2025 on Tumblr: Trends That Defined the Year

Kaledo Art
$LAYYYTER
i don't do bad sauce passes
sheepfilms
Show & Tell
dirt enthusiast
we're not kids anymore.

shark vs the universe
d e v o n

Product Placement
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KIROKAZE
wallacepolsom
trying on a metaphor
occasionally subtle

pixel skylines
styofa doing anything
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@ufonaut

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What do you guys do for work. Job share time. I want to know
the thing is like men and men really cant be friends because the sex part does always get in the way like thats true. and i mean that like im actually dead serious about that
like have you ever seen two straight men attempt to be friends with each other but the gay sex they arent having is literally preventing them from the transformative healing power of friendship. this is real
i dont even mean this in a "they want to fuck each other" way (although many of them do and will never know it) i mean that like the fact that gay sex is even hypothetically possible between them makes it loom over their friendship like it genuinely haunts them that they could be having it. gay sex is the elephant in the room every time they attempt to be emotionally vulnerable with one another, every time they let a hug linger too long. they cannot address its existence and so there is always something in their way, preventing true connection. and that something is the gay sex. that they are not having. the elephant of gay sex
The Rare Coin Score (1967, Richard Stark) // Le Choc (1982, dir. Robin Davis, based on The Prone Gunman by Jean-Patrick Manchette)
You can't just walk out on the Organization.
Le Choc (1982, dir. Robin Davis)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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im literally always saying this
Back in the 1980s, Donald Westlake wrote a fascinating essay on genre, and the gay subtext in Raymond Chandler's The Long Goodbye. It was not well received, but nowadays few are aware of the homophobic response it prompted at the time.
Our new piece up on Tough Business explores that response and how Westlake established himself as a staunch ally to the LGBT community. Read all about it right here, and happy Pride Month from the team at Tough Business! (x)
Back in the 1980s, Donald Westlake wrote a fascinating essay on genre, and the gay subtext in Raymond Chandler's The Long Goodbye. It was not well received, but nowadays few are aware of the homophobic response it prompted at the time.
Our new piece up on Tough Business explores that response and how Westlake established himself as a staunch ally to the LGBT community. Read all about it right here, and happy Pride Month from the team at Tough Business! (x)
love is the most extraordinary thing in the world :) 🏳️🌈
love is the most extraordinary thing in the world :) 🏳️🌈

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Up until that point, a particular literary genre had nurtured the American vision of homosexuality, a genre whose point of departure was a burning curiosity to know what really goes on in the lower depths: the hardboiled crime novel. While the reform-minded social realists (Crane, Norris, Farrell, et al.) had never had much time for homosexuality -- perhaps sharing the notion that it was chiefly an aristocratic pastime typical of pallid Etonians -- the hardboiled writers from Hammett onward found it hard to keep away. Although gays are not as commonly associated with tough-guy fiction as racketeers, crooked cops or B-girls, the fact remains that all the main contributors to the genre -- Hammett, Chandler, Cain, Spillane, Ross Macdonald, John D. MacDonald, among others -- helped to elaborate a gay stereotype. As the influence of hardboiled realism spread, the incidence of homosexual characters increased dramatically in mainstream mystery writing.
"Juno Was a Man; or, The Case of the Hardboiled Homophobes" - Geoffrey O'Brien, The Armchair Detective Vol. 18 #3 (Summer 1985)
Fuckkkkkk
It's perfectly natural for autists to like trains because trains are like our older brothers, to whom we can look up. Trains are big and strong creatures; unstoppable and proud, but they are elegant and logical. Not human but like humanity they are higher than beasts. The train is like a stoic sword hero who does what must be done and whose will must be respected, for his course cannot be altered. A train is an adult man with asperger's who has a job. And he's faster than everybody. I could be like him some day.
The Simpsons - 15.18 - Catch 'em if You Can
not even funny how true this is for me

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Gilbert Baker helps hoist one of the two original rainbow flags created by the decoration committee for San Francisco Gay Freedom Day | 1978 | ph: James McNamara, lead seamster of the flags
Anti-city people are just plain fascinating to me