T A M A W I T

Redundant Industrial Heritage in Britain: Snowdown Colliery an adaptive re-use exercise.

Driven by my passion for historic sites, I came to discover astonishing architectural styles and historic preservation practices and philosophies. Should a historic building be saved partially or totally? Why do we care about its preservation? When was the building destroyed and what has been lost? How should we preserve? I soon realized that answers based only on personal views and culture can be biased… Only by studying the cultural, geographical, socio-economic and political context of a historic building can we really understand its significance and proceed to restoration.

There are different attitudes to conservation. It was fascinating to compare philosophies as different as those of Violet le Duc, John Ruskin, Cesare Brandi, and Camillo Boito, as well as conservation charters such as those of Venice and Athens. In addition to conservation philosophy, my journey in England introduced us to historical societies, charities, trusts, funding bodies and community involvement regarding heritage. I realized that besides understanding the UK planning system, one should be familiar with the work of amenity societies and funding bodies. After all, successful historic preservation in the UK lies in the combination of a robust legislation with the work of societies such as the Society for the Protection of Ancient Buildings (SPAB) and the Victorian society, organizations such as English Heritage, and funding bodies such as the Heritage Lottery Fund. I was very excited about the academic collaboration with the SPAB and the Society’s ‘Old House Project’, the preservation of St. Andrew’s Chapel, near Maidstone. This was a unique chance to experience an unspoiled medieval building, which is very little known. Formerly part of the Cistercian Boxley Abbey, the chapel was converted into a dwelling in the 16th century. Abandoned for decades, the chapel is now in an advanced state of decay, but is not entirely derelict. Some of its features, such as the late-Gothic mullioned window, the Tudor chimneys, the post-dissolution half-timbered extension, and the early 20th-century fireplaces survive and reveal the complex history of the building.

Analogue photography with Pentax Camera: