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NASA
untitled
Monterey Bay Aquarium

if i look back, i am lost
Mike Driver

@theartofmadeline

almost home
I'd rather be in outer space 🛸
trying on a metaphor

pixel skylines

🩵 avery cochrane 🩵
cherry valley forever

Kiana Khansmith
let's talk about Bridgerton tea, my ask is open
"I'm Dorothy Gale from Kansas"

Andulka
art blog(derogatory)
wallacepolsom

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@unclear-contributions
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Mark Rothko, Untitled, 1955, Oil on canvas
© 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS)
literally though if you feel like your life is slipping through your fingers and every day goes too fast… try doing hard things, not just taking the easy route, like reading and making art and exercising and cooking a meal from scratch and journaling, doing these things without distraction, without being absorbed on a screen… the time will stretch and you’ll be reminded that life is long and beautiful if you make it so.
Reblogging this with these tags because oh my goodness
To the person I reblogged this from THANK YOU i am now going to stick this on my pinboard where I’m gonna see it every single day
“Life is long and beautiful if you make it so”
i loooove little moments of human connection. i love it when a stranger has something good happen to them and you get to be a part of the celebration for a moment. i love it when it starts raining and you and a stranger get to say wow its really coming down out there! i love it when something happens and you and a stranger get to share a look. i will never see you again but we did experience something together and for just a moment we were a pair! i genuinely live for that shit
happy pride month! miku loves you ❤️🧡💛💚💙💜

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Mark Rothko, Untitled ( Blue, Red, Black on Red), 1967, acrylic on paper laid down on panel, 24 x 18 in. (70 x 45.7 cm.)
© 1998 Kate Rothko Prizel and Christopher Rothko/ ARS NY
curious to hear y'all's suggestions for the worst possible pasta shape
(Assume that "pasta" needs to be made of sheets or strands of dough with enough surface area relative to thickness so that they can be cooked.)
I was going to suggest fettuccini but twisted with the ends connected to form a Möbius strip, but then I realized that would fuck like hell.
@fishofthewoods I did NOT expect to get such a strong contender so early.
@alilcajun @aralioideae
a couple of challengers emerge
You are all fucking madmen
People who cannot find beauty in every biome on earth are incredibly bizarre to me. "yeah this place is really beautiful but this place isnt :/". what the fuck are you talking about. start admiring that rock and that tree and that bug and that scrubby little plant and that weird animal and that extreme weather right now. im not telling you to go live there but please you gotta start enjoying all kinds of nature im begging you.
Calico out there putting tuxedo on the mats
OP: Why couldn’t traditional Chinese Yinpiao银票/silver drafts be forged if they were merely slips of paper? (cr大明宝钞,渐越)
Traditional Chinese yinpiao/silver drafts were paper vouchers issued by private banks starting from the Song Dynasty(960–1279). People could exchange these slips for physical silver at bank branches across the country.
Silver drafts were made in multiple copies with matching serrated seal edges. One copy went to the customer and others stayed at the bank. All edges had to fit perfectly together to withdraw silver. The unique split edge marks were almost impossible to copy.
This mechanism is known as qifeng骑缝 (split-joint seal) in China. It first originated in the Western Zhou Dynasty (1046–771 BC). The Rites of Zhou records that contracts were written on bamboo or wooden slips in duplicate. Notches and marks were carved in the middle before splitting the slips, with each party keeping one half. The two halves would be matched by their notches for verification.
During the Spring and Autumn and Warring States periods (770–221 BC), this idea evolved into hufu虎符/tiger tally tokens. A military tally was split into two pieces with identical inscriptions carved along the split edge. Troops could only be deployed if the patterns and characters on both halves perfectly aligned, serving as a metal version of the split-joint anti-counterfeiting system.
The technology matured in the Tang Dynasty (618–907). Government documents and private contracts commonly used split-joint seals stamped across the dividing line. The Chinese character "hetong合同" (contract) was written across the middle before the paper was torn apart, so the complete characters would only appear when the two halves were put together. This split-coupon system was later adopted for Song Dynasty (960–1279) jiaozi paper money and yinpiao/silver drafts of the Ming and Qing dynasties (1368–1912).
Official Song dynasty paper money (Jiaozi交子) was abolished in 1107. Private silver drafts issued by Qing-era piaohao票行 (ancient exchange banks) vanished completely in 1951, hit hard by modern banks and currency reforms. Nowadays silver drafts no longer circulate as currency. Their collectible value depends on their rarity and physical condition.
Split-joint seals (骑缝章qifengzhang)are still widely used on important paper documents in modern China, an anti-tampering technique passed down from ancient times. They are applied across the edge of multi-page contracts, bidding documents and official archives. If any page is removed or replaced, the broken seal pattern can prove the file has been altered.
OMG I got so excited about this because they used a really similar (though far less refined) version of this for contracts in the European medieval period!
First they were called "chirographs", but later the word "indenture" (in its earliest meaning as just a legal document of any kind between two people) came to be used, originating from the practice of a contract being written twice on a single piece of parchment and then cut in half with serrated edges (as in dent, "teeth" -> indents -> indenture) in order for each party to take one half, so they could later piece them together and verify that there had been no forgery -- same as the Chinese silver drafts!
(Charter of the Clerecía de Ledesma, 1252, showing the serrated indents at the top -- presumably they are cutting rather than tearing because they're using parchment, which I expect is much harder to tear than wood-pulp paper like the Chinese were using)
Delights me when human beings find similar ways to solve the same problem at two different ends of the world. <3

