𝕸𝖞 𝖍𝖊𝖆𝖗𝖙 𝖎𝖘 𝖆 𝖈𝖆𝖙𝖍𝖊𝖉𝖗𝖆𝖑. 𝖂𝖎𝖉𝖔𝖜𝖘, 𝖌𝖍𝖔𝖘𝖙𝖘 𝖆𝖓𝖉 𝖑𝖔𝖛𝖊𝖗𝖘 𝖘𝖎𝖙 𝖆𝖓𝖉 𝖘𝖎𝖓𝖌 𝖎𝖓 𝖙𝖍𝖊 𝖉𝖆𝖗𝖐, 𝖆𝖗𝖈𝖍𝖊𝖉 𝖒𝖆𝖗𝖗𝖔𝖜 𝖔𝖋 𝖒𝖊. 𝕾𝖊𝖌𝖔𝖛𝖎𝖆 𝕬𝖒𝖎𝖑
Cosmic Funnies
Lint Roller? I Barely Know Her
sheepfilms
Stranger Things
d e v o n
$LAYYYTER
TVSTRANGERTHINGS
NASA
Three Goblin Art
i don't do bad sauce passes

pixel skylines

Kiana Khansmith

shark vs the universe
Peter Solarz
h

Misplaced Lens Cap
2025 on Tumblr: Trends That Defined the Year

⁂

oozey mess

seen from Venezuela

seen from United States

seen from Malaysia
seen from Germany

seen from Türkiye

seen from United States

seen from T1

seen from Ireland
seen from United States

seen from Malaysia

seen from Malaysia

seen from United Kingdom
seen from Venezuela

seen from United States
seen from Chile

seen from Lithuania
seen from United States

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seen from Malaysia

seen from United States
@victorlockhart
𝕸𝖞 𝖍𝖊𝖆𝖗𝖙 𝖎𝖘 𝖆 𝖈𝖆𝖙𝖍𝖊𝖉𝖗𝖆𝖑. 𝖂𝖎𝖉𝖔𝖜𝖘, 𝖌𝖍𝖔𝖘𝖙𝖘 𝖆𝖓𝖉 𝖑𝖔𝖛𝖊𝖗𝖘 𝖘𝖎𝖙 𝖆𝖓𝖉 𝖘𝖎𝖓𝖌 𝖎𝖓 𝖙𝖍𝖊 𝖉𝖆𝖗𝖐, 𝖆𝖗𝖈𝖍𝖊𝖉 𝖒𝖆𝖗𝖗𝖔𝖜 𝖔𝖋 𝖒𝖊. 𝕾𝖊𝖌𝖔𝖛𝖎𝖆 𝕬𝖒𝖎𝖑

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Bas-Relief
Goga Tandashvili
Oscar Wilde in 1882, by Napoleon Sarony.
no one:
me at 6 years old with a wine glass full of grape juice:

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Dante’s Inferno (1911) dir. Giuseppe de Liguoro, Francesco Bertolini & Adolfo Padovan
Pina Menichelli in Il Fuoco (1915)
She became one of the most famous italian vamps.
psH. The Aging and Death of a Rose.
Louder than Bombs (2015)
‘The relation between body and soul as well as art and life complete themselves in one human being, the example of that is Dorian. Throughout the book, Wilde depicts those relations so deeply but at the same time so vividly that as if one goes through the depths of the words, as Wilde said, [they are] definitely able to “see his own sin in Dorian Gray.” Body, soul, art, life are the pieces of a human being, and a deficiency or imperfection affects the whole.’ - 𝘿𝙤ğ𝙖 Ö𝙯𝙢𝙚𝙣, ‘𝘼𝙧𝙩 𝙖𝙣𝙙 𝙎𝙤𝙪𝙡 𝙫𝙚𝙧𝙨𝙪𝙨 𝘽𝙤𝙙𝙮 𝙖𝙣𝙙 𝙇𝙞𝙛𝙚 𝙞𝙣 𝙊𝙨𝙘𝙖𝙧 𝙒𝙞𝙡𝙙𝙚'𝙨 𝙏𝙝𝙚 𝙋𝙞𝙘𝙩𝙪𝙧𝙚 𝙊𝙛 𝘿𝙤𝙧𝙞𝙖𝙣 𝙂𝙧𝙖𝙮’

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#History of # art # museum # travel #moodbaord
langue de la mélodie.
National Gallery of Art, Washington D.C.
Gresgarth Hall by sarah longworth

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Detail from Perseus with the Head of Medusa by Antonio Canova, c.1804.
Medusa by Gian Lorenzo Bernini, 1630.
Albert Joseph Penot (French, 1862-1930)