Virtual Zen

Hi, thanks for the question!

Makeup in ancient China was created by boiling and fermenting ingredients such as plants, animal fats, and spices.

Facial powder (foundation) was one of the most rudimentary forms of makeup that was made by grinding fine rice. Another form of powder was made using lead, which despite its toxicity, was coveted for its skin-whitening properties.

Rouge, powder used to color the lips or cheeks, was made from the extracted juice of leaves from red and blue flowers. Ingredients such as bovine pulp and pig pancreas were also known to have been added, to make the product denser. 

Lip makeup was made from the raw material vermilion, a scarlet pigment originally made from the powdered mineral cinnabar. Eventually mineral wax and animal fat were added, making the vermilion water-proof with a strong adhesive force. In order to add fragrance, raw materials such as ageratum and clove, and artificial flavors were added.

To paint their eyebrows, women used the soot derived from burning willow branches. Another type of eyebrow makeup was made using dai, a blue mineral that was grinded into powder and mixed with water.

From the Tang Dynasty and onwards, huadian, a decorative element located on the forehead, came into vogue. Huadian was often created using gold or silver foil, paper, fish scales, or even dragonfly wings (or just painted on). I have a detailed post about huadian here.

Finally, nail polish originated in China (!!) and dates back to 3000 BC. To paint their nails, the ancient Chinese used a mixture of egg whites, gelatin, beeswax, gum Arabic, alum, and flower petals.

Hope this helps!

Hi, thanks for the question - it’s not vague at all!

The thin, long scarf that you see worn with hanfu, wrapped around the arms and behind the back, is called pibo/披帛.

Sources state that pibo first appeared sometime around the Qin dynasty (221– 206 BC). It was originally used to protect against wind and cold air, and gradually became an important fashion accessory. There were two types of pibo: one was wider and shorter, used mostly by married women. The other type could be more than two meters in length, and was used mostly by unmarried women. Below - art of historical outfits with pibo from the Tang (1-3), Sui (4), and Song (5) dynasties:

Pibo really came into vogue during the Sui and Tang dynasties. The open, confident culture of the Tang meant that women were eager to utilize accessories to make their appearance and outfits more glamorous. Initially, it was worn by performers and those residing in the palace. After the rise of the Kaiyuan era, it became popular among the common people. Below - historical art depicting pibo from the Sui, Tang, and Five dynasties periods (581–960):

There were many ways of wearing pibo, and each time period had its own popular styles. For example, during the early Tang dynasty, women put pibo directly on their shoulders. During the middle Tang, one end was fixed to the chest, and the other end was draped around the shoulder:

After the Tang dynasty, the pibo gradually became less popular. It fell out of common use during the time of the Song dynasty. Recently, however, with the hanfu revival movement, pibo has been making a comeback as an essential accessory of hanfu. It comes in all sorts of fabrics, styles, and designs:

Pibo is generally only worn with ruqun, and wearing it with other hanfu styles such as quju or aoqun is seen as incongruous (see this post for definitions of hanfu terms). Of course, nowadays people can wear it however they want. For more references, please see my Pibo tag.

Hope this helps!