Hellooooo!! My name is Tzukin/ widely known as Tzukune on other platforms.
I am autistic as many people are on tumblr, and therefore I will be posting my own art which consists mainly of these two gay vampires with a complex toxic relationship from my childhood special interest of the incredibly trashy, terribly written, borderline gooner manga Rosario+Vampire. Basically I've changed the characters so much to fit my own writing standards that they've become my own characters, so stick around for gay vampire oc art if that interests you...
BUT! I also enjoy a good amount of media and will reblog / occasionally draw fanart for / share opinions of media including but not limited to muppets, mythology, the house in fata morgana, aftergod, litchi hikari club, MADK, interview with a vampire, DMMD, hannibal, adventure time, the summer hikaru died, petscop, early internet, buffy, death note, red dwarf
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This is a webcomic rewrite of the manga rosario+vampire!! Itâll be very different in tone and subject matter so it is on the whole original, but all of the characters are odes to their original source.
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God I'm so impossible when it comes to watching or reading something my friends tell me to read. Like it could be something I think about all of the time because of my friends passion and recommendation for it but if they don't forcibly sit me in front of the screen and draw silly guys with me then I'm left to my own devices and my own devices consist of YouTube amongus content
first base is holding hands underwater. second base is homoerotic fighting with your legs wrapped around his face. third base is he reinvents you as the reincarnation of a God
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the thing about media literacy is that understanding why the author chose to specify that the curtains are blue is the same skill set as understanding that the way the author characterizes all black characters as angry or all chinese characters as meek and silent is racist. it is the same skill set as being able to identify when a news source is biased or when someone is feeding you propaganda. the ability to ask "why did this person choose to present this premise in this specific way?" is a critical skill in a world full of misinformation. why are the curtains blue? maybe it's a characterization detail. maybe it's extraneous worldbuilding. why is this character written as being right all the time? maybe you're intended to disagree with them. maybe it doesn't matter. maybe you should still ask why.
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The ancient Greek world was incredibly binary - free/slave, greek/barbarian - and these categories would define peopleâs social status. Although men were generally regarded as superior to women, not all men were considered to have been made equal; it was vital that men prove their masculinity in order to earn their place in the major social institutions such as politics, law or the military through grand-scale events such as sporting events.Â
The Greek symposium is an event that occurred during festivals that coincided with Greek religious events. It involved celebrations where the entire Greek polis would suspend all public work and men would congregate in taverns to drink and converse, intending to promote âmale bondingâ patterns that formed the underpinnings of Greek society.Â
Inevitably, many of the big events and festivals would be put on because of the male identity that was highlighted in this period, leaving little room for a female voice.
Because of this, as Davidson states, âhomoerotic relationships played a key role in all areas of greek lifeâ as they oppressed women so much in public life. Whilst they didnât have any terms for homosexuality, it was widely accepted that people in ancient Greece could respond erotically to beauty in either sex (âIn his adolescence, [Alcibiades] drew away the husbands from their wives, and as a young man, the wives from their husbands.â) To be attracted to a young man as another man was seen as masculine.Â
However, the concerns around status and social structures got in the way when it came to positions within same-sex relationships, as the central distinction was made between taking an active role versus a passive one. The passive role was only for âinferiorsâ (those that were women, slaves or male youths who were not yet classed as citizens) and the active role was reserved for free men. Hence the cultural idea of a same-sex relationship being between an older man (erastes) and a boy (eromenos), which would have both sexual and mentorship aspects to it, and was expected to end upon the boy becoming a man.
This brings us to the ideas that Plato explores. Born into an aristocratic family, he had two brothers, Glaucon and Adeimantus (both of which appear in the Republic) and became a well-known philosopher from being the student of Socrates. He founded the Academy, which was a philosophical school considered the foundation of western philosophy.Â
Platoâs ideas involving men and women were somewhat standard for the time period. We see this within the Symposium, a collection of dialogues taking place in a fictional symposium setting where the characters all discuss love. One of these characters, Pausanius, outright claims that women are intellectually inferior to men, âpartners with the least possible intelligenceâ, and therefore unable to be completely loved by men on an equal standing. Pausanius goes further into this idea that love for women could only ever be considered âpandemian erosâ, a sensual & common type of love, in comparison to the more heavenly âuranian erosâ which is almost strictly reserved for same-sex relationships because of the mentorship they can lend each other. This idea reflects the treatment of women perfectly at the time, as they were so repressed and âprivateâ in comparison to men that they werenât allowed equal education and were therefore consistently considered as lesser beings. Similarly, Plato refers to women as secretive, inferior, irritable, crude, overly emotional and promiscuous throughout his works, and he also tells us in Timaeus that the womb inside of a woman is an animal that, if it fails to become pregnant, can wander about the body causing ill health by blocking air passages. Plato seems to propel many ideas cementing women as perhaps only good for their ability to reproduce.Â
However, on many other levels, Plato explores within his various dialogues a perhaps more âunambiguously feministâ perspective (as Vlastos suggests) in his suggestion that women have the sameÂ
souls as men. This is seen through how he portrays Aristophanes in the symposium, referring to the story of the creation of humans, a time where we were all spherical and were split apart from our âother halfâ as punishment from Apollo. He uses this story to suggest that, as humans, all we do is search for our other half, which can be a man or woman no matter your own gender, suggesting that all relationships are made equal and stem from the spherical origin. Ultimately, the symposium portrays lots of different opinions, which was heavily important for a philosopher to be able to do, but also made it much harder to pick apart which opinions are truly Platoâs. This is different to in the republic, where Plato outright states that âif the difference consists only in women bearing and men begetting children, this does not amount to proof that a woman differs from a man in respect of the sort of education she should receiveâ, condemning the idea that men and women should receive any different treatment, and going almost directly against the ideas he portrayed through Pausanius previously. This almost radical stance is backed up when he completely proposes the abolishment of the family structure, leaving sex purely up to procreation and abandoning the roles of âmotherâ and âfatherâ, effectively equalling the roles of men and women only as providers of children rather than being protectors / nurturers of them.
