# tragicrequiem. dependent blog for redcreekfm, written by lex.
ââ nyx rivera : mortician's assistant. intro. pinterest.
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
Sade Olutola

Origami Around

Kaledo Art

if i look back, i am lost
Alisa U Zemlji Chuda
One Nice Bug Per Day

JVL
occasionally subtle
trying on a metaphor
Lint Roller? I Barely Know Her
I'd rather be in outer space đ¸
Three Goblin Art
will byers stan first human second
Xuebing Du

Andulka
Keni
"I'm Dorothy Gale from Kansas"
Show & Tell
art blog(derogatory)
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@tragicrequiem
# tragicrequiem. dependent blog for redcreekfm, written by lex.
ââ nyx rivera : mortician's assistant. intro. pinterest.

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LOCATION: red creek cemetery, graveyards FROM: AKIHIKO TANAKA TO: OPEN STARTER [ 0 / 3 ]
a cloud of smoke, the crunch of soil underneath a pair of feet. akihiko has a black wool coat wrapped around them as they leave the main building of the cemetery, heading towards the grounds. the weather is cold enough that their breath fogs up where they part, and they search their pockets for a pack of cigarettes. shaking one off, they put it between their lips, followed by a flick of lighter, a long, deep breath of relief. as if they were not breathing before, and now oxygen can finally reach their lungs. it takes them a few minutes of quiet smoking to hear a pair of steps, and they ponder for a minute more whether they will remain far away. it doesn't seem to be the case, and they watch the other near the section where they are. it's likely they are visiting a grave here, as is ninety-five percent of the time, no one else comes to the cemetery otherwise. and while they would take a bet that people prefer being alone here, they still askâ wanting to smoke a bit more. could they do it elsewhere? sure. but this is their favorite section with the best view of the forest and the town. "do you have to be alone or can i continue smoking here?" it's blunt, although they don't try to be, that's how it usually comes out. a beat later, "did you come because of what happened?" death reminds people of death. you hear of someone dying, and you remember someone close to you who died. it's as easy as that - at least, for someone in akihiko's line of work.
she stepped into their peripheral like someone half â summoned, half - drifting â coat too thin for the cold. her eyes hazed over the graves, and then finally ⌠them. â smoke, i guess, â she muttered, monotone and entirely apathetic. â itâs whatever. â she crouched beside the nearest headstone â one that wasnât hers, not her motherâs â and pressed her gloved thumb into the rim of thawing soil like she was grounding herself. when she looked up again, there was a strange stillness to her, like sheâd been listening to something that wasnât there. â and no, â she added, slightly piqued by their continual interrogation. â didnât come because of what happened. â and youâve said too much already.
his boots hit the pavement like heâd stepped into wet concrete, caught in a moment he hadn't meant to interrupt. he came looking for some quiet amongst the hum of all that neon. same corner he used to crash at years ago, back when the nights felt bigger and his body was still trying to figure itself out. " oh -- donât worry, iâm not here for you," he reassured, and it was mostly true, though maybe he hoped the honesty might work in reverse, might make her offer something back. he cleared his throat, clumsy maybe, eyes dropping to the soft pack of cigarettes in his hands, head following down making his blond hair slide forward like a curtain. " yâknow ---- this used to be my spot, " he murmured half aware that his voice could vanish into the distant carnival music that never really stopped. the pack hit his palm with a dull thud and two sticks popped free. he thought of nicasio, of his friends back then, and all of the secret hours under cheap carnival lights, first drags, first swigs, and that first kiss with the girl who tasted of cotton candy and stared back until the lights went out. he sniffled, brushed his hair back, offered her one of the smokes, eyes drifting from the paper to her outline. " but i guess some things change, " he said, and it sounded like a strange confession to make about red creek.
the tears clung to her lashes, cold tracks down her cheeks, but she held herself with the same detached slouch, shoulder against the brick like she was stapled there. he walked up with all that nostalgia weighing down his boots, trying to hand her the shape of his past like sheâd asked for it. she kept her eyes half - lidded. â congrats. gold star. â she muttered, fingernails digging into the palm of her hand. when he offered a cigarette, she took it with a shrug, brushing her cheek with the back of her hand as if it were sweat or rain â something meaningless. she lit it off her own, the flame catching. â if something changed, â she added after a long moment, â it wasnât this place. â
charlene watched with a sense of detachment . watched through the lens of a camera . a shot of people laughing before panning to nyx crying in the corner . the praise of the metaphors and the contrast and the unspoken words in the video buzzed against her brain . a small shake of her head and her predatory gaze shifted into a look of empathy . she'd become infected during her stay in california and coming home to red creek was her quarantine . " you're joking , right ? you cannot be saying no to a candied apple . it's a red creek delicacy . that's basically a crime . "
nyx drags a sleeve across her cheek like sheâs erasing something inconsequential from a chalkboard. she looks at charlene the way someone looks at a noise they canâ t locate. â charlene, â she says, barely a breath, â iâm not eating a fucking candied apple. â a beat. her mouth twitches. she shifts her gaze away again, already done with the conversation before itâs started.
the worst part about grief is that it feels like the world should be horrendously earth shatteringly changed, and to an extent it IS but its also the same. to everyone else it's just another tuesday. the world moves on. you have to go grocery shopping.

