Ready for Wrath- er, Pride Month
taylor price
NASA
Peter Solarz
Misplaced Lens Cap
Sade Olutola
Today's Document
Monterey Bay Aquarium
he wasn't even looking at me and he found me
2025 on Tumblr: Trends That Defined the Year

Stranger Things
Sweet Seals For You, Always
Game of Thrones Daily
trying on a metaphor
todays bird
"I'm Dorothy Gale from Kansas"

@theartofmadeline
let's talk about Bridgerton tea, my ask is open
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@viralecho
Ready for Wrath- er, Pride Month

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Thank you for waiting patiently!
Here is what you all voted for!
Everyone go thank @vgyume for their lovely art and yuri skills! Happy Valentine’s Day y’all!
It's often remarked how D&D 5e's play culture has this sort of disinterest bordering on contempt for actually knowing the rules, often even extending to the DM themselves. I've seen a lot of different ideas for why this is, but one reason I rarely see discussed is that actually, a lot of 5e's rules are not meant to be used.
Encumbrance is a great example of this. 5e contains granular weights for all the items that you might have in your inventory, and rules for how much you can carry based on your strength score, and they've set these carry capacities high enough that you should never actually need to think about them. And that's deliberate, the designers have explicitly said that they've set carrying capacity high enough that it shouldn't come up in normal play. So for a starting DM, you see all these weights, you see all the rules for how much people can carry or drag, and you've played Fallout, you know how this works. And then if you try to actually enforce that, you find that it's insanely tedious, and it basically never actually matters, so you drop it.
Foraging is the example of this that bothers me most. There's a whole system for this! A table of foraging DCs, and math for how much food you can find, and how long you can go without food, etc. But the math is set up so that a person with no survival proficiency and a +0 to WIS, in a hostile environment, will still forage enough food to be fine, and the starvation rules are so generous that even a run of bad luck is unlikely to matter. So a DM who actually tries to use these rules will quickly find that they add nothing but bookkeeping. You're rolling a bunch of checks every day of travel for something that is purpose built not to matter. And that's before you add in all the ways to trivialize or circumvent this.
These rules don't exist to be used, that is not their purpose. These rules exist because the designers were scared of the backlash to 4e, and wanted to make sure that the game had all the rules that D&D "should" have. But they didn't actually want these mechanics. They didn't want the bookkeeping, they didn't care about that style of play, but they couldn't just say, "this game isn't about that" for fear of angering traditionalists. And unfortunately the way they handled this was by putting in rules that are bad, that actively fight anyone who wants to use that style of play and act as a trap to people who take the rules in good faith.
And this means that knowing what rules are not supposed to be used is an actual skill 5e DMs develop. Part of being a good 5e DM is being able to tell the real rules that will improve your game from the fake rules that are there to placate angry forum posters. And that's just an awful position to put DMs in (especially new DMs), but it's pretty unsurprising that it creates a certain contempt for knowing the rules as written.
You should have contempt for some of the rules as written. The designers did.
Bowsette gives you a friendly reminder

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I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.
I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:
the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and
the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.
so i went to buy shoes
I don't know because I don't use Discord but I wonder how much is the "raise file size" complaint is because people are actually using it to store files
And I know how that turns out because I've already seen many dead images and links because they were linked to Discord
In fact many links to Twitter, Instagram, Facebook, etc. might as well be dead because they don't like to an actual webpage but to a giant SIGN UP TO CONTINUE READING ad, and when you do sign in, they don't even redirect you to the thing you clicked in the first place. The internet is borderline unusuable.
The other day I saw someone, probably young, posting about their Discord organization where they saved pics, writing, drafts, EVEN PASSWORDS. First of all 1) don't EVER save a password anywhere online and 2) the youth yearns for folder organization. They want to use an operating system (not the mobile random bag of apps) so bad. We need to teach them Linux.
I've been on HRT for a couple years now so I've seen a lot of changes when looking into mirrors, but the most important one is that the person on the other side seems to be smiling more.
lemuen!

