Arabian Nights. Dir. Pier Paolo Pasolini. 1974

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Arabian Nights. Dir. Pier Paolo Pasolini. 1974

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Squares, Adam Magyar
Peces coloridos y bichos de Comfer 1994
Leon Ferrari
“This is the water. And this is the well. Drink full and descend. The horse is the white of the eyes and dark within.”

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Party like it’s $19.99, Lisa Vaccino
Lost horizon, Albarrán Cabrera
Mekhi Lucky by Grant James-Thomas Grooming by Bunny Hazel
Some girls, Kava Gorna
Shore break, Antti Viitala

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Émotion (Nobuhiko Obayashi, 1966)
Nooooooooo!
Simandl - Der Beiwagen, Bd. 2 - 1870 - via BSB
Yutaka Matsuzawa. Untitled (White Circle Collage). c. 1967
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https://www.instagram.com/p/8p4ZTrq1aQ/
“Advertisers must convince young women that they are in need of constant improvement—largely to get and keep boys’ attention—without threatening young women’s views of themselves as intelligent, self-directed, and equal. Buzz words like “empowerment,” “self-determination,” and “independence” are sprinkled liberally across their pages. But this seemingly progressive rhetoric is used to sell products and ideas that keep girls doing gender in appropriately feminine ways, leading them to reproduce, rather than challenge, gender hierarchies. An ad for a depilatory cream, for instance, tells girls that they are “unique, determined, and unstoppable,” so they should not “settle… for sandpaper skin.” Feminist demands for political and economic equality—and the refusal to settle for low-wages, violence, and second-class citizenship—morph into a refusal to settle for less than silky skin. Pseudo-feminist language allows young women to believe that they can “empower” themselves at the checkout counter by buying the accoutrements of traditional femininity.”
— Amanda M. Gengler, Selling Feminism, Consuming Femininity. (via sukoot)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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