hola, solo quería desearte suerte espero que tengas una bonita vida
gracias

pixel skylines
Cosmic Funnies
sheepfilms
dirt enthusiast
Lint Roller? I Barely Know Her

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NASA
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Game of Thrones Daily
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YOU ARE THE REASON
Misplaced Lens Cap
let's talk about Bridgerton tea, my ask is open

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@tristicium
hola, solo quería desearte suerte espero que tengas una bonita vida
gracias

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Cranberries at Muskoka Lakes Farm & Winery by elnaz555
Kiyoshi Saito (Japanese,1907 - 1997)
Girl and Cat

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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te invito a cenar sólo si me dejas comerte de postre
"Aleana" José Sbarra, 1978.
Estoy triste. Escribo, llueve, miro hacía afuera.
No sólo veo lo que veo. A través de esta ventana veo también toda la vida, todo lo que no sé cómo amar, ni si merece ser amado. Veo las luces mojándose y todo me parece triste, bellamente triste.
Me siento condenada a mirar la vida como una espectadora inmóvil. La condena consiste en que tengo el alma y el cuerpo ávidos y un vidrio transparente que se interpone. Un cristal que me deja ver lo que me pierdo y que me hace perder lo que veo. Extraña condena. Creo, pese a todo, que mi tristeza es lo mejor que tengo, porque se parece a la nostalgia, me hace ver las cosas como si alguna vez hubieran sido mías y ahora las extrañara. Pero la ilusión de nostalgia se desvanece en cuanto mis ojos se dirigen al pasado cargados de sinceridad, y por lo tanto, empecinados en no cerrarse ante las escenas más hirientes. Y lo peor es que tanta crudeza no sirva para nada.
Vivo pagando el daño que me causaron los demás como si el delito hubiera sido mío. No puedo detenerme ante ningún paisaje sin teñirlo de melancolía o de rabia impotente. Con las luces de la casa apagadas, afuera la noche se asemeja a un infierno temido y deseado. La llovizna cae sobre adoquines azules, los faroles en los charcos son manchones de tinta amarilla salpicados por las luces rojas de los autos; la gente corre bajo enormes paraguas negros.
»i am« by sergio albiac
your portrait from your transformed words
in fine art, especially painting, humans have mastered the skill to create unique visual experiences through composing a complex interplay between the content and style of an image. thus far the algorithmic basis of this process is unknown and there exists no artificial system with similar capabilities. however, in other key areas of visual perception such as object and face recognition near-human performance was recently demonstrated by a class of biologically inspired vision models called deep neural networks. here we introduce an artificial system based on a deep neural network that creates artistic images of high perceptual quality. the system uses neural representations to separate and recombine content and style of arbitrary images, providing a neural algorithm for the creation of artistic images. moreover, in light of the striking similarities between performance-optimised artificial neural networks and biological vision, our work offers a path forward to an algorithmic understanding of how humans create and perceive artistic imagery.
more information here: http://www.sergioalbiac.com/wall/i-am.html
ask for an invite and try it out yourself!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Woman In The Dunes (1964)
en lugar de frotarte con la almohada, frótate conmigo

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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cuando es gamer, y tu el juego