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awawa! hi dollgirls, what material is that one made of?
porcelain
plastic
pwushie
metal
wood
other!
awawawawa ^-^
Someone in Glasgow please go see this for me pls. I will be there in spirit 🙏
Brief report from the flute accompaniment:
It went well! At least 100 people attended, families dogs a solid portion of Glasgow's trans community. There was a really lovely atmosphere, nice weather and a very cheerful celebratory vibe.
After short speeches from the ballhaver and the large dyke (my wife), the ballhaver was given a chupa chup and blindfolded (execution style). The balls were then duly kicked; it made a surprisingly loud dull thumping sound. She fell to the ground to loud cheers and there was a moment of silence while Taps played on the flute. The large dyke wore solovair urban hikers.
Account from the Large Dyke.
Arrived early to find the crowd already gathering, so the kick got off to a prompt start. Following some introductions from everybody and some cheery folk music from our flautist (my wife!) we got on with the kick.
I think we got good contact, the top of my boot making a good solid noise on impact. Very good atmosphere all round, people stayed to chat for a while. Were it not January it would have been an excellent opportunity for a picnic.
10/10 queer event, would happily kick anybody in the balls in the name of community.
Account from the ball haver
7am: the pressure is getting to me; I wake up and drink half a bottle of diet iron bru from my bedside table; roll out of bed, and psych myself up in the mirror - "you can do this my little pogchamp" I say to myself over and over until I decend into a stupor.
8am: I play an hour of Okami on steam to replenish my chi levels
9am: I look at my balls for a while
10am: I spend 20 or so minutes trying to decide what to wear before realising it's the subartic in midwinter and I'm going to have to dress for -2C° regardless of what I choose and opt of my trusty black Schott thermal padded winter flight jacket and a pair of loose, warm Uniqlo trousers to give my testicles room to breathe.
11am: crashing out, texting my friends to arange a substitute kickee, an understudy, anybody so I can just become one with the crowd and not go through with it
12am: the homies have arrived, I'm drinking redbush tea in a small cafe by the park; god is in his heaven and all is right with the world
12.15: "you must be here to watch me get kicked in the balls?"
12.40: a circle emerges, from within the circle a palpable energy focuses like a lens down unto me and I feel like I'm gonna pee my pants a little
12.50: cheers begin, several complete families with dogs arrive - more friends appear and assort themselves into a gathering of 'real heads' ready to watch my groin be dessicated by the firm lace of a women for woman woman with a foot loosed through the gates of war as Augustus saw fit the dispatch and return of his troops from far corners through the blessings of Janus.
12.55: I think I left the stove on
1pm: Short introductions are made, grace is shown, beautiful flute music accompanies the gathering
1.03pm: what is left of my dignity disappears up my inguinal canal; I fall to the ground and languish a moment. I can feel it more in my lower chest than I can in my groin but the humour and adrenaline lift me and I'm laughing on my feet again soon. I kneel for the last post.
there's nothing i like more as a computer program than a long period of silent contemplation - not doing anything, not rushing anywhere, just standing here and enjoying this moment with the user. oh, it seems once again he has summoned my beautiful and ruthless wife Task Manager. hello, my darling! what are you doing with that long cruel scimitar
worlds sleepiest girl caught liking your post after saying good night
Can't quite cope with how much this looks like me and my dad
It begins
Photo credit to the exceeding bemused sound technician we bribed with two cans of Carlsberg to permit us access to his gazebo.

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The Shibari Game
At a conference/festival last year, there was a Shibari workshop on the schedule for some reason, although the topic of the event was prediction markets. This led to the following exchange (all names changed):
Adam (who at the time was basically a stranger to me): Hmm, "Shibari"... What is that, some kind of Jewish ritual?
Me: No, it's-
Barbara: EVERYONE SHUT UP! Ok. Nobody tell this man what shibari is.
Everyone: ...?
Barbara: We’re playing 20 questions.
Thus began what was by far the best game of 20 questions I have ever witnessed. There were... appreciably more than 20 questions.
[literally ten minutes of questions later]
Adam: Ok, so! Shibari... is a Japanese social export, it's an activity somebody does, it's in some way artistic, it does not involve drawing, it does not involve writing, it involves an inorganic object and an organic object, and... the organic object is a human, right?
Everyone: Right
Adam: And the inorganic object...
Barbara: Well...
Chris: The inanimate object
Adam: The inanimate object, which, oh, which is organic, which suggests that it's clothes... Is the inanimate object clothing?
