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SO! I use this brush on this setting for a majority of my shading: 

What I like best about this brush is the texture it can give, albeit sometimes messy and the layering: 

I start on the background usually and fill in space I want the panel to take up. This can be pretty time consuming because the brush lags frequently and to get it the level I want you do have to layer it. 

Once I have that filled out I may erase bits for effect depending on the panel or what I want to highlight as the focal point, in this image it was pretty clearly Jevil: 

Erase or add a white layer depending on that works best at that moment:

Add the shades I’m using for him, it should be noted I’m only using two reds in this entire comic. The red’s I use on Jevil and Lancer are the same red but I simply lower the opacity to the level I want it to be and set on multiply: 

Start tossing a bit of shading on the main character, for this panel I clipped my colors and shading to the white layer to keep from having too much overlap with the background: 

And to finish it off I add white highlights, make last-minute corrections (Like I did with his eyes), and sometimes slap the last gradient on top set to multiply: 

Taa daaaa! 

MEDUSA SET

conversion from Smite, model extracted by Kaiology

I rigged the tail to make my own poses. every single one pose have a different position on the tail.

18 poses with thumbnails

4 with a bow and the other ones are normal.

more info on the images

I believe the tail work for men too

Medusa tail no rig need the mesh MEDUSA TAIL

how to make a giant worm on string! a few people asked for the pattern but it’s wider than a4 and the shape’s very simple, so I thought it’d be easier to show!

Hell in Moomin Land by WatchaDrawing