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Mark Rothko Untitled, 1969.
Oil on paper laid down on canvas. 52¼ x 40½ in (133.9 x 103 cm)
© Kate Rothko Prizel & Christopher Rothko / Artists Rights Society
Aspen Trees
Babylon and the Duck of Butter
I have a gift for falling in love with random objects. One time, my aunt got me a little rubber chicken, and whenever I squoze it, a little egg thing popped out. Very silly. Except that chicken became something like my best friend. I carried it with me to school, and I kept it with me in my pocket, and whatever social hazards there were about Being The Guy Who Got Stressed Whenever His Rubber Chicken Was Missing were far outweighed by being The Guy Who ALWAYS Had a Rubber Chicken On Him. There's a lot of comedic opportunity that comes with always having a good prop on your person.
Of course, the chicken did eventually. Explode. And such was my grief that I did not eat for 36 hours. This was very stressful for many people. Mostly my mom. I was a very strange child to work with. She took parenting so incredibly seriously, and then I'd pitch her these curve balls like refusing to eat for a day and a half because my rubber chicken died. No parenting book tells you what to do when that happens. You just have to feel it in your heart.
A less tragic story of an object that I fell in love with was a large, foam toad that I found in a trinket shop. The toad was the size of a very large grapefruit. Much too large to carry with me to school (thank god) but enough that I could move it around the house, to keep me company during my solitary pursuits. If I was reading, the toad was there, and if I was tinkering with legos, the toad was there, and even when I slept, I would wrap the toad up in layers and layers of blankets, and then spoon it. I did this until the rubber coating on the foam started to wear out, and the foam started to get brittle and break down and leak this repulsive yellow powder. Then I simply put the toad in the playroom and would consult it on matters of great importance. Eventually I stopped doing that, and someone took the opportunity to dispose of it. Not sure who. By the time I noticed its absence, too much time had passed for me to actually be sad. As an adult, part of me thinks I would have maybe liked burying the toad, but part of me also thinks I might have refused to part with the toad, which would have resulted in it leaking more repulsive yellow powder into the house. So I understand why that decision was made.
I want to state that this does not happen often, and it does not happen on purpose. I don't choose to fall in love with random objects. And it's always a little bit embarrassing when it happens.
Which brings me to my wife.
find you somebody who loves you the way that this woman loves this man loves this duck the undying.

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People who cannot find beauty in every biome on earth are incredibly bizarre to me. "yeah this place is really beautiful but this place isnt :/". what the fuck are you talking about. start admiring that rock and that tree and that bug and that scrubby little plant and that weird animal and that extreme weather right now. im not telling you to go live there but please you gotta start enjoying all kinds of nature im begging you.