Luc Ferrari in the studio in Rue de l'Université, 1963 photo: Laszlo Ruszka
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Luc Ferrari in the studio in Rue de l'Université, 1963 photo: Laszlo Ruszka

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Atsuko Tanaka, Untitled, (planographic print in black on ivory wove paper), 1963 [The Art Institute of Chicago, Chicago, IL. © Atsuko Tanaka]
Georges Vantongerloo, Composition 13478 / 15, 1937
Richard Paul Lohse ‘15 systematische Farbreihen mit’ (1955-69)
Éliane Radigue in her studio, Paris, 1971 photo: Yves Arman

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Today’s Gerhard Richter Color Chart
1973
Laquer on canvas
Het Zwin | Coussée & Goris Architecten
Géza Perneczky - Bird Twittering (1980)
Hannah Höch, Auf Tüllgrund, (collage of cut printed papers on paper board), 1921 [Harvard Art Museums/Busch-Reisinger Museum, Cambridge, MA, Gift of Rose Fried Gallery. © ARS, New York / VG Bild-Kunst, Bonn]
Barry Le Va, Elements Compressed by Pushing from Various Directions, (felt-tip pen and pencil on paper), 1994-1995 [MoMA, New York, NY. © Barry Le Va]

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Antonio Frasconi cover for "A Whitman Portrait" 1960
Woodcut
François Morellet
Cercles et demi-cercles [Circles and Semicircles], 1952 Oil on wood 15 ¾ × 27 9/16 in 40 × 70 cm
JEAN LEPPIEN (1910-1991)
Sans titre
signé et date 'Jean Lappien 52' (en basà
gauche); signe des initiales et daté 'JL 8/52
LVIII' (au dos)
huile sur carton
100 X 77.5 cm. (39 3/8 x30 % in.)
Réalisé en 1952
Fugue 1950
Robert Rauschenberg
Aszód railway station’s Integra system signal-detection-dependent safety equipment assembled for factory testing, 1957. From the Budapest Municipal Photography Company archive.

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“UNTITLED” // 1987-88/97 CHIYŪ UEMAE 上前 智祐 [hand-stitching on black cotton fabric | 183.7 x 260 cm.]
Olav Niels 03