There were shadows in the house that never seemed to shorten, corners that light never seemed to touch, no matter how many windows were uncovered. Their two rooms were the worst, dingy no matter how well cleaned, with one window that was high and tiny, that let in almost no light, keeping them plunged into a state of perpetual evening. Candles were lit, as many as could be afforded, but it made no difference; the rooms were tombs of rotting wood and torn paper. "House" was a grand term for the broken down old shack, but it was what Lola knew. She could remember, vaguely, living elsewhere - a place with a garden - but the flowers were all that remained of that memory: flowers and light. Her whole world, now, had narrowed almost entirely to those two rooms: to the one where she now slept, the one that had formerly been the small parlour where they'd invite people to visit them - and the one where her mother tossed and sweated, dying slowly, the stench of it never quite abating, no matter how vigorously Lola scrubbed. She had slept there, too, before. The rooms had seemed like a home, if small, if poor. Now, they were a prison sentence that she could not look forward to the end of. When her mother died, she would have nothing. She knew what she was supposed to do, what she would do, what her mother had been training her to do: she would search for a job in a grand house, batting her eyelashes as she'd been taught, looking up at fancy gentlemen with her wide blue eyes, hoping to take one of them in, and so be taken in. They were tricks that she had never practiced on anyone save Sean, and she was not allowed to see him more, though she missed him; Sean was nearly as poor as they, her mother had said, and he would only keep her down. Lola was too pretty, her mother said, to be so common. She must be pretty for a reason; she must be made for greater things, for finer places. Lola didn't know about such places - not in any realistic sense; her mother had tried to explain them to her, but she'd never worked in one, herself, and her stories were all second-hand. So they dreamed about manors and estates together during her mother's lucid moments, of the feasts and the fashion, the parties and the pageantry, and Lola spent the rest of her hours trying to keep her own small, dark world clean and her mother comfortable. But the day was approaching. It was a fact that she knew was inescapable, that Grenth could not be staved off forever. She dreaded it, because it would mark the end of the life she knew, the end of the only person she had to love. She would be thrust into an existence that she wasn't truly prepared for, that she'd never had a choice in or a chance to question. Still, deep down, in the most secret reaches of her heart, she waited for it, too. She would be free. She could do as she was told, or not. She could run to Sean; she could become a bandit or join the carnival, she could find a job in a shop or serve drinks in a tavern. It was a guilty pleasure, the idea of turning away from her mother's wishes, if one she knew she'd never have the courage to attempt. It kept her thoughts away from the shadows and sickness when they were all that she had to keep herself company; it kept her from dwelling on the circumstances of her existence, on the solitude, on the despair. But it could not keep death from claiming her mother.