Icon, Mid-17th century, Smithsonian: National Museum of African Art
Size: H x W x D: 11.6 x 17.1 x 2.1 cm (4 9/16 x 6 ¾ x 13/16 in.) (open) Medium: Wood, paint, string
http://africa.si.edu/collections/view/objects/asitem/items$0040:16684
Noah Kahan
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@theartofmadeline
Not today Justin

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Claire Keane

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The Bowery Presents
EXPECTATIONS
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titsay
Monterey Bay Aquarium
Xuebing Du
cherry valley forever
Color Me Curious
untitled
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shark vs the universe

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Icon, Mid-17th century, Smithsonian: National Museum of African Art
Size: H x W x D: 11.6 x 17.1 x 2.1 cm (4 9/16 x 6 ¾ x 13/16 in.) (open) Medium: Wood, paint, string
http://africa.si.edu/collections/view/objects/asitem/items$0040:16684

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Pictures, Posters and Flyers of the Black Panther Party, 1967-1972
The thing I love the most is to walk around the forest and be together with the animals. When I was sick and bedridden I couldn’t go visit them and I missed them a lot. The Virgin of Guadalupe worked the miracle, and one day I woke up as the forest came to my bedroom. I was surrounded by my friends who came to visit me. I thank for this miracle.
Carnaby Street, Soho, London.1968. Photo by Vontin⭐️
11.10
You wake up - you don’t want to live today
Stay at home It is a nice day today
The people keep messing up the whole world
You’re going outside Have a lunch with humble working folk Fulfill the sky with the joy Save the world A glass of wine, as my friend once said - to loosen the fist gripping you from inside Well, let’s see, seems to work
Stand under a ginkgo tree Fulfill the sky with the joy

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Eva Rydin as Lucia, 1955, Sweden.
Curiosity’s heatshield falling to the martian surface, seconds after detaching (2012, NASA picture)
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Before the start of the end of the summer - who are those old people?
An old man in white, moving somewhere after midnight by your old house back there. The Night is made of very deep blue color and her fabric is an ocean in which something is always vibrating just beyond the imaginary border of where your eyes could see, across the deep green of trees and bushes. Some of them are highlighted by yellow light, and some of them are highlighted with a more white light, as with the trees where this old man is walking, past by the lights of signs and advertisements of some now unknown establishment in your house back there. And teenagers are busy talking in the yards, and sometimes a car appears revealing a piece of this ocean with her lights, and you can hear the engine running and people walking out and doors opening. Street runs into a bigger street, to the west there is a river, big railway junction yard, some factories, the ring road, forest and heat and power plant with a very tall chimney. I’m standing on a balcony of my old house back there and think who are those old people, moving somewhere after midnight, before the start of the end of the summer.
Chrysanthemums, 1871, Henri Fantin-Latour
Medium: oil,canvas
https://www.wikiart.org/en/henri-fantin-latour/chrysanthemums-1871
The Slave Davus and the Maid Mysis. From Terence´s Andria. by Nicolai Abildgaard, National Gallery of Denmark
http://www.smk.dk/en/explore-the-art/search-smk/#/detail/KMS590

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ダイ・ハード (1988)
ワム! ラスト・クリスマス (1984年)
https://weather.com/news/climate/news/2018-08-15-news-clip-links-coal-climate-change-1912
8.08.2018 You’ve come a long way, baby

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art is you