kelsey McClellan

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(via (13) roy ayers - i am your mind pt2 - YouTube)
Floating together. Â Â Created in Blender & Sverchok. Â Â 40 frames.
_Related: Abstract Creatures.
Alfred Schnittke, Graphic scrore of the Cantus perpetuus, 1973-1975
VVINDOVVS
Caetano Veloso and Augusto De Campos, OÂ Pulsar, 1975

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Jacqueline Casey: Best known as a designer and later director of the Office of Publications at MIT, Jacqueline Casey created some of the most striking graphics for lectures and events at the prestigious school for over 30 years. This month on the podcast, Brandon and Sam look back at the work and career from one of America’s most prominent practitioners of the Swiss Style before opening the Flat File and discussing the film posters created for Stanley Kubrick’s 1968 science fiction classic, 2001: A SPACE ODYSSEY.
Visit theposterboys.tumblr.com to stream all episodes and view all images discussed on the show, and subscribe, rate, and review The Poster Boys on iTunes.