KILL ME... in a nexus/rogues battle yes [cackles]
(Warning this is a fight scene there is blood)
As the alarm sounds, Virginie is already dashing up the stairs. Intruders on the fourth floor, the command is relayed, and she dashes down a carpeted hallway past closed office doors until she finds one with its door pried open. Someone has thrown open the doors on the filing cabinets and has left the floor scattered with paper. Now the woman stands leafing through a folder, her back turned. When she turns around, Virginie is admittedly baffled for a moment.Â
"Rae? What in the world are you doing here?" Rae is carrying no visible weapon, Virginie lowers the gun and instead takes to blocking the door.
"What'you think I'm doing. Those people who vanished, you got them, right? It's in here, somewhere."
Virginie sighs. "Listen, I have no idea what compelled you to take this decision, but I can assure you, it was a very foolish one. And I have no idea what compels me to make this offer, but how about you put these back where you took them from, we both walk out by the back door, we pretend this never happened, and you show up here tomorrow at 8am sharp and we both see how we can go about correcting this mistake?"
Rae shakes her head in visible agitation: "D'you all think I'm stupid? I can take my own decisions, you know. And I've taken mine, I don' need your lies, and I'm not leaving without those."
"Well I'm not letting you leave with them."
From the corner of her eye Virginie can see something approaching, though "something" is generous. It's shapeless, incorporeal, it's darkness that Rae has conjured and that now envelops her, and Virginie has to admit that it's a nice trick that would have worked with most people, but she's not most people and her eyes don't even need split seconds to adjust. Envelopped in the cloud, she can see Rae trying to rush past her, and Virginie reaches out and slams Rae into the cabinet, pinning her to the wooden door. "Do you think I care that you served me wine after closing hours?"
"I know that you do, and that's what's makin' all of this so despiccable."
Virginie points the gun at Rae: "Give these back."
Rae grits her teeth and her hand rolls up the papers, and there it is again, doesn't Rae ever learn, but this time the darkness doesn't feel so incorporeal after all, it feels like she's choking, and we don't shoot unarmed people but we also don't choke in darkness, do we, and as she feels the tickling of the claws growing, Virginie catches sight of Rae attempting escape again, and she reaches out for Rae as she jumps forward, to free herself and to stop Rae. Something resists her claws, struggles beneath them, it feels like strong fabric at first but Virginie doesn't let go, it's only when the darkness dissipates that it doesn't feel like fabric anymore. Not at all.Â
Rae stands with the papers scattered at her feet, clutching her hands to her stomach, but even then the gashing wound is still visible below them, already her fingers are bathed in red and only a moment later the first drops of blood fall to the floor. Virginie drops the gun, grabs one of Rae's hands, attempts to pull it off but Rae resists, and so they stand wasting precious seconds during which Rae fights a losing battle of stemming the blood flow and Virginie deliberates whether there is a point in calling someone, until she finally succeeds in pulling Rae's hand off only to find that no, there most certainly is no point. Rae sinks to the floor with her back to the cabinet, her breathing intermittent.
Maybe she should say something now, but everything she can come up with would just make the whole situation more pathetic.
Virginie reaches for her gun and pulls the trigger.