However, as Okin explores, Plato is only âforced to reconsider the role of women because he has already opted to abolish the traditional family.â In this sense, Plato may not exactly be as âunambiguously feministâ as Vlastos says, but he certainly explores feminist ideas only because his own contradicting stances on family structures force him to do so. Similarly, in this sense, Plato is also posing a complete restructuring of the idea of marriage, suggesting that for young men during wars, they will be given âopportunity for more frequent intercourse with women, which will be a plausible pretext for having them beget as many children as possibleâ. Plato, here, is suggesting that by completely removing the concept of marriage, it will lead to an increase in childbirth, which was the main aim in Platoâs posing here, perhaps suggesting that marriage isnât important for the social structure at all outside of for childbirth. Marriage is unnecessary even to the context of having children, however, because more people could have more children if there was no marriage holding men back.
We see a similar sentiment in the Symposium through Aristophanes, who suggests that âmen have no natural interest in getting married and having children, although they are forced to do this by conventionâ, posing the idea that marriage is in no way natural to human nature, and is instead only a social standard which could be abolished with no change to human ideology.
This is contradictory to Diotimaâs stance within the same dialogue, furthering the idea that Platoâs values are very hard to pick apart, as Diotima instead describes marriage in a way that seems to be more-so divinely inspired rather than something thatâs only down to human-made structures. Through Socratesâ words, Diotima suggests that âreproduction is the closest thing that mortals can get to being immortalâ. This idea makes marriage, in her / Socratesâ eyes, the best way to have a child as it offers a legitimate lineage through means of law, and makes you closer to the status of divine because of your family name being carried down throughout generations. Therefore, Plato within the same text highlights how marriage is significant only to societal structures rather than human nature, but also suggests that marriage is the best thing you can do to become the closest to divine status.Â
In laws, Plato poses that marriage is a duty to the state. While staying in line with the idea that marriage isnât anything more than societal, he also contradicts his past ideas by suggesting marriageâs extreme importance by suggesting that both men and women should be fined yearly if they are not married by a certain age. This idea is seemingly, again, peddled by the idea that âlying in a nameless graveâ is the worst thing that could happen to a man, and marriage is the easiest step for your existence and family name to continue to live on, giving men a purpose. Plato feels so strongly here about how essential marriage is that he wants to annually fine those that disobey such rules, making it mandatory by law.Â
And in that sense, Platoâs contradictory views on marriage seem to wrap up with the idea that whilst it is not down to human nature, it is incredibly essential to the societal and perhaps âdivineâ structures peddled by the idea that marriage creates children and children create a reputation to pass down - this can be done by completely restructuring marriage and simply having children with as many people as possible, or be done through the traditional means of marriage.
Interestingly, Platoâs opinions on sex are also nuanced, as Plato seems to express that âsexual gratification distracts from the focusâ, but Socrates âdoes not wholly condemn couples who occasionally give in to their sexual urgesâ (Dodds). Whilst Plato seems to completely disagree with the idea sometimes, he also takes a lot of inspiration from Socrates in his values, and so also seems to contradict himself on his own takes on sex too.
Firstly, Plato does seem to pose sexual relationships as perhaps âless thanâ, as explored through Pausanius again, the idea of Pandemian eros is associated more with heterosexual relationships and the more lust-filled love that stems from sex, whereas Uranian love is a more intellectual and less sexually-peddled idea which stems from mentorship and beneficial mutual relationship. Pausanias directly describes this Pandemian eros as âthe common typeâ, differentiating those that âlove the body rather than the mindâ. In this sense, sex is condemned in favour of relationships that centre personal growth. Similarly, in Laws, Plato criminilises pedestry, masturbation and incest because they are all, in his eyes, preventing the societal function of reproduction, therefore portraying mindless sex with no reasoning apart from lust as completely useless and furthermore borderline criminal.