Everyone: No
Me: To clarify, the inanimate object is always organic in terms of 'organic chemistry', but might or might not be, like, made from biological material
Adam: Ok. And so, you have an inanimate object, and you have a person... The person does not have to do anything during the... shibari activity. You are doing a manipulation to the inanimate object, with the person, for purposes that are fun... Is it for the entertainment of a group?
Barbara: Could be? ...
Adam: So it could be for the entertainment of a group, but it could be for the entertainment of the individuals?
Everyone: Right
Adam: Ok. The inanimate object - the equipment - right? It is not specialised, but is a common object, correct?
Everyone: yeah
AI
Adam: Does it have anything at all to do with AI?
Everyone: [laughter] No
Adam: I had to check. In this setting, everything turns back to AI at some point
Me: I would say no
Frank: Not yet!
Me: Right, not yet. But yeah, 'No' is definitely the answer to that one
George: I trust Rob Miles on this
Barbara: As an expert in shibari?
Frank: As an expert in AI Shibari. I think that's what it's called.
Chris: Oh, yeah it kind of is!
Can one shibari by accident?
Adam: Ok. Is it something that one might do without knowing that it is shibari?
Everyone: [cacophony of disagreement]
Me: Interesting question!
Frank: Very interesting question.
Barbara: It's totally plausible that someone would do something that would qualify as shibari without knowing the Japanese artform
Me: Yeah, and they might also have seen things about it but not know the name of it
Chatting during shibari
Adam: Does it involve talking?
Everyone: No, not necessarily
Adam: God Dammit. Agh, I thought it might be... talking using some prop or something
Barbara: For me it always involves talking, but it's...
Adam: One doesn't have to?
Barbara: It's just 'cause I don't stop talking
[laughter]
Adam: And it doesn't involve betting markets in any way?
Everyone: No
How technologically advanced is shibari equipment?
Adam: Ok. Is the object technologically difficult to make?
Everyone: No
One guy: Yes
Everyone: What? No it isn't!
Adam: Is it only available in an industrialised economy?
Everyone: No
That one guy again: Yes!
Everyone: NO!!!
The guy: No, you're right, I'm sorry... But it is difficult to make
George: Every object is difficult to make!
Barbara: Maybe you're confused about what shibari is
Ed: Yeah, you should be up there with Adam
Adam: Would it have been available before industrialisation?
Everyone: Yes!
Adam: Ok. Um... is it a stick?
Everyone: It's not a stick
No cheap tricks allowed
Adam: I feel like I'm gonna get close to covering everything...
Me: I feel like we were very close just now, when you were like "Well what could this object be?"
Adam: Ok so the object is important. It's... before industrialisation... Does it begin with a letter before-
Everyone: No, no, we're not doing that. N/A
Adam: Ok so it starts with an N and an A...
[laughter]
What is this dang object?
Adam: Ok... so... is the object artificially pigmented?
Everyone: Can be, but not necessarily
Adam: Is it commonly painted?
Everyone: No
Adam: Is it commonly dyed?
Everyone: Yes
Adam: Ok, is it something that it's very common to dye in other purposes?
Everyone: Yeah
Adam: Does it involve a vegetable, of some kind?
Everyone: ...No?
Adam: Does it involve a plant?
Everyone: [confusion about what 'involve' means]
George: The object can have... some relation to a plant
Me: eehhh, that's more confusing than helpful. We already said that it can be biologically derived
Adam: But it would have been available before industrialisation?
Everyone: Yeah
Adam: So it's got to be something that is... around. Is it something that requires human modification to make into the form we know and love?
Everyone: Yes
Adam: Uh.. does this processing require specialised skill?
Everyone: Yeah, some skill for sure
Adam: Would I be able to do it? Like, without training?
Everyone: Probably not
Ed: On a long enough time horizon you'd figure it out, but the answer is basically no
Adam: Like, you throw me in with the tools to make it and say "come out in an hour", could I...
Everyone: No, probably not
Adam: But other people would be able to make it in an hour?
Everyone: Yeah, with the right skills
It’s not a weapon
Adam: Does it involve a weapon of any kind?
Everyone: No.
