been playing a lot of sudoku lately…

bliss lane

Product Placement
Claire Keane

oozey mess
The Bowery Presents

Kiana Khansmith

blake kathryn
Aqua Utopia|海の底で記憶を紡ぐ

pixel skylines
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Discoholic 🪩
macklin celebrini has autism

Monterey Bay Aquarium

gracie abrams
TVSTRANGERTHINGS
tumblr dot com
KIROKAZE
Fai_Ryy
Jules of Nature
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@tremendouskoalachild
been playing a lot of sudoku lately…

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HOWL'S MOVING CASTLE ハウルの動く城 2004, dir. Hayao Miyazaki
I firmly believe that how feminist a book is is better demonstrated by its background characters rather than its mains
What I mean by this is that a book may have “feminist” female leads who are strong, competent, complex, whatever, but how do they portray women just...existing in the world? Are there women in the background, or is the fantasy novel with its strong independent Action Girl protagonists set on a background of generic male soldiers, guards, councilors, shopkeepers, messengers, and wizard apprentices? Are minor characters ever women when there’s no particular reason for them to be? When women appear in the background of your story, do they have any unique qualities that hint at a complex picture we’re not seeing or do they slide seamlessly into Pampered Noblewoman, Prostitute and Vaguely Maternal Older Woman Who Runs A Tavern Or Something?
If your protagonist is a fighter or magic user, do you show other women in those roles? If your society is more relaxed about sex discrimination, have you built a world that looks like it?
Have you built a world where your female characters don’t all have to be The Best At Everything, or is almost every female character placed where she can be extraordinary next to a bunch of male counterparts? Are you comfortable letting a female wizard or warrior be average or unimportant, or does she have to be one of the most skilled and powerful of them all, able to match or best all the men around her? On the other hand, are you comfortable having a female wizard or warrior be indisputably the most skilled or powerful out of the wizards or warriors, without drawing attention to her gender, placing her in competition with men, or having her be an exception to the rule because she’s female?
Are you letting your female characters be mediocre and un-extraordinary? Your world is full of powerful sorceresses, fierce battle maidens and calculating noblewomen, but do women do things in this world other than be Exemplary and Great and Awesome? If you’ve established that women do business and fight, do you have female soldiers carousing at bars and vaguely dull female Evil Minions Of The Dark Lord bumbling around doing evil bidding and female apprentices slacking on work or is every background woman we see competent and controlled and intelligent and doing whatever it is she’s doing without error, whereas only men are allowed to be foolish, impulsive, mess things up, or just be shown unflatteringly during the couple sentences we know them? In other words, does the world show women being unapologetically human beings or are all your female characters basically making up for being women by not doing anything that would badly represent their gender?
In particular, if you’re trying to show a society with gender equality, that means the dark lord is willing to hire women who are bumbling idiots as guards, and not just that some female wizards climbed their way to the top and became As Good As Men because they’re so badass they can snap god like a bunch of uncooked spaghetti.
Rebecca Ferguson as Lady Jessica Atreides Dune (2021) dir. Denis Villeneuve

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one aspect of the social media ban i think we really need to consider isn’t just that vulnerable people aren’t able to find positive connection online, it’s that e-safety likely isn’t going to be taught in schools because children aren’t supposed to be on social media, full stop. it’s like schools don’t teach people how to do drugs safely for example because it’s expected for people not to do them at all. and what this could mean is that even the people who could have been fine if told properly how to responsibly use the internet, that when they inevitably find a way to get around the ban, they’re at even more risk because they don’t know what to look out for.
“I mean. like. aroace people still date and have sex. … I think it's important to acknowledge that aroace ≠ celibate and single forever and ever.” Trust me, tumblr users do nothing but acknowledge this. People say this literally any single time aromanticism and asexuality get mentioned in any context and I always go. Okay. Are you capable of believing that it is possible for aroace people to not date and have sex. Are you willing to wrap your mind around the existence of people who ARE celibate and single forever and ever. Because it does not sound like you are, actually, it sure sounds like you think every aroace person SHOULD be still dating and having sex because no one could possibly want to be single forever and ever
A patient, explaining what their relationship is to their new visitor who was headed up to see them, said, “he’s my guardian,” and I said “oh I didn’t you had a legal guardian,” and the patient said, “he’s not my legal guardian, he’s my spiritual and physical guardian. He is also my brother. Well, I say he’s my brother. He’s like a brother. He’s my husband.” And I say this with genuinely no judgment, just pure curiosity, what
genuinely in good faith asking this: are all trans women not transmisogyny-affected? trying to understand how that term is different from just saying trans woman and I remember you talking about tme and tma being useful descriptors before
Definitionally yes, all trans women are affected by transmisogyny. I think a more productive perspective is that TMA is an analytical category as opposed to a replacement term for trans women/trans fem. TMA/TME describes one’s relationship to transmisogyny (relate in a social way, not just like, personally). This analytic frame allows us to talk about a particular type of bigotry that not all trans people face, but is nonetheless foundational to transphobia as a structural form of bigotry. ie, all transmisogyny is transphobia, but not all transphobia is transmisogyny. TMA only makes sense in reference to TME, which is the more expansive category that includes some trans/nb people, along with cis people.
I think a helpful comparison is the distinction between black/non-black. Anti-Blackness is fundamental to understanding white supremacy and racism, but not all racialised people are affected by anti-blackness (although they still obviously deal with racism, the same way that tme trans people deal with transphobia but not transmisogyny). I hope that makes sense
ice water is awesome because you get more water in your water
you think youre out of water but then you check back in five minutes and woah! theres more water! the world is so beautiful

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crisp glass of water moodboard
y'know i don't really love how people use "butch" interchangeably with "handy"
*north american approaching lesbian couple* so which one of you is useful and which one of you is the woman
sleeve tattoo
Mon'ran and Relan join the bath! I've switched to giving them a slightly more intimate interaction, and oh that pose was demanding but SO fun to draw! They are both padawans during the war, so who knows, they may be close enough for a gossip fuelled back massage! They belong to @andi-1oh and @lepidopoda (I hope that's okay with yous)
It's so full now!! I have Meeyan and Ti'va in the far corner comparing markings, and in the front... I haven't decided yet among the remaining choices I have. I had some ideas in mind, but I fear that red Twis are very under represented here. So Zeleda (Orange) and Rori (Red) might be my final ones. Then I'll do the mural and paint the background (cry) and ONLY then, consider adding standing characters on either side. It's silly but I do want people to also have time to revenge me (´ε` )
he ran into my yaoi paddle. he ran into my yaoi paddle 10 times

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got my first rare achievement in Scarlet Hollow and it's for failing to save [redacted]. rub it in why don't you 😭
my boys. they're happy and in love