However, in the very same sense, Plato acknowledges that sex is necessary and you canât have a world without sex because of just how much Plato values reproduction within his works. In Laws, he suggests that not having children is to âdeprive women of their purpose, and men of gloryâ. But he also suggests that sex, as Dodds described Socratesâ perspective, is the first step on the ladder of virtue and one cannot be fully condemned for it because itâs a journey rather than a straightforward line.
In the symposium, the characters of both Pausanias and Diotima are said to express sexual relationships as being the start of the ladder. Pausanias is an Erastes, and therefore is directly defined by the pleasure he gains from the mutually beneficial relationship with his eremenos. He describes that âthere is only one form of voluntary slavery which isnât reprehensible, this is slavery whose aim is goodnessâ. Through this expression, Pausanius clearly believes that getting something from the relationship with his eremenos doesnât take away from the fact that the relationship is one which desires to give virtue to and mentor the younger party. In this sense, the sex he receives is worth it for the mutually fulfilling knowledge the eremenos will receive in return.
Similarly, Diotima refers to the âlatter to virtueâ which is described as being the creative search for immortality, as well as Socrates comparing it to the soul having two horses - instinctual desire and moderation - which are in a constant battle. Socrates is therefore forgiving to those who lose control of these horses momentarily and give into desire, and Diotima is forgiving in the sense that she acknowledges that this âlatter to virtueâ always starts with sexual desire which one can then progress from once they become more experienced and restrained.
However, whilst Plato explores why sex is necessary as well as unnecessary if itâs done in an unproductive context, he also explores how sex and the desire that stems from sex can be something that can go entirely out of control. In the symposium, Plato depicts Socrates exploring the idea that desire can lead to obsession, which is something to be frowned upon. He relates this obsession with his own relationship with Alcibaides, whose attachment to him is something he describes as a ânuisanceâ, stating that he is âquite terrified by his mad attachment to his loversâ. This is something that Alcibaides also explores in his own words as his desire for Socrates makes him lose better judgement, making him âfrenzy⌠greater than that of the Corybantesâ. He compares this âfrenzyâ to divine rituals done by the Corybantes (worshippers of Cybele) and so emphasises just how intense desire can become - it seems to easily spin out of control and leave the holder of this desire with a lack of control over these two horses in ones soul, therefore delaying / distracting from the ladder to virtue.
Finally, in the Republic, Plato's ideal state liberates people from carnal desire so they can be carefree. He wishes the role of eros to be minimised in order to preserve focus on more âimportantâ values.Â
And so, what can be considered more essential than sex? Possibly love, as when we remove sex from relationships, the purity of love can possibly catalyse the journey to virtue. In Phaedrusâ speech, there is an outline of the idea that love, specifically between men, can produce a sense of shame from being consistently examined by your partner, which can encourage people to succeed and do good under said scrutiny. This possibly implants in men âstronger guidance towards leading good lives than family, state, money, or anything elseâ. This idea is significant as the hyperbole of love being held above âanything elseâ in importance cements Platoâs views on love as far more positive than his views on sex. This passage could be a reference to the idea that entire armies made up of male lovers would be better as the eremenos would be inspired to fight to impress the erastes, and visa versa, specifically drawing ties to the real life sacred theban band which was made up of 150 male/male lovers and were considered heavily successful and therefore ideal in how love forms in that context. As Phaedrus states, âthere is no greater benefit to a young man than a good lover, and none greater for a lover than a good boyfriendâ. Homoerotic relationships were seen as the basis of social structures and morals because of womenâs oppression being so underlying in ancient greek society, romantic relationships between men are almost always the exception to the idea that âcommonâ love is condemnable.
Similarly, Erixymachus, a doctor, highlights that love can be perceived as âfrom medicineâ, and from his own personal experience, it is powerful in balancing and harmonising all aspects of a person. He comments further on how âgreat and wonderful a god Love isâ, personifying love as the divine acting as further emphasis on how important the many perspectives of the symposium seem to highlight that love is.
And, whilst Alcibiades condemns how his own desire for Socrates sends him into frenzy, he also explores that his more pure love for socrates has the ability to inspire virtue in him, suggesting that ânothing is more important than becoming as good a person as possibleâ, and that no one can help him more effectively than Socrates in reaching this aim. Whilst Plato describes lust as harmful, love in its purest form can definitely directly lead to virtue in how the other person, usually the older person, can directly teach and inspire the younger.
Waterfeld highlights that Socratesâ beliefs arenât simply that love is always virtuous and should therefore be respected, but that love is only virtuous if it has pure intentions behind it, therefore Plato portrays love as generally âconditionalâ rather than all encompassing virtue. When love isnât pure, when it holds desire and sexual feelings behind it, it can lead to love being seen more-so as a sickness, as diotima highlights, which rids people of all sensibilities through them becoming âsick with the excitement of loveâ. This description entirely opposes Erixymachusâ description of love being a medicine, suggesting that love is inherently something that will always begin with an intense desire or lack of morals, which can only later be refined into virtue, into âmedicineâ. Similarly, Socrates puts into words how love and desire are relational properties that canât be described in and of themselves; âDesire and love are directed at what you donât have, what isn't there and what you need.âÂ