Railway workers on strike using a barbecue adapted to tramway rails during a protest in Nice, France, 2018.
The Stonewall Inn

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Fai_Ryy

Jar Jar Binks Fan Club
Not today Justin

if i look back, i am lost
I'd rather be in outer space 🛸
Claire Keane
let's talk about Bridgerton tea, my ask is open
"I'm Dorothy Gale from Kansas"
Aqua Utopia|海の底で記憶を紡ぐ

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tannertan36
Show & Tell
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Sweet Seals For You, Always
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Monterey Bay Aquarium

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Railway workers on strike using a barbecue adapted to tramway rails during a protest in Nice, France, 2018.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Alan Sonfist, Earth Monument to Chicago, 1965-77, Natural earth drillings consisting of :1) Sand, gravel and clay mixture; 2) Very stiff gray clay silt; 3) Fine sand with gray clay; 4) Gravel with gray clay 5) Dense gray clay silt; 6) Hard pan; 7) Green shale; 8) Sandstone; 9) Dolomite with pyrite (a form of limestone), Installed: 5.7 x 182.9 x 243.8 cm (2 ¼ x 72 x 96 in.)
Railway workers on strike using a barbecue adapted to tramway rails during a protest in Nice, France, 2018.
Zoro and chopper😭😭

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Peter Schudde - Meltdown Matrix I (mixed media), 2020
Guillaume Bijl, Gym, 1983
Provinciaal Museum - 1990,
Witte de With, Rottedam
Guillaume Bijl, Caravan Show, 1989, Le Magasin, Grenoble
By @multigalactic (on Instagram), Ode to Trucking Company Names that Include "Trans", 2022
(From @transgendertrucks on instagram)

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Random PNGs, part 50
ENTRETIEN GUILLAUME BIJL, particules n29, juillet,septembre 2010, page 6
Guillaume Bijl, Lockers Room, 1998, Offenes Kulturhaus, Linz
Gregor Schneider, Kinderzimmer, 2008
mixed media, 205 x 310 x 340 cm
Haus u r’s exterior. The rooms viewed from outside are unlikely to be encountered by those who enter
(Gregor Schneider, Haus ur)

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"In the following I will be addressing the art of Gregor Schneider, who says he 'collect rooms' - the way painters paint interriors, for example, and then collect their own paintings. Because his aim is to construct room; to build from memory, to draw on descriptions, to create trough imagination and intuition. But also to find rooms that he expands or appropriates by re-creating them - event to acquire rooms or entire houses whose form and content he considers as the very material of his art"
Gregor Schneider, Raimund Stecker, (p63)