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Suede

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Subway Sect in Paris, 1981. Photo by Sarah Partridge.

#Subway Sect #Vic Godard & Subway Sect

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The Cramps, photo by Melanie Nissen, ca 1978

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New Order performing at Ukranian Hall in East Village, NYC, 11/19/1981. Photos by Eugene Mironov

Ramones

#Ramones

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Lush (1989)

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Andrew Eldritch and Patricia Morrison - The Sisters Of Mercy

Adam Green

#Adam Green #The Moldy Peaches

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Richey Edwards of Manic Street Preachers

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Happy Birthday to Susan Janet Ballion aka Siouxsie Sioux, born on this day in 1957, London, England

Photo by Steve Severin

Unreleased studio tracks from the October 1977 Memphis recording sessions that Unleashed 'Human Fly' mixed by Alex Chilton, Poison Ivy and Lux Interior.

With tracks selected and mixed in the late 1980s, 'Gravest Gravy' was designated by Lux and Ivy for release years ago, but for reasons lost to time, remained shelved until now. Completely rippin’ versions of classic early Cramps tracks, two of which feature Alex Chilton on organ. Cut from the analog source tapes, and mastered expertly in Nashville.

In October 1977, the Cramps, who were at that time, Lux Interior on vocals, Poison Ivy on guitar, Bryan Gregory on guitar, and Nick Knox on drums, ventured into Ardent Studios with the extraordinarily talented musician and producer, Alex Chilton. These sessions were responsible for the first two Vengeance Records releases, both permanently disfiguring the music world in 1978.

These Animal Men

The Jesus And Mary Chain

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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New Order (1982)

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Early Ruts photographed in London by Virginia Turbett ca. 1978.

“I first met The Ruts in December, 1978 photographing them for an article for Sounds. We walked down Long Acre to Leicester Square taking photos in a joke shop and amusement arcade. They were sweet, funny young men from West London. They gave me a copy of ‘In A Rut’, their first single and it blew my socks off. The B side, ‘H-Eyes’, was as powerful as the A side, but with a prophetic message that still sends a shiver down the spines of all of us who love them…”

Virginia Turbett

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