everything I hate about ai and love about wikipedia on one image

if i look back, i am lost
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everything I hate about ai and love about wikipedia on one image

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What Is It Like To Age With Autism?
Fuck me, this is wild. The whole article is worth reading, but there's a one-two punch in the opening, that potentially 90% of adults with autism aren't diagnosed and 1% of autism research focuses on midlife and older age.
I know very well the running joke that children with autism evaporate when they hit 18 because so much autism research and media is focused on children. It just really hits home how we don't even goddamn look at adults with autism let alone speak with them or study their experiences.
I'm not even autistic but I have plenty of autistic friends and this makes me furious. What the actual fuck. I'm about to start the Evaporation Fund for Adult Autism Research.
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Twenty-one tons of potatoes are up for grabs at Potato Palooza on Monday.
The nonprofit’s set to receive a donation of 21 tons of tubers this weekend from suppliers in the Midwest. Hoping to get the starchy vegetables to people in need, the nonprofit will host a “Potato Palooza” event on Monday in Park Hill. “Anyone is welcome to come. They can bring tote bags, wagons, you could back up your pickup truck if you wanted to,” Hissong said. The event is 9 a.m. to noon at the Park Hill Food Recovery Hub, 6090 East 39th Avenue, on July 27.
This is the dream
🥔 ⚠️ 🥔 ⚠️ 🥔 ⚠️ 🥔 ⚠️ 🥔 ⚠️ 🥔 ⚠️
People near Denver, Colorado.
Potato alert. Potato alert.
Free food. Unlimited free potatoes.
Potato alert.
🥔 ⚠️ 🥔 ⚠️ 🥔 ⚠️ 🥔 ⚠️ 🥔 ⚠️ 🥔 ⚠️
This concludes this broadcast of the emergency potato system.
Event: Potato Palooza
There is no amount of money, oil, or gold that is worth more than having bees, trees, and clean water.

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1955年 映画「舞妓三銃士」
京都祇園に住む三人の仲良し舞妓が力を合わせ、悪い旦那衆を懲らしめる痛快喜劇映画。
1955 movie “Maiko Three Musketeers” An exciting comedy movie in which three good maikos living in Kyoto Gion work together to discipline the bad husbands.
Paired Male Nude Studies — back and frontal views, oil on canvas by Jenő Friedlinger, 1911. A didactic studio pairing where the same figure is examined under steady, directional light, revealing how posture and weight shift transform the body’s planes.
Title: Girls in Sunlight Artist: Philip Leslie Hale (American, 1865-1931) Date: 1895 Genre: portraiture, genre art Movement: Impressionism, Symbolism Medium: oil on canvas Dimensions: 73.6 cm (29 in) high x 99 cm (39 in) wide Location: Museum of Fine Arts Boston, MA, USA
Philip Leslie Hale, son of noted Unitarian minister and writer Edward Everett Hale, studied in Paris, after which he spent summers painting in Giverny, coming under the influence of Monet and the Impressionists. He was also a noted art historian; his Jan Vermeer of Delft (1913) was the first monograph on that artist to be published in the United States.
Girls in Sunlight reflects Hale's increasing turn toward Symbolism in the 1890s. The women in the foreground blur at the edges into the wash of gold surrounding them, and the vegetation in the distance is rendered almost abstractly, creating an overall mystical effect.
An over the counter medication the folks with uteruses never seem to know about: Pamprin. Pamprin is a life-saver for menstruation, btw; it can help with PMS symptoms, cramps, mood swings, fatigue, bloating, etc. - it's always been nothing but fantastic for me. I've realized that a lot of people don't know about it, but it's genuinely saved my ass in the past, and I have no clue how I would've functioned without it. I wanted to share this knowledge for anyone who could use it! I know it's legal in the US as over the counter, but I'm not sure of what it's like in other places, so be sure to check with your local pharmacy!

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Brenda Cabrera, Cuba
linktr.ee/BRENDA_CABRERA
So… I got a notification from the State Department at like 8 PM Pacific that my passport was approved, and I was quietly thankful and stunned bc my legal gender in Oregon is listed as X, or undeclared, and that's what's on my passport. I'm pretty sure someone(s) worked late to get the X passports done today.
I was already really grateful to whoever in the Seattle Passport Office worked late to get these things processed on the last Friday before That Man gets back into office... and then I got a notification that my passport shipped at fucking midnight Pacific and whoever got that shit out the door so it couldn't be picked up on Monday and like, denied and shredded?
They're my fucking hero.
So... I heard from a friend of 20+ years who works for the State Department who confirmed to me in so many words that they can assure me, without specifics, that "all of the suppositions you have made here are true."
So... yep. Passport folx at the State Department really did work incredibly long hours this week just... shoveling every passport out the door (and prioritizing the ones that might be A Problem come Monday) and yes, they did On Purpose make sure that all of them weren't just DONE but MAILED and out the door and in the hands of the USPS so that they can't be told to pull those passports back and deny/destroy them.
This also means they got the OK for the mountains of overtime from the Biden administration to get that done.
This is what I mean when I say that the Good Work is often not glamorous and that we have to prioritize things which actively and immediately better the lives of our siblings. The State Department worker who was still in the office last night at midnight Pacific time stuffing my passport into an Express Mail envelope and making sure that it was in the hands of USPS has done more liberatory work for the trans movement than 100 people endlessly auditing the language others use to describe their lives ever will.
These next years are gonna be real hard. Find something tangible to do for yourself and others, however small, and do it as hard as you can.
@reasonsforhope
Thanks for @'ing me on this. It really does go to show how many, many, many people are doing what they can, and how small and often boring acts can mean everything to a person's life.
Like OP says, the next four years are going to be hard. Find something - anything - you can do to help the people around you. It can and will keep you from drowning.
Sire Ginkgo helm by Jean-Michel Bihorel

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Laurence Winram (Scottish, born 1968)
Irida XI, 2020
Photography, Black & White on Paper
42 x 64 cm
Achilles Wounded in the Heel by Paris. 1850.
Charles Alphonse Achille Gumery. French 1827-1871. plaster.
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