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Jenna Ortega x Instyle ImageMaker Awards.
Beetlejuice Beetlejuice (2024) dir. Tim Burton
đ¤Â  who: @tragicrequiem . đ  where:  ring toss. â  time: 6:07 pm.
he had his eyes on the fat one. usually it was just betaâs they had at this game, but for whatever reason there was a fat little goldfish swimming around in those god awful plastic bags, and casio was planning to win it. he wasnât sure what heâd do with it, his place wasnât particularly the best place for it, especially with mitra roaming around, but he didnât have anywhere else to put it either. the mechanics and bar werenât great options, and heâd never consider his dadâs placeâŚÂ he tosses a ring and lands it.
maybe he could give it away. it would be better than letting it stay a sad prize for a game. what do they do with them after the nightâs done?
he tossed a second ring, landing it. one more.
looking around casio tried to find someone who could use a fishy companion.
âwhaddya think bout that fat one?â he said to the person nearest to him.
the crowdâs noise folded inwards â cheap music, laughter, the dull clatter of coins â and she stood in the middle of it all, detached, scrolling through something that didn't even fucking matter. when he spoke, her response was delayed, like the words had to travel a long way to reach her. â which one ? â she muttered, not glancing up. he gestured toward the bag, but she only lifted her eyes for a second, long enough to catch a glimpse of scales and cloudy water. â ⌠yeah, â she said eventually. â itâs fine. â her voice was dry, without conviction. she shifted her weight, thumb flicking over the screen again.
serendipitous timing, as always â smoke break turned awkward interaction, with heath eternally grateful that nyx was more so absorbed in her own misery to see his stumble. a one-two glance, teeth pulled and a slick inhale between them. but, his presence had been noted already â unwanted, perhaps, but acknowledged nonetheless. he didn't crouch, seeking stability with his back to a steel beam, leaning against it as a singular joint plucked from the depths of its denim home. a silent offering, the inaugural smoke, substance over sadness. â just wondering if you wanted something to distract you. waste of a night to be hiding by yourself. â
eyes cut toward him, slow and heavy â like wading through something sticky, like sheâd forgotten what it felt like to look at something that might still hurt. she didnât bother straightening up. just let her shoulder melt into the harshness of the wall, that thin film of damp running through her jacket, grounding her entirely. he held the joint out, and she took it without thinking â the faintest graze of flesh, a ritual theyâd worn down to instinct. one drag, two. the silence between them pulsed â almost safe, if you didnât breathe too hard. â yeah, â she muttered, exhaling toward the concrete. â whatever, heath. â but she didnât tell him to leave. she never did. just watched him fade, like maybe if she waited long enough, it would take them both.
đđđđ đđđđđ đđđ đ˘đđđ đđđđđđ đđđđđ ...

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time : 8 pm, behind the ferris wheel. open : to anyone. [ 4/5 ].
hadnât meant for anyone to see her â eyes glazed, breath snagging in her throat, mascara bleeding down the curve of her cheek. it's pathetic, really. the kind of thing that ruins the illusion sheâs so carefully built: impenetrable, detached. so when she hears the faint shift of air, every muscle tightens. stillness. a slow inhale. then drags the back of her hand across her face, smearing grief into something less legible. â donât. â the word sounds wrong in her mouth, but sheâs already turned away â shoulders sharp, spine straight, face blanked into silence. whatever ache had lived in her expression folds inward, swallowed whole.
sheâs a 10 but sheâs a little too into wanting to see your organs
In a Year with 13 Moons (In einem Jahr mit 13 Monden) 1978, dir. Rainer Werner Fassbinder
outfit request for anon-Â will graham but heâs a skate boarding teen in santa monica
Jenna Ortega as Lorraine X (2022) dir. Ti West

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