Do you... like pineapple?

The truth doesn’t care about our needs or wants. It doesn’t care about our governments, our ideologies, our religions. It will lie in wait for all time. And this, at last, is the gift of Chernobyl. Where I once would fear the cost of truth, now I only ask… What is the cost of lies?

It was like a message from God: “Honesty doesn’t pay, sucker.” 

I have lived a full life here. I have not been trampled on. I have not been petrified. I have not been excluded from every glimpse that is bright.

Here we are. You got me into your house. You give me a drink. You put on music. Now you start opening up your personal life to me and tell me your husband won’t be home for hours. Mrs. Robinson, you’re trying to seduce me. 

Why’d ya spill yer beans.

Academy Award Winners for Best Cinematography: 2020 — Roger Deakins, BSC, ASC 1917 (2019) Directed by Sam Mendes Aspect Ratio: 2.39 : 1

1917 is made with a series of long shots, the longest of which was about 8½ minutes, stitched together. Sam Mendes, who worked with Deakins on 2005’s Jarhead, 2008’s Revolutionary Road and 2012’s Skyfall, says that shots averaged 20 takes, with the most difficult needing as many as 50. The experience of working with such meticulous choreography was “exhilarating,” Deakins says. “Everyone’s high-fiving. All the grips I’ve known for, like, 30 years, saying, ‘Oh, my word, that was something. I’ve never done that before.’ It was really great.”

One tricky sequence featured the pair crossing No Man’s Land, which Mendes says involved “constantly changing the actors’ relationship to the camera so you weren’t simply following them from behind.“ 

Explains Deakins: “When we got on No Man’s Land, it was like, ‘OK, well, how do we work with the actors and choreograph the camera movement with the actors so you see details, and then you go from one character’s close-up to another character?’ And then you see them wide, and then you see what they’re looking at. That was really interesting. That informed a lot about what we were going to do with the rest of the film — how we could free the camera at moments where we needed to.”

Congratulations PARASITE / 기생충 (2019) dir. BONG JOON-HO on 6 nominations and winning 4 Academy Awards at the 92st Annual Academy Awards!

Best Original Screenplay · Bong Joon-ho, Han Jin-won (winner)

Best Picture · Bong Joon-ho, Kwak Sin-ae (winner)

Best Director · Bong Joon-ho (winner)

Best Foreign Language Film (winner)

Best Production Design · Lee Ha-Jun, Won-Woo Cho (nominee)