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Luc Ferrari in the studio in Rue de l'Université, 1963 photo: Laszlo Ruszka

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Atsuko Tanaka, Untitled, (planographic print in black on ivory wove paper), 1963 [The Art Institute of Chicago, Chicago, IL. © Atsuko Tanaka]

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Georges Vantongerloo, Composition 13478 / 15, 1937

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Richard Paul Lohse ‘15 systematische Farbreihen mit’ (1955-69)

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Éliane Radigue in her studio, Paris, 1971 photo: Yves Arman

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Today’s Gerhard Richter Color Chart

1973

Laquer on canvas

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Het Zwin | Coussée & Goris Architecten

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Géza Perneczky - Bird Twittering (1980)

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Hannah Höch, Auf Tüllgrund, (collage of cut printed papers on paper board), 1921 [Harvard Art Museums/Busch-Reisinger Museum, Cambridge, MA, Gift of Rose Fried Gallery. © ARS, New York / VG Bild-Kunst, Bonn]

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Barry Le Va, Elements Compressed by Pushing from Various Directions, (felt-tip pen and pencil on paper), 1994-1995 [MoMA, New York, NY. © Barry Le Va]

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Antonio Frasconi cover for "A Whitman Portrait" 1960

Woodcut

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François Morellet

Cercles et demi-cercles [Circles and Semicircles], 1952 Oil on wood 15 ¾ × 27 9/16 in 40 × 70 cm

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JEAN LEPPIEN (1910-1991)

Sans titre

signé et date 'Jean Lappien 52' (en basà

gauche); signe des initiales et daté 'JL 8/52

LVIII' (au dos)

huile sur carton

100 X 77.5 cm. (39 3/8 x30 % in.)

Réalisé en 1952

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Fugue 1950

Robert Rauschenberg

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Aszód railway station’s Integra system signal-detection-dependent safety equipment assembled for factory testing, 1957. From the Budapest Municipal Photography Company archive.

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“UNTITLED” // 1987-88/97 CHIYŪ UEMAE 上前智祐 [hand-stitching on black cotton fabric | 183.7 x 260 cm.]

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Olav Niels 03

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