Xuebing Du
Peter Solarz
let's talk about Bridgerton tea, my ask is open

@theartofmadeline
KIROKAZE
🪼

blake kathryn
almost home
styofa doing anything

pixel skylines

Kiana Khansmith
Claire Keane

Love Begins
hello vonnie
Misplaced Lens Cap
we're not kids anymore.

shark vs the universe

Monterey Bay Aquarium
trying on a metaphor
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@ufonaut

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love is the most extraordinary thing in the world :) 🏳️🌈
love is the most extraordinary thing in the world :) 🏳️🌈
Up until that point, a particular literary genre had nurtured the American vision of homosexuality, a genre whose point of departure was a burning curiosity to know what really goes on in the lower depths: the hardboiled crime novel. While the reform-minded social realists (Crane, Norris, Farrell, et al.) had never had much time for homosexuality -- perhaps sharing the notion that it was chiefly an aristocratic pastime typical of pallid Etonians -- the hardboiled writers from Hammett onward found it hard to keep away. Although gays are not as commonly associated with tough-guy fiction as racketeers, crooked cops or B-girls, the fact remains that all the main contributors to the genre -- Hammett, Chandler, Cain, Spillane, Ross Macdonald, John D. MacDonald, among others -- helped to elaborate a gay stereotype. As the influence of hardboiled realism spread, the incidence of homosexual characters increased dramatically in mainstream mystery writing.
"Juno Was a Man; or, The Case of the Hardboiled Homophobes" - Geoffrey O'Brien, The Armchair Detective Vol. 18 #3 (Summer 1985)
Fuckkkkkk

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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It's perfectly natural for autists to like trains because trains are like our older brothers, to whom we can look up. Trains are big and strong creatures; unstoppable and proud, but they are elegant and logical. Not human but like humanity they are higher than beasts. The train is like a stoic sword hero who does what must be done and whose will must be respected, for his course cannot be altered. A train is an adult man with asperger's who has a job. And he's faster than everybody. I could be like him some day.
The Simpsons - 15.18 - Catch 'em if You Can
not even funny how true this is for me
Gilbert Baker helps hoist one of the two original rainbow flags created by the decoration committee for San Francisco Gay Freedom Day | 1978 | ph: James McNamara, lead seamster of the flags
Anti-city people are just plain fascinating to me

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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She was always a great one for encouraging sin. Blue sin, red sin, fabulous purple sin.
Secret Ceremony (1968, dir. Joseph Losey)
You have to lean how to clean everything. Everything that was used.
Les Félins (1964, dir. René Clément)
Richard Stark’s Parker: Snapshots from the Road — A Postcard Collection
This project is something I've wanted to put together for quite a while, and you may look at it as a roadmap of Parker's and Grofield's travels presented here in postcard and collage form. For fictional cities, I've opted to use the state instead, and for Slayground and Butcher’s Moon all available hints have been used to roughly determine the location of Tyler — a Midwest city with a hotel called Ohio House and an amusement park that may have very well been somewhat inspired by Cedar Point. Although many of the novels do feature multiple locations, I've only taken a few into consideration and expanded across several postcards for the ones where it is thematically or narratively relevant. The cover of the album where these postcards now reside has also been included, and the collage is presented in chronological order with one exception. (x)
Read my full thoughts and the concept behind this art project right here on rough Richard Stark's Parker website, Tough Business.
Richard Stark’s Parker: Snapshots from the Road — A Postcard Collection
This project is something I've wanted to put together for quite a while, and you may look at it as a roadmap of Parker's and Grofield's travels presented here in postcard and collage form. For fictional cities, I've opted to use the state instead, and for Slayground and Butcher’s Moon all available hints have been used to roughly determine the location of Tyler — a Midwest city with a hotel called Ohio House and an amusement park that may have very well been somewhat inspired by Cedar Point. Although many of the novels do feature multiple locations, I've only taken a few into consideration and expanded across several postcards for the ones where it is thematically or narratively relevant. The cover of the album where these postcards now reside has also been included, and the collage is presented in chronological order with one exception. (x)
Read my full thoughts and the concept behind this art project right here on rough Richard Stark's Parker website, Tough Business.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I hate the videoification of everything. If I have to hear one more video of someone speaking closely into their shitty mic and I have to have all their yucky wet mouth noises and plosives and nose whistles and throat clearings and sniffles I am going to dig a vertical hole the exact dimensions of my body and I’m going to slither in head first
as someone with misophonia, the widespread popularization of asmr audio editing + people that are being pushed to make video content with no formal training and have no idea how to edit their audio (ex college professors, average joe tiktokers, etc) is literally my nightmare scenario. this is hell I am in hell
this is actually the last straw for me I need to start sending people emails
well the thing about richard stark's parker is that parker is always thinking about how no one's coming to save him, it's up to himself to get himself out of any situation he's ended up in. and grofield's always thinking he's not meant to be alone, he has to have people to depend on, his life is among other people, his living is with parker. and despite parker's own beliefs about his own life & the way he carries himself, leaving grofield alone is never even an option to him, there's no alternative to saving grofield and staying with grofield. thank you & goodnight (the handle 1966/the dame 1968/slayground 1971/butcher's moon 1974)