Antonio Vivarini aka Antonio of Murano (Italian, c. 1415-1480, b. Island of Murano, Republic of Venice (Italy) - Saint Peter Exorcizing a Demon Disguised as the Virgin and Child, c. 1450, Paintings: Tempera and Gold on Wood
d e v o n
Keni

blake kathryn
almost home
taylor price
Game of Thrones Daily
Mike Driver
One Nice Bug Per Day

#extradirty

shark vs the universe
macklin celebrini has autism
Noah Kahan
$LAYYYTER
The Stonewall Inn
official daine visual archive

Kiana Khansmith
2025 on Tumblr: Trends That Defined the Year

pixel skylines

seen from Austria
seen from Malaysia

seen from United States

seen from United States

seen from United States

seen from Malaysia

seen from Australia
seen from Bangladesh

seen from Germany

seen from Germany
seen from United Kingdom
seen from Bangladesh
seen from Ecuador
seen from Australia
seen from Malaysia

seen from Italy
seen from Italy
seen from Austria
seen from Switzerland

seen from Malaysia
@unnsinn
Antonio Vivarini aka Antonio of Murano (Italian, c. 1415-1480, b. Island of Murano, Republic of Venice (Italy) - Saint Peter Exorcizing a Demon Disguised as the Virgin and Child, c. 1450, Paintings: Tempera and Gold on Wood

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Bad Dream (Böser Traum) by Herbert von Reyl-Hanisch
🚨Wet Beast Alert🚨
running ermine photos by Jacob Buck
frank o'hara, "alma" (1953)
imogen cunninghams photography

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Holen Sie Ihre Tochter am Donnerstag ab. Sonst gibt es ein Problem.
Philippus Velijn after Anne-Louis Girodet Theseus rejecting Hippolytus (illustration for Racine's Phèdre) ca. 1816 etching (working proof with white highlights) British Museum
Sleepy Eyes of Death: Sword of Adventure (1964) by Kenji Misumi
The bannerbearer was a tall knight in white scale armor chased with gold, a pure white cloak streaming from his shoulders. Two of the other riders were armored in white from head to heel as well. Kingsguard knights with the royal banner.
this could have been an elegiac poem. this could have been an epigram. this could have been an atellan farce. this could have been an agricultural manual. this could have been a neoplatonist treatise. this could have been a red figure vase. this could have been an epistolary collection. this could have been a lyric poem. this could have been a legal defence speech. this could have been an idyll. this could have been seneca’s apocolocyntosis

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“I love you. I love you, but I’m turning to my verses and my heart is closing like a fist.”
— Frank O’Hara, Mayakovsky
A KNIGHT OF THE SEVEN KINGDOMS
Fritz Lang's 'Die Nibelungen'
N. C. Wyeth

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
scythes and detail
Isabella of France VS Hugh Despenser
My cat modeled for all four historical figures — simply because I don’t know what these people looked like
Left background figure (wearing armour and waving pom poms) Roger Mortimer, Isabella’s alleged lover
Left foreground figure (wearing a red dress with armour and holding a pole axe) Isabella of France
Right foreground figure (wearing a hat and holding a sword) Hugh Despenser, Edward II’s alleged lover
Right background figure (wearing kingly attire and shedding tears) Edward II, Isabella’s husband
I found this particular fragment of history fascinating because it showed us how ruthlessly ambitious both women and queer men could be in medieval times, a contrast to society’s common perception of them from that era. This manuscript by the French chronicler Jean De Wavrin is not only a gruesome retelling of this event, but also a campy propaganda ; Have I not seen this manuscript from an exhibition, I’d never know these people existed, it also shows that historical women and queer men were sidelined in collective consciousness.
I’d like to read Alison Weir’s She-wolf of France to know more.
Manuscript by Jean De Wavrin from the “Medieval women” exhibition at the British Library.