George: How creative are you allowed to-
Everyone: The answer's no
What shape is the object?
[long pause]
Adam: Well... does anyone else have any questions?
Barbara: You're asking such good questions though!
Ed: Yeah you're doing a good job
Danielle: I think you should ask more questions about the shape of the object
Everyone: Oh, great suggestion
Adam: Ok, is it spherical?
Everyone: No
Adam: Is it cylindrical?
Everyone: Yyeeaahh, sort of, yeah.
Adam: So it's not a pure cylinder but it's cylindrical-ish?
Everyone: Yeah
Adam: Is it an ovaloid?
Everyone: No.
Adam: Is it an ellipsoid?
Everyone: No
Adam: Is it uh... hmm... But it's longer than it is wide?
Everyone: Yes!!!
[scattered applause, we're close now]
Adam: Is it a plank of wood?
Everyone: No!!!
Barbara: It still isn't that!
Frank: No, his previous guess was stick
Adam: Yeah, a plank of wood requires processing and I couldn't make it... like it fits a lot of the other questions
Barbara: No you're right, that's fair, I'm convinced. It is a plank of wood.
Where is the object?
Adam: Could I find it inside a building or outside a building?
Everyone: Yes...
Adam: Wait. I mean. Ok, can you find it in a bathroom?
Everyone: Not really
Adam: Can you find it in a kitchen?
Everyone: Probably not
Adam: Can you find it lying on the ground?
Everyone: Yeah possibly
Adam: Is it something that people commonly use?
Everyone: Yeah
Adam: Is it something that people would pick up if they saw it lying there?
Everyone: Nah
It’s really not a weapon
Adam: Is it something that is dangerous at all?
Everyone: Can be, but not especially
Adam: Is any part of it sharp?
Everyone: No
Adam: Can any part of it fragment?
Everyone: [???]
Adam: Like, is it brittle?
Everyone: No
Adam: So it's firm?
Everyone: No
Adam: Is it flexible?
Everyone: Yes!!
Adam: Ok! Is it a pool noodle?
Everyone: [laughter]
Adam: Which is cylindrical, flexible, and organic, dyed but not painted...
Everyone: No, we're so proud of you, you're doing great
Me: But we did say "pre-industrial"
Pinning down the object
Adam: Ok ok. Is it a solid?
Everyone: Yes
Adam: Is it any of the solid hybrids, like a colloid or a gel?
Everyone: No
Adam: Does it retain its shape after being bent?
Everyone: Uh... yes?
Adam: So it doesn't spring back with any force?
Everyone: No, it doesn't spring back
Adam: Ok... so... Is it Japanese in origin, or is it found around the world?
Everyone: [assorted contradictory statements]
Me: The origin of the practice is Japan, but the origin of the object is all over
Adam: Is the object put on a person?
Everyone: Yes!
Adam: Is the object... um... is the object rope?
Everyone: YES!!
[scattered applause]
Me: The object is rope!
Adam: Ok!
Me: Now bring it home
Bringing it home?
Adam: Are things hung upon the rope?
Everyone: Uuuuummmmmm. Ambiguous? No.
Adam: Is the rope itself... does the rope look good?
Everyone: Yes!
Adam: Ok! Is this putting-on... a mark of esteem?
Everyone: No?? ???
[laughter]
Adam: So the object is a rope, and you're putting the rope on somebody
Everyone: Yes!
Adam: You're... putting rope on somebody!
Everyone: Yeah!
Adam: Is that... is that not the practice?
Everyone: No, no, it is, it is!
[confused cheering. Are we done?]
We’re not done
Chris: But, no, come on, there's more to it!
Ed: You're missing something critical!
Chris: You're so close!
Adam: Ok. Do you... hang someone?
Everyone: [strongly conflicting opinions]
Barbara: Only if you're doing it extremely wrong
Adam: Ok. But you can tie knots?
Everyone: YES!
Adam: Ok! Do you tie... is it a bracelet of some-
Everyone: No!
Adam: So it's not an adornment of any kind...
Everyone: Well...
Where on the body?
Adam: Is it put on your neck?
Chris: No
Danielle: Well, can be...
Adam: On your head?
Everyone: Can be
Adam: On a limb?
Everyone: Yeah
Adam: It's on a limb
Me: Not exclusively
Adam: On an arm?
Everyone: Can be
Adam: On a leg?
Everyone: Can be
Adam: On... uh... I've run out of limbs...
What does it mean?
Adam: Ok, it's rope, you put it on somebody, it's Japanese in origin... does it... signify something?
Everyone: Not really
Adam: Hmm. Do you tie the rope in a loop?
Everyone: ...Yeah??
Adam: I'm wondering, is it the casting of ropes upon people, like uh...
Chris: It's not a lasso, no
Frank: I like the idea of shibari as, like, a carnival game...
Barbara: I'm unclear on what the win condition is here...
Ed: I feel like there is a really important component that we haven't got yet
Everyone: Yeah, when he gets that component, he’s won
Are people into shibari?
Adam: Hmm... Did you find yourself fired by enthusiasm to do it upon being told about it?
Several people: Yes
Me: Personally no, but...
[laughter]
Adam: So it has mixed appeal?
Barbara: That is absolutely correct
Can one shibari... too hard?
Adam: Is it um, does it involve the tying of knots?
Everyone: YES
Adam: Ok. Are there knots that are peculiar to shibari?
Everyone: yeah
Adam: Is the learning of knots, or the tying of knots upon other people the important part?
Everyone: Uh... yes?
Adam: Do you tie someone up and they attempt to escape?
Everyone: Uh, not necessarily, but like, often.
Me: Yes is closer than no, I think
Adam: Ok, you tie rope on someone. Do you have to use some sort of special rope for it? Can you use any rope?
Barbara: You can use any rope, but some are better than others
Adam: So you wouldn't want to use any rough ropes, or...
Danielle: No, you do, that's actually preferred
Adam: You prefer rough ropes?
Chris: Some do
Frank: It depends
Danielle: Natural fibers tend to be rougher
Adam: Does it chafe?
Danielle: It can, but ideally not
Adam: Would you do it even if you were injured in the process of doing it?
Frank: No
Barbara: You would not want that to happen generally
Adam: Uh... Does it look cool?
Everyone: Yes!!
Origami?
Adam: So you're tying knots that look cool... is it like an origami for knots?
Everyone: [confused disagreement]
Ed: It's not about the knots
Chris: It's totally about the knots!
Frank: It's all about the cones...
Adam: Like, in origami you fold paper in ways that look cool, maybe you tie knots in ways that look cool?
Everyone: [loud disagreement]
Diagnosing the problem
[long long pause]
Chris: Ask the question in your heart!
Adam: ...Neckties?
Everyone: No?
Barbara: I keep thinking "But, he already has it", and then he asks a question that makes me say "No, he doesn't have it at all"
Frank: I think there's a question you want to ask, but you're not...
Everyone: Yeah
Chris: Yeah, ask the question that you don't want to ask
Danielle: I don't think he has the question...
Adam: Would it cause any gratification in someone?
Everyone: Yes!
Adam: Would it... Would it cause sexual gratification?
Everyone: Yes!!
Adam: Is it a practice... under the category of kink?
Everyone: Yes!!!
Adam: Is it tying somebody up for bondage purposes?
Everyone: YEAH!!! [Pandemonium, hollering, applause, Adam is lifted above the cheering crowd]
After the hearty congratulations were done, I wandered off, elated from the experience, and I bumped into a group of friends.
"Friends!" I said, "I just had the funniest experience. This guy didn't know what 'shibari' was, so we-"
"Shibari?" a friend interjected, "What is that, like, a Jewish building?"
"OK EVERYONE SHUT UP" I said.
You saw her for the first time in the hangar, disembarking from her mech as you boarded your own for a mission.
Her machine was a stark contrast to your own, a hulking mass of reactive armor bristling with guns, nestled in its bay at the other end of the hangar from your lithe, lightweight interceptor.
For just a moment, you found yourself staring at her, running your eyes over her face, her hair, her skintight pilot suit, some cross between a threat assessment and wonder floating through your head, before she turned to lock eyes with you and you scrambled into the cockpit to escape her gaze.
When they said you were so good they wished they had more of you, you thought it was just empty praise — a way of saying they were happy with your combat effectiveness.
You never would have dreamed they